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Just Can't Get Enough (Depeche Mode Song)
"Just Can't Get Enough" is a song by English electronic music band Depeche Mode. It was their third single, released on 7 September 1981, a month before the release of their debut studio album, ''Speak & Spell (album), Speak & Spell''. It was recorded during the summer of that year at Blackwing Studios, and was the band's first single to be released in the United States, on 18 February 1982. A riff-driven synth-pop song, "Just Can't Get Enough" was the final single to be written by founding member Vince Clarke, who left the band in November 1981. Background Vince Clarke told ''Rolling Stone'' magazine in 2000 that Spandau Ballet's "To Cut a Long Story Short" inspired him to write "Just Can't Get Enough". He admitted, "Up to that point, I didn't like dance music or disco at all." Upon hearing the Spandau Ballet song, however, he said, "It was the first time I was actually impressed by a rhythm that went 'boom-thwack, boom-thwack, boom-thwack.' It was the first time I discovered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depeche Mode
Depeche Mode are an English electronic music, electronic band formed in Basildon, Essex in 1980. Originally formed with the line-up of Dave Gahan, Martin Gore, Andy Fletcher (musician), Andy Fletcher and Vince Clarke, the band currently consists of Gahan and Gore. With Clarke as their primary songwriter, Depeche Mode released their debut album ''Speak & Spell (album), Speak & Spell'' in 1981 amid the British New wave music, new wave scene. Clarke left the band at the end of 1981, going on to form the groups Yazoo (band), Yazoo and later Erasure (duo), Erasure. The remaining trio recorded their second album, ''A Broken Frame'' (1982), with Martin Gore as chief songwriter. The band then recruited Alan Wilder, establishing a line-up that continued until 1995, beginning with the albums ''Construction Time Again'' (1983) and ''Some Great Reward'' (1984). The albums ''Black Celebration'' (1986) and ''Music for the Masses'' (1987) cemented them as a dominant force within the electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southbank Centre
Southbank Centre is an arts centre in London, England. It is adjacent to the separately owned National Theatre and BFI Southbank. It comprises the three main performance spaces – the Royal Festival Hall, Queen Elizabeth Hall, and Purcell Room – as well as the Hayward Gallery and National Poetry Library. It the largest centre for the arts in the UK. The Southbank Centre drew around 3.7 million visitors in 2024 and stages approximately 5,000 performances each year. Three to four major art exhibitions are presented at the Hayward Gallery annually. Together with the Barbican Centre, a similar arts venue, the Southbank Centre is also known for its brutalist architecture. Location Southbank Centre's site is on the South Bank of the River Thames, between Hungerford Bridge and Waterloo Bridge. It is fronted by The Queen's Walk and formerly extended to 21 acres (85,000 m2), from County Hall to Waterloo Bridge, however in 2012 management of Jubilee Gardens transferre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of three major weekly music industry trade magazines in the United States, with ''Billboard'' and '' Cashbox''. It was founded in 1946 as ''Music Vendor''. In 1964, it was changed to ''Record World'' under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. History Growth ''Music Vendor'' published its first music chart for the week ending October 4, 1954. ''Record World'' was housed in New York City at 1700 Broadway, at 53rd Street, across the street from the Ed Sullivan Theater. Its West Coast editorial offices were located in Los Angeles on Sunset and Vine. Peak ''Record World'' showed musical diversity by printing a "Non-Rock" survey, comparable to ''Billboard's'' "Easy Listening" / "Adult Contemporary" chart. This chart began in the February 4, 1967, issue, and ended on April 1, 1972, having morphed to the name "The MOR Chart" by 1971. Several titles of interest appeared on this 40-position list without ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a spin-off digital television channel, which was later renamed Box Hits, and website. A digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for its first few issues. He based the idea on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Singles Chart
The ARIA Charts are the main Australian record chart, music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent (historian), David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Gore
Martin Lee Gore (born 23 July 1961) is an English musician and songwriter. He is one of the founding members of the electronic music band Depeche Mode and is the band's main songwriter. He is the band's guitarist and keyboardist, and occasionally provides lead vocals. Gore possesses a tenor singing voice which contrasts with lead vocalist Dave Gahan's dramatic baritone. He is also known for his flamboyant and (sometimes) androgynous stage persona. Gore has also released several solo albums and collaborated with former Depeche Mode member Vince Clarke as part of VCMG. Gore's songs include themes such as sex, religion and politics. He has said he feels lyrical themes that tackle issues related to solitude and loneliness are a better representation of reality, whereas he finds "happy songs" fake and unrealistic. At the same time, he asserts that the band's music contains "an element of hope". In 1999, he received the Ivor Novello Award from the British Academy of Songwriters, Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remixes 81–04
''Remixes 81–04'' is a remix album by English electronic music band Depeche Mode, released on 25 October 2004. It was the band's first release since Daniel Miller's independent label Mute Records was acquired by industry major EMI in 2002. It features well-known remixes from the band's back catalogue, as well as previously unavailable mixes. There are three versions of ''Remixes 81–04''. The main version has two CDs. The limited-edition version has the same two CDs, plus a bonus CD with mostly new remixes. There is also a one-CD release with selections from all three discs. The booklet, found in all three versions, features an essay by Paul Morley. A special "secret website" (now offline) could be unlocked with the CDs. During the promotion of the limited three-CD edition of ''Remixes 81–04'', the above-mentioned site was launched for fans who bought the bundle, which featured exclusive goodies. There was a special digital download-only bundle titled ''Remixes 81··· ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Singles 81→85
''The Singles 81→85'' is a greatest hits album by English electronic music band Depeche Mode, released on 14 October 1985 by Mute Records. The compilation was not originally released in North America, where it was replaced by its counterpart '' Catching Up with Depeche Mode''. This was the first release to feature a picture of the band on the cover (aside from the compilation album '' People Are People'', which was released exclusively in North America in 1984). In 1998, to coincide with the release of '' The Singles 86>98'', the album was reissued and remastered under the title ''The Singles 81>85'', featuring new cover art and two bonus tracks. As of April 2006, the 1998 reissue had sold 283,000 copies in the United States. Artwork On the inner sleeve of both the original LP and the reissue, as well as in the CD booklet and cassette inlay, each single's cover is pictured along with comments by certain reviewers, both positive and negative. Pre-Pet Shop Boys era, Neil Tennan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
