Itinerant Poet
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Itinerant Poet
An itinerant poet or strolling minstrel (also known variously as a gleeman, circler, or cantabank) was a wandering minstrel, bard, musician, or other poet common in medieval Europe but extinct today. Itinerant poets were from a lower class than jesters or jongleurs, as they did not have steady work, instead travelling to make a living. Medieval performers In Medieval England, a gleeman was a reciter of poetry. Like a scop, a gleeman performed poetry to the accompaniment of a harp or " glee wood". Gleemen occasionally attached themselves to a particular court, but were most often ''wandering'' entertainers; this is unlike scops, who were more static. Gleemen were also less likely to compose or perform their own poetry and relied on the work of others for their material. A source cited that the number of itinerant poets were augmented by disgraced courtiers, clairvoyants, and even the deformed as these entertainers formed troupes and catered to the whims of individual patrons. ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Ea ...
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Bard
In Celtic cultures, a bard is a professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), mga, bard and ('bard, poet'), wlm, bardd ('singer, poet'), Middle Breton: ''barz' ...
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Performing Arts
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, dance, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses, on open air stages at festivals, on stages in tents such as circuses or on the street. Live performances before an audience are a form of entertainment. The development of audio and video recording has allowed for private consumption of the performing arts. Th ...
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Entertainment Occupations
Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things because individuals have different preferences, most forms of entertainment are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures and were supported in royal courts and developed into sophisticated forms, over time becoming available to all citizens. The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded p ...
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Marx Augustin
Marx Augustin (also Markus Augustin, "Der Liebe Augustin") (1643 in Vienna – 11 March 1685 (or 10 October 1705), in Vienna) was an Austrian minstrel, bagpiper, and improvisatory poet most famous for the song, "O du lieber Augustin "" ("Oh, you dear Augustin") is a popular Viennese song, first published about 1800. It is said to refer to the balladeer Marx Augustin and his brush with death in 1679. Augustin himself is sometimes named as the author, but the origin is uncl ...", which is attributed to him. ReferencesGreatest Hits, 1820-60 (Variety Music Cavalcade) Accessed 11 June 2009. 1643 births 1685 deaths 1705 deaths Year of death uncertain 17th-century Austrian musicians 17th-century Austrian people Austrian male musicians 17th-century Austrian poets Austrian male poets Bagpipe players Musicians from Vienna 17th-century male writers 17th-century male musicians {{Austria-musician-stub ...
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Genealogy
Genealogy () is the study of families, family history, and the tracing of their lineages. Genealogists use oral interviews, historical records, genetic analysis, and other records to obtain information about a family and to demonstrate kinship and pedigrees of its members. The results are often displayed in charts or written as narratives. The field of family history is broader than genealogy, and covers not just lineage but also family and community history and biography. The record of genealogical work may be presented as a "genealogy", a "family history", or a "family tree". In the narrow sense, a "genealogy" or a "family tree" traces the descendants of one person, whereas a "family history" traces the ancestors of one person, but the terms are often used interchangeably. A family history may include additional biographical information, family traditions, and the like. The pursuit of family history and origins tends to be shaped by several motives, including the desire ...
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Chronicler
A chronicle ( la, chronica, from Greek ''chroniká'', from , ''chrónos'' – "time") is a historical account of events arranged in chronological order, as in a timeline. Typically, equal weight is given for historically important events and local events, the purpose being the recording of events that occurred, seen from the perspective of the chronicler. A chronicle which traces world history is a universal chronicle. This is in contrast to a narrative or history, in which an author chooses events to interpret and analyze and excludes those the author does not consider important or relevant. The information sources for chronicles vary. Some are written from the chronicler's direct knowledge, others from witnesses or participants in events, still others are accounts passed down from generation to generation by oral tradition.Elisabeth M. C. Van Houts, ''Memory and Gender in Medieval Europe: 900–1200'' (Toronto; Buffalo : University of Toronto Press, 1999), pp. 19–20. Some ...
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Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history. Homer's ''Iliad'' centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. The ''Odyssey'' chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy. The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally. Homer's epic poems shaped aspects of ancient Greek culture and education, fostering ideals of heroism, glory, and honor. To Plato, Homer was simply the one ...
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Rhapsodists
A rhapsode ( el, ῥαψῳδός, "rhapsōidos") or, in modern usage, rhapsodist, refers to a classical Greek professional performer of epic poetry in the fifth and fourth centuries BC (and perhaps earlier). Rhapsodes notably performed the epics of Homer (''Iliad'' and ''Odyssey'') but also the wisdom and catalogue poetry of Hesiod and the satires of Archilochus and others. Plato's dialogue '' Ion'', in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant performers, moving from town to town. Rhapsodes originated in Ionia, which has been sometimes regarded as Homer's birthplace, and were also known as Homeridai, disciples of Homer, or "singers of stitched lays." Etymology and usage The term ''rhapsode'' is derived from ' ...
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Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean Sea, Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of Classical Antiquity, classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related polis, city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's Macedonian empire, empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic Greece, Archaic period and Greek colonis ...
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Fool (court Jester)
A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during the medieval and Renaissance eras. Jesters were also itinerant performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events. During the Middle Ages, jesters are often thought to have worn brightly colored clothes and eccentric hats in a motley pattern. Their modern counterparts usually mimic this costume. Jesters entertained with a wide variety of skills: principal among them were song, music, and storytelling, but many also employed acrobatics, juggling, telling jokes (such as puns, stereotypes, and imitation), and performing magic tricks. Much of the entertainment was performed in a comic style. Many jesters made contemporary jokes in word or song about people or events well known to their audiences. Etymology The modern use of the English word ...
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Jongleur
A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of today's bu ...
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