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Isabella In Red (Rubens)
''Isabella in Red'' (also called ''Portrait of the Aged Isabella d'Este'') is a portrait of a woman by Peter Paul Rubens in the Kunsthistorisches Museum in Vienna. It is considered a close copy of a lost Titian original. Description The knee-piece shows a somewhat chubby middle-aged woman in a red velvet dress in front of a turquoise background. On her head she wears a balzo, a fashionable invention of Isabella d'Este (from 1509), which was widely used in northern Italy in the 1530s. Personal features are reddish-brown curls, brown eyes and classically arched eyebrows. History At the beginning of the 17th century, Rubens was a court painter in Mantua. During this time (and later in other places) he copied Italian painters, including Titian. These are considered close copies. The date of the Rubens copy remains unclear (1600, c. 1605 or later), and so does the date of Titian's original (depending on the source, the years 1524-1536 are assumed). After Rubens' death, two copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella In Black
''Isabella in Black'' (also called ''Portrait of Isabella d'Este'') is a portrait of a young woman by Titian. It can be dated to the 1530s and is in the Kunsthistorisches Museum in Vienna. The artist and the date are undisputed. Beyond the museum documentation, there are repeated doubts about the person depicted. Description Depicted is a young woman as a half figure in a chair with an armrest against a dark background. She stares slightly to the left. Personal features are light blond curls, the (rare) eye colour light grey, flat eyebrows and a snub nose — overall not representing the ideal of beauty. On her head she wears a balzo (a fashion invention of Isabella d'Este (prototypes before 1509), but widely popular in northern Italy in the 1530s). Her clothes are dark, the sleeves green with patterns, a gold decorated shirt and a fur (probably lynx). The canvas is reputed to be trimmed on the left and right. History The painting passed from the Gonzaga collection in Mantu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Currier Museum Of Art
The Currier Museum of Art is an art museum in Manchester, New Hampshire, in the United States. It features European and American paintings, decorative arts, photographs and sculpture. The permanent collection includes works by Picasso, Matisse, Monet, O'Keeffe, Calder, Scheier and Goldsmith, John Singer Sargent, Frank Lloyd Wright, and Andrew Wyeth. Public programs include tours, live classical music and "Family Days" which include activities for all ages. The museum maintains two house museums, the Zimmerman House and the Toufic H. Kalil House, both designed by notable architect Frank Lloyd Wright. History The museum, originally known as the Currier Gallery of Art, was founded in 1929 from a bequest of former New Hampshire Governor Moody Currier and his third wife, Hannah Slade Currier. Currier's will provided for the establishment of an art museum, "for the benefit and advancement of humanity." While not an art collector himself, his funding allowed for the purchase of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Costa
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Licinio
''Madonna with Child in Arms'', Frari, Venice Bernardino Licinio (c. 1489 in Poscante – 1565) was an Italian High Renaissance painter of Venice and Lombardy. He mainly painted portraits and religious canvases. Life Bernardino was the second son of ser Antonio Licino, part of a family from the municipality of Poscante in Bergamo. The first son was Arrigo or Rigo, the third (Zuane Battista) became a priest of the church of San Cassiano in Venice and the fourth (Niccolò) was also a parish priest of the church of San Biagio in Venice. From the information about his brothers, it can be deduced that Bernardino was born around 1489. In 1511 it appears he was already orphaned by his father and working as a painter. Bernardino and Arrigo soon settled in Venice, like many Bergamo artists of the time. p. 180. The date of his death is not known but there are no documents and notarial deeds mentioning him after 1550, which could be considered his death date. The work of Bernar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Del Castello Sforzesco
The Pinacoteca del Castello Sