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Kinema Junpo Award For Best Film Of The Year
The Kinema Junpo Awards for Best Film of the Year is given by ''Kinema Junpo , commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' ha ...'' as part of its annual Kinema Junpo Awards for Japanese films. The award was first given in 1927. Here is a list of the award winners. Winners External linksKinema Junpo on IMDb {{Kinema Junpo Award for Best Film Awards for best film Japanese film awards Awards established in 1927 1927 establishments in Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikio Naruse
was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki ("common people drama") films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films have been compared with the works of Yasujirō Ozu. Many of his films in his later career were adaptations of the works of acknowledged Japanese writers. Titled a "major figure of Japan's golden age" and "supremely intelligent dramatist", he remains lesser known than his contemporaries Akira Kurosawa, Kenji Mizoguchi, and Ozu. Among his most noted films are '' Sound of the Mountain'', ''Late Chrysanthemums'', ''Floating Clouds'' and ''When A Woman Ascends The Stairs''. Biography Early years Mikio Naruse was born in Tokyo in 1905 and raised by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morning For The Osone Family
Morning is the period from sunrise to noon. There are no exact times for when morning begins (also true of evening and night) because it can vary according to one's lifestyle and the hours of daylight at each time of year. However, morning strictly ends at noon, which is when afternoon starts. Morning can also be defined as starting from midnight to noon. Morning precedes afternoon, evening, and night in the sequence of a day. Originally, the term referred to sunrise. Etymology The Modern English words "morning" and "tomorrow" began in Middle English as , developing into , then , and eventually . English, unlike some other languages, has separate terms for "morning" and "tomorrow", despite their common root. Other languages, like Dutch, Scots and German, may use a single wordto signify both "morning" and "tomorrow". Significance Greeting Some languages that use the time of day in greeting have a special greeting for morning, such as the English good morning. The appropr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kajirō Yamamoto
was a Japanese film director, screenwriter, and actor who was known for his war films and comedies and as the mentor of Akira Kurosawa. The combined list of his efforts as a director for documentaries, silent, and sound films includes over 90 film titles during his lifetime. Early life Born in Tokyo, Yamamoto attended Keio University, where he helped form a film appreciation society. He first appeared in film in 1921 as an actor opposite Yoshiko Okada, but that only earned the wrath of his family, who disowned him. Career He worked as an actor on the stage, joined Nikkatsu as an assistant director, and finally made his directorial debut in 1924 at Tōa Kinema. After working at Nikkatsu again, he was lured to Photo Chemical Laboratories (P. C. L.) in 1934, where he first made a name filming the comedies of Kenichi Enomoto. When P. C. L. became the Toho company, Yamamoto helmed realist dramas such as '' Tsuzurikata kyōshitsu'' and ''Uma'' (starring Hideko Takamine), and war ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hawai Mare Oki Kaisen
is a 1942 black-and-white Japanese war film directed by Kajiro Yamamoto, with special effects by Eiji Tsuburaya. Plot Production ''Hawai Mare oki kaisen'' was the most costly film made in Japan up to that time, costing over , when a typical film cost no more than $40,000. It used special effects and miniature models to create realistic battle scenes. These were intercut with genuine newsreel material to make the appearance of a documentary. The film was released during the week of the first anniversary of the Japanese attack on Pearl Harbor. The special effects are by Eiji Tsuburaya. Reception Box office Within its first eight days at the Japanese box office, the film had grossed . According to Toho, it was viewed by 100 million people in Japan and the country's occupied territories. Critical response Joseph L. Anderson comments that ''Hawai Mare oki kaisen'' was "representative of the national-policy films", with the aim of dramatizing "the Navy Spirit as culminated a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brothers And Sisters Of The Toda Family
is a 1941 Japanese film directed by Yasujirō Ozu. Plot The upper-class Toda family celebrates the 69th birthday of their father with a commemorative photoshoot at their outdoor garden. Unfortunately, shortly after the photo session, the father, Shintaro Toda ( Hideo Fujino), suffers a fatal heart attack. After his death his eldest son, Shinichiro (Tatsuo Saitō) announces that as their father had acted as a guarantor for a company which has gone bankrupt, they must help pay off that company's debts. The family sells off all their late father's properties and antiques, leaving only an old house by the sea. Meanwhile, the mother ( Ayako Katsuragi) and the youngest daughter Setsuko (Mieko Takamine) go and stay with Shinichiro and his wife. The unmarried second brother Shojiro (Shin Saburi) takes the opportunity to move away from Japan to Tianjin, China (which had been occupied by Japan during the Second Sino-Japanese war). The mother and Setsuko soon clash with Shinichiro's wife, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirō Toyoda
