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James Pryde
James Ferrier Pryde (1866–1941) was a British artist. A number of his paintings are in public collections, but there have been few exhibitions of his work. He is principally remembered as one of the Beggarstaffs, his artistic partnership with William Nicholson, and for the poster designs and other graphic work they made between 1893 and 1899, which had a powerful and far-reaching influence on graphic design for many years. Life James Ferrier "Jimmy" Pryde was born at 23 London Street, Edinburgh, on 30 March 1866. He was the only son of the six children of David Pryde (1834–1907), who was headmaster of Edinburgh Ladies' College from 1870 to 1891, and his wife Barbara ''née'' Lauder (born 1833 or 1834), whose father William was a brother of the famous Scottish artists Robert Scott Lauder and James Eckford Lauder. The family moved to 10 Fettes Row, Edinburgh, in 1872. Pryde attended George Watson's Boys' College, and from 1885 to 1888 studied at the Royal Scottish Acad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Scarron
Paul Scarron (c. 1 July 1610 in Paris – 6 October 1660 in Paris) (a.k.a. Monsieur Scarron) was a French poet, dramatist, and novelist, born in Paris. Though his precise birth date is unknown, he was baptized on 4 July 1610. Scarron was the first husband of Françoise d'Aubigné, who later became Madame de Maintenon and secretly married King Louis XIV of France. Life Scarron was the seventh child of Paul Scarron, a noble of the robe and member of the Parlement of Paris, and Gabrielle Goguet. Paul became an abbé when he was nineteen. He lived in Le Mans from 1632 to 1640, and in 1635 traveled to Rome with his patron, Charles de Beaumanoir, the bishop of Le Mans. Finding a patron in Marie de Hautefort, maîtresse-en-titre of Louis XIII, he became a well-known figure in literary and fashionable society. In 1638, Scarron became disabled. One source (Laurent Angliviel de la Beaumelle, ''Memoires... de Mme de Maintenon'') attributed Scarron's deformities to rheumatism contrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Hibernian Academy
The Royal Hibernian Academy (RHA) is an artist-based and artist-oriented institution in Ireland, founded in Dublin in 1823. Like many other Irish institutions, such as the RIA, the academy retained the word "Royal" after most of Ireland became independent as the Irish Free State in December 1922. History The RHA was founded as the result of 30 Irish artists petitioning the government for a charter of incorporation. According to the letters patent of 5 August 1823, The Royal Hibernian Academy of Painting, Sculpture, and Architecture was established, which included a National School of Art. The first elected president was the landscape painter, William Ashford. In 1824 architect Francis Johnston was made president. He had provided headquarters for the RHA at Academy House in Lower Abbey Street at his own expense. The first exhibitions took place in May 1825 and were held annually from then on. To encourage interest in the arts works displayed at the RHA were distributed by lot a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New English Art Club
The New English Art Club (NEAC) was founded in London in 1885 as an alternative venue to the Royal Academy. It continues to hold an annual exhibition of paintings and drawings at the Mall Galleries in London, exhibiting works by both members and artists from Britain and abroad whose work has been selected from an annual open submission. History Young English artists returning from studying art in Paris mounted the first exhibition of the New English Art Club in April 1886. Among them were William Laidlay, Thomas Cooper Gotch, Frank Bramley, John Singer Sargent, Philip Wilson Steer, George Clausen and Stanhope Forbes. Another founding member was G. P. Jacomb-Hood. An early name suggested for the group was the 'Society of Anglo-French Painters', which gives some indication of their origins. As a note in the catalogue to their first exhibition explained, 'This Club consists of 50 Members, who are more or less united in their art sympathies. They have associated themselves togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leicester Galleries
Leicester Galleries was an art gallery located in London from 1902 to 1977 that held exhibitions of modern British, French and international artists' works. Its name was acquired in 1984 by Peter Nahum, who operates "Peter Nahum at the Leicester Galleries" in Mayfair. History In July 1902, Cecil and Wilfred Phillips opened a gallery in Leicester Square. The following year Ernest Brown joined the organisation, and they became Ernest Brown and Phillips Ltd, operating the Leicester Galleries. The exhibited works of modern British and French painters, including John Lavery, Robert Medley, Mark Gertler and Henry Moore. Works exhibited included drawings, watercolours, paintings, prints and sculptures. Every one of the more than 1,400 exhibitions had a printed catalogue. Emerging artists - such as William Roberts, Christopher Nevinson, David Bomberg, and Jacob Epstein - were recognized in their annual "Artists of Fame and Promise" exhibition. Henri Matisse, Picasso, Camille Pissarro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Society Of Sculptors, Painters And Gravers
