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Ishtam (2001 Malayalam Film)
''Ishtam'' () is a 2001 Indian Malayalam-language romantic comedy-drama film directed by Sibi Malayil and written by Kalavoor Ravikumar. It stars Dileep and Navya Nair (in her acting debut), with Nedumudi Venu, Innocent, Sreenivasan, and Jayasudha appearing in supporting roles. The music was composed by Mohan Sitara. ''Ishtam'' was remade in Hindi as ''Mere Baap Pehle Aap'' by Priyadarshan. Plot Pawan, whose mother died twenty four years ago when he was a child, lives with his father Krishnankutty Menon, a rich businessman. His father frequently and hilariously gets in trouble with the police officer Mariamma, mostly due to his best friend, Narayanan. Anjana meets Pavan whom he ragged her and cut her hair for which she left the college. So Anjana plans to take a sweet revenge by making a false call. After all those fun incidents, Anjana meets Pavan and then Pavan regret for his mischief he had done to Anjana and then they both become friends. Anjana lives with an spinster mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibi Malayil
Sibi ( Sindhi: سيوي ur, ) is a city situated in the Balochistan province of Pakistan. The city is the headquarters of the district and tehsil of the same name. Etymology The origin of the town's name is attributed to Rani Sewi, a Hindu lady of the Sewa Dynasty who ruled Balochistan before the 7th century.The tribal Baluchistan by Syed Abdul Quddus page 49 History The history of the Sibi region dates back to the 7th century at the earliest, when it was ruled by the Sewa dynasty. In the early 13th century, Sibi was a dependency of Multan under Nasiruddin Qabacha of the Ghurid Empire. The area was then variously subject to Multan or Sindh throughout much of its history. The Arghun dynasty of Kandahar invaded in the late 15th century and seized Sibi from the Samma dynasty of Sindh, but it was returned to Sindh during the Mughal period. Sibi was governed by the Kalhora dynasty during the early 18th century, which in turn paid tribute to the Afsharids after Nader Shah's invas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balachandra Menon
Balachandra Menon ( ml, ബാലചന്ദ്ര മേനോൻ) (born 11 January 1954) is an Indian actor, director and script writer. He made a number of films in the Malayalam films of the 1980s, 1980s and Malayalam films of the 1990s, 1990s. He has directed 40 films and has acted in over 100. He won two National Film Awards including the National Film Award for Best Actor for his performance as station master Ismail the 1998 film ''Samaantharangal'', which was also directed by him. He has also worked as a distributor, editor, composer, singer and producer in the Malayalam film industry. He has found space in the Limca Book of Records for the maximum number of films directed, scripted and acted in. Menon has introduced many actors into the Malayalam film industry, Malayalam Cinema Industry. Actors who made their debut in his films include Shobana in ''April 18 (film), April 18'', Parvathy Jayaram, Parvathy in ''Vivahithare Ithile'', Maniyanpilla Raju in ''Maniyan Pilla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Scored By Mohan Sithara
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Sibi Malayil
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam Films Remade In Other Languages
Malayalam (; , ) is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district) by the Malayali people. It is one of 22 scheduled languages of India. Malayalam was designated a "Classical Language of India" in 2013. Malayalam has official language status in Kerala, and Puducherry ( Mahé), and is also the primary spoken language of Lakshadweep, and is spoken by 34 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari, district of Tamil Nadu. It is also spoken by the Malayali Diaspora worldwide, especially in the Persian Gulf countries, due to large populations of Malayali expatriates there. There are significant population in each cities in India including Mumbai, Bengaluru, Delhi, Kolkata, Pune etc. The origin of Malayalam remains a matter of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Romantic Comedy-drama Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Malayalam-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screen India
''Screen'' was an Indian weekly film magazine published by Indian Express Limited. Established in 1951, it was owned by The Indian Express Group. The magazine was acquired by Star India in 2015 and subsequently ceased publication. The magazine's content focused on India's Hindi film industry, a.k.a. Bollywood, located mainly in Mumbai. It also had an e-magazine version. History ''Screen'' was first published on 26 September 1951 with Manorama Katju as its managing editor. She was succeeded in 1959 by S.S. Pillai who died in post in 1977. The magazine was founded by The Indian Express Group. B. K. Karanjia who was previously editor of ''Filmfare'', remained the editor of ''Screen'' for 10 years. Udaya Tara Nayar, previously a staff writer for the magazine, was editor between 1988-1996 and 1998–2000. Film journalist, Bhawana Somaaya was the editor of the magazine from 2000 to 2007. In 2007, she was succeeded by Priyanka Sinha Jha, a former ''Society'' magazine and ''HT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani (raga)
Kalyani is a melakarta raga (parent musical scale) in the Carnatic music. It was called Kalyan but is now more popularly called Yaman (raga), Yaman in Hindustani Music. Its Western equivalent is the Lydian mode. Kalyani in Carnatic music In South Indian weddings it is a very prominently played raga. The word ''Kalyani'' means ''she who causes auspicious things''. It is the 65th melakarta raga under the Katapayadi Katapayadi sankhya, sankhya. It is also called ''Mechakalyani''. The notes for Kalyani are S R2 G3 M2 P D2 N3. Kalyani is the first Prathi Madhyama raga that was ever discovered. It was obtained by the process of Graha Bhedam or modal shift of tonic of the ancient Shadja Grama. Specifics on this raga Kalyani has scope for elaborate alapana. One should not remain too long on panchamam (pa) or alternate between shadjamam and panchamam too frequently. Kalyani is prominently known among the public. It is often performed at the beginning of concerts because it is conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapi (raga)
Kāpi is a popular rāga in Carnatic music, the classical music of South India. ''Kāpi'' is a janya rāgam of ''Kharaharapriya'' with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. ''Kāpi'' is different from the Hindustani raag and thaat ''Kafi.'' The equivalent raag in Hindustani is Pilu. Structure and Lakshana Kāpi is an audava-vakra sampoorna rāgam with an ascending pentatonic scale and a descending scale with seven notes, but not in a descending order. Use of Kakali Nishadam and Anthara Gandharam make it a Bhashanga Raagam. * : * : The presence of different ''nishāda'' swarās (N2 and N3) lends a distinctive quality to Kāpi, along with the fact that it uses a set of vakra swarās (N2 D2 N2). There is also a mild presence of shuddha daivatham (D1) that renders an invaluable feeling of devotion to the raagam. This, and the presence of Anthara Gandhara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brindabani Sarang
Brindavani Sarang or Brindabani Sarang, also known as raga Sarang, is a Hindustani classical raga. It is also called Vridavani Sarang. This raga falls under the category of Sarang ragas. Theory Brindabani Sarang is a Kafi thaat raga. It was created by Swami Haridas. The associated mythology being that he brought Lord Krishna to earth by singing this raga who took the form of an idol which can still be seen in Mathura. One of the famous Ragas for the Sarang , it is a popular of this family, together with Shuddha Sarang, and Madhyamad Sarang. The name Brindavani Sarang is a testament to its popularity in the region around Mathura. The notes ''Ga'' and ''Dha'' are not used in this raga. A characteristic of all Sarang is the way ''Rishab'' (Re) is sung. The Rishabh is not accorded embellishments, so it is sung without any ''meenḍ'' of adjacent ''swara''s neither with any ''andolan''. This preeminence of Re makes the ''swar'' the ''vadi'' of this Raga as also for all oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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