was a Japanese film director and screenwriter who directed over 60 films during his career spanning 50 years. Career Born in Kyoto, Toyoda moved to Tokyo after finishing high school and studied scriptwriting under the pioneering film director Eizō Tanaka. He joined the Kamata section of the Shōchiku film studios and worked as an assistant director under Yasujirō Shimazu, before giving his directorial debut in 1929. After his move to the independent Tokyo Hassei Eiga Shisaku studio (later Toho), he directed the successful ''Young People'' (1937) and gained a reputation for directing literary adaptations with a humanistic touch, in particular ''Uguisu'' (1938) and ''Spring on Leper's Island'' (1940). After World War II, he achieved fame for his adaptations of writers like Yasunari Kawabata, Kafū Nagai, Naoya Shiga, Jun'ichirō Tanizaki, Masuji Ibuse, and Ango Sakaguchi, distinguished by their visual imagination and superb acting. Noted works of this era include ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kojima No Haru
Kojima may refer to: Surname * Kojima (surname) Places * Kōjima, an island known for wild monkeys in Miyazaki Prefecture, Japan * Kojima, an uninhabited island belonging to the Tokara Islands, in the southern part of Kagoshima Prefecture, Japan * Kojima, an alternative spelling of Kutsujima island off Kyoto coast * Kojima (Hokkaido), an uninhabited island of Oshima subprefecture of Hokkaidō in the Sea of Japan * Kojima District, Okayama Companies * Kojima Productions, a prominent Japanese video game development studio * Kojima Engineering, a Japanese Formula One constructor Astronomy * 70P/Kojima 70P/Kojima is a periodic comet in the Solar System with a current orbital period of 7.05 years. It was discovered at Ishiki, Aichi, Japan by Nobuhisa Kojima, who estimated its brightness at magnitude 14. Its parabolic orbit was calculated by K ..., a periodic comet with a period of 7 years {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuchi (film)
, or ''Earth'', is a 1939 Japanese film directed by Tomu Uchida, based on the classic 1912 Meiji era novel ''Tsuchi'' by poet Takashi Nagatsuka, translated into English as ''The Soil'' by historian Ann Waswo. The film won the 1940 Kinema Junpo Award for Best Film. A seriously compromised print of ''Earth'' was discovered in Germany in 1968. It suffers from nitrate damage and includes German subtitles. It is missing its first and last reel. The original film was 142 minutes long; this version runs 93 minutes. A 119-minute version of the film, with subtitles in Russian, was discovered in Russia around the turn of the millennium. It, too, is missing the last reel. Plot The plot of ''Tsuchi'' focuses on a family of farmers who are down on their luck, but also extensively depicts the rural community's milieu, daily work and way of life. Kanji (Isamu Kosugi) is embittered because he has to pay off the debts of his dead wife's father (Kaichi Yamamoto). He is also overly protective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomotaka Tasaka
was a Japanese film director. Career Born in Hiroshima Prefecture, he began working at Nikkatsu's Kyoto studio in 1924 and eventually came to prominence for a series of realist, humanist films made at Nikkatsu's Tamagawa studio in the late 1930s such as '' Robō no ishi'' and '' Mud and Soldiers'', both of which starred Isamu Kosugi. His war film, ''Five Scouts'', was screened in the competition at the 6th Venice International Film Festival. Tasaka was a victim of the atomic bombing of Hiroshima and spent many years recovering. He eventually resumed directing and won the best director prize at the 1958 Blue Ribbon Awards for ''A Slope in the Sun'', which starred Yūjirō Ishihara. His brother, Katsuhiko Tasaka, was also a film director, and his wife, Hisako Takihana, was an actress. Selected filmography * ''Five Scouts'' (五人の斥候兵, Gonin no sekkōhei) (1938) * '' Robō no ishi'' (路傍の石) (1938) * '' Mud and Soldiers'' (土と兵隊, Tsuchi to heitai) (1939) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Scouts
is a 1938 Japanese war film directed by Tomotaka Tasaka. It won best film at the 1939 Kinema Junpo Awards and was nominated best film at the 1938 Venice International Film Festival. Cast * Hikaru Hoshi * Ichirō Izawa ... Pvt. Koguchi * Shirō Izome ... Cpl. Nakamura * Isamu Kosugi was a Japanese actor and film director. Career Born in Ishinomaki in Miyagi Prefecture, Kosugi first studied at the Nihon Eiga Haiyū Gakkō before joining the Nikkatsu studio in 1925. He came to prominence in tendency films such as '' Ikeru ... ... Platoon Leader External links * * * 1938 films Nikkatsu films Japanese war films Best Film Kinema Junpo Award winners 1938 war films Japanese black-and-white films 1930s Japanese-language films {{1930s-Japan-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomu Uchida
, born Tsunejirō Uchida on 26 April 1898, was a Japanese film director. The stage name "Tomu" translates to “spit out dreams”. Early career Uchida started out at the Taikatsu studio in the early 1920s, but came to prominence at Nikkatsu, adapting literary works with the screenwriter Yasutarō Yagi in a realist style. His 1929 film ''A Living Puppet'' (''Ikeru ningyo'') was selected as the fourth best film of the year by the film journal, ''Kinema Junpo''. Many of his 1930s films featured the actor Isamu Kosugi. One such work, ''Policeman'' (''Keisatsukan''), has been called "a tremendously stylish gangster movie about the love-hate relationship between a cop and a criminal, once childhood friends". It is Uchida’s only surviving complete silent film. Uchida borrows from Hollywood gangster films and expressionist techniques in a story of a young policeman tracking down an old friend who is now a criminal. His work from the 1920 and 1930s possess a leftist social commentary a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