The International Society of Sculptors, Painters and Gravers was a union of professional artists that existed from 1898 to 1925, "To promote the study, practice, and knowledge of sculpture, painting, etching, lithographing, engraving, and kindred arts in England or elsewhere...". It came to be known simply as The International. Philip Athill (January 1985)The International Society of Sculptors, Painters and Gravers ''The Burlington Magazine'' 127(982): 21-29+33. The society organised exhibitions, some for members only and some open to others, and social events such as musical evenings and soirées. The exhibitions were held in a number of London venues, and in other cities around England, including Nottingham and Manchester. Its founder and first president was James McNeill Whistler. On his death, the presidency was taken up by Auguste Rodin, with John Lavery as vice-president. The society contributed £500 towards the cost of Whistler's memorial. Formation The society was initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Gordon Craig
Edward Henry Gordon CraigSome sources give "Henry Edward Gordon Craig". (born Edward Godwin; 16 January 1872 – 29 July 1966), sometimes known as Gordon Craig, was an English modernist theatre practitioner; he worked as an actor, director and scenic designer, as well as developing an influential body of theoretical writings. Craig was the son of actress Dame Ellen Terry. The Gordon Craig Theatre, built in Stevenage (the town of his birth), was named in his honour in 1975. Life and family The illegitimate son of the architect Edward Godwin and the actress Ellen Terry, Craig was born Edward Godwin on 16 January 1872 in Railway Street, Stevenage, in Hertfordshire, England, and baptised at age 16 as Edward Henry Gordon. He attended Bradfield College in Berkshire from May 1886 to July 1887. He took the surname Craig by deed poll at age 21.Hamilton, James"Craig, (Edward Henry) Gordon (1872–1966)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; onlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellen Terry
Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist George Frederic Watts, but they separated within a year. She soon returned to the stage but began a relationship with the architect Edward William Godwin and retired from the stage for six years. She resumed acting in 1874 and was immediately acclaimed for her portrayal of roles in Shakespeare and other classics. In 1878 she joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. Two of her most famous roles were Portia in ''The Merchant of Venice'' and Beatrice in ''Much Ado About Nothing''. She and Irving also toured with great success in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hertfordshire
Hertfordshire ( or ; often abbreviated Herts) is one of the home counties in southern England. It borders Bedfordshire and Cambridgeshire to the north, Essex to the east, Greater London to the south, and Buckinghamshire to the west. For government statistical purposes, it forms part of the East of England region. Hertfordshire covers . It derives its name – via the name of the county town of Hertford – from a hart (stag) and a ford, as represented on the county's coat of arms and on the flag. Hertfordshire County Council is based in Hertford, once the main market town and the current county town. The largest settlement is Watford. Since 1903 Letchworth has served as the prototype garden city; Stevenage became the first town to expand under post-war Britain's New Towns Act of 1946. In 2013 Hertfordshire had a population of about 1,140,700, with Hemel Hempstead, Stevenage, Watford and St Albans (the county's only ''city'') each having between 50,000 and 100,000 r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bushey
Bushey is a town in the Hertsmere borough of Hertfordshire in the East of England. It has a population of over 25,000 inhabitants. Bushey Heath is a large neighbourhood south east of Bushey on the boundary with the London Borough of Harrow reaching elevations of above sea level. History The first written record of Bushey is its entry in the Domesday Book of 1086, which describes a small agricultural village named 'Bissei' (which later became 'Biss(h)e' and then 'Bisheye' during the 12th century). However, chance archaeological findings of Stone Age tools provide evidence that the area was inhabited as far back as the Palaeolithic period. The town also has links to the Roman Britain, Roman occupation of Great Britain, Britain, with the main road running through it being Roman; sites of possible Roman villas being unearthed in the area; and a Roman tessellated pavement was discovered near Chiltern Avenue. The origin of the town's name is not fully known. In terms of the origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Herkomer
Sir Hubert von Herkomer (born as Hubert Herkomer; 26 May 1849 – 31 March 1914) was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. ''Hard Times'' (1885; Manchester Art Gallery) showing the distraught family of a travelling day-labourer at the side of a road, is one of his best-known works. Early life and education Herkomer was born on 26 May 1849 at Waal, in the Kingdom of Bavaria, the son of Lorenz Herkomer, a wood-carver of great ability, and his wife Josephine Niggl. His family was poor, and his mother tried to supplement his father’s earnings by giving music lessons. Once his mother gave him a half sovereign for some shopping: "It was the last piece of gold in the place. I lost it. My parents were in despair".''Chums'' annual, 1896, p. 279 Lorenz Herkomer left Bavaria in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
