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Just Friends (1931 Song)
"Just Friends" is a popular song that has become a jazz standard. The song was written in 1931 by John Klenner with lyrics by Sam M. Lewis. Although introduced by Red McKenzie and His Orchestra in October 1931, it first became a hit when singer Russ Columbo performed it with Leonard Joy’s Orchestra in 1932. It charted again the same year in a version by Ben Selvin and His Orchestra and has been recorded often since. Other recordings * Tony Bennett with Stan Getz and Herbie Hancock – ''Jazz'' (1964) * Guitarist Larry Coryell – '' Toku Do'' (1988) * Dizzy Gillespie with Oscar Peterson, Freddie Hubbard, and Clark Terry – ''The Trumpet Summit Meets the Oscar Peterson Big 4'' (1980) * Earl Hines – ''Fatha Plays Classics'' (1977) * Lee Konitz with Bill Evans – '' Live at the Half Note'' (1959/1994) * Red McKenzie – 1931 * Charlie Parker – 1949 *Chet Baker – 1955 * Sonny Rollins with Coleman Hawkins – ''Sonny Meets Hawk!'' (1963) * Sun Ra & His Arkestra - ''Just ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and " fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Trumpet Summit Meets The Oscar Peterson Big 4
''The Trumpet Summit Meets the Oscar Peterson Big 4'' is a 1980 album featuring the trumpeters Dizzy Gillespie, Clark Terry, and Freddie Hubbard, supported by a quartet led by Oscar Peterson. Outtakes from the 1980 session that produced this album were released as '' The Alternate Blues''. Track listing # "Daahoud" (Clifford Brown) – 8:38 # "Chicken Wings" ( Ray Brown, Bobby Durham, Freddie Hubbard, Joe Pass, Oscar Peterson, Clark Terry) – 9:35 # " Just Friends" (John Klenner, Sam M. Lewis) – 11:58 # "The Champ" (Dizzy Gillespie) – 7:55 Personnel Performance * Oscar Peterson – piano * Clark Terry – trumpet * Dizzy Gillespie – trumpet * Freddie Hubbard – trumpet * Joe Pass Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, a ... – guitar * Ray Brown – bass * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Taylor
Cecil Percival Taylor (March 25, 1929April 5, 2018) was an American pianist and poet. Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase "eighty-eight tuned drums" to describe Taylor's style. He has been referred to as being "like Art Tatum with contemporary-classical leanings". Early life and education Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens. Ratliff, Ben (May 3, 2012)"Lessons From the Dean of the School of Improv" '' The New York Times''. Retrieved December 9, 2017: "I recently spoke with the 83-year-old improvising pianist Cecil Taylor for about five hours over two days. One day was at his three-story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Ra
Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony'r Ra, shortened to Sun Ra (after Ra, the Egyptian god of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he denied ties to his prior identity saying, "Any name that I use other than Ra is a pseudonym." His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Meets Hawk!
''Sonny Meets Hawk!'' is a 1963 album by jazz saxophonist Sonny Rollins, with Coleman Hawkins appearing as guest artist. It was recorded at RCA Victor Studio "B" in New York City on July 15 and 18, 1963. The album features some of Rollins's most avant-garde playing. The album marks the first time the two saxophonists had entered a recording studio together, although they had appeared on stage together briefly that same year at the Newport Jazz Festival.Original liner notes by producer George Avakian Track listing #" Yesterdays" ( Jerome Kern, Otto Harbach) – 5:13 #"All the Things You Are" (Kern, Oscar Hammerstein II) – 9:33 #" Summertime" ( DuBose Heyward, George Gershwin, Ira Gershwin) – 5:58 #"Just Friends" (John Klenner, Sam M. Lewis) – 4:40 #"Lover Man (Oh Where Can You Be?)" – ( Jimmy Davis, Roger "Ram" Ramirez, James Sherman) – 8:54 #"At McKies'" (Rollins) – 7:03 Personnel *Sonny Rollins – tenor saxophone *Coleman Hawkins – tenor saxophone * Paul Bley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Baker
Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: ''Chet Baker Sings'' (1954) and '' It Could Happen to You'' (1958). Jazz historian Dave Gelly described the promise of Baker's early career as " James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s. Biography Early years Baker was born and raised in a musical household in Yale, Oklahoma on 23 December 1929. His father, Chesney Baker Sr., was a professional guitarist, and his mother, Vera Moser, was a pianist who worked in a perfume factory. His maternal grandmother was Norwegian. Baker said tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as " Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At The Half Note (Lee Konitz Album)
''Live at the Half Note'' is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at the Half Note in 1959 accompanied by Bill Evans, Jimmy Garrison, and Paul Motian. It was first released on the Verve label in 1994 as a double CD set. accessed June 2, 2016 Critical reception Scott Yanow, writing for Allmusic, stated: "They perform a dozen extended standards (or "originals" based on the chord changes of familiar tunes) with creativity and inspiration. In fact, of all the Konitz-Marsh recordings, this set ranks near the top".Track listing Disc one # "Palo A ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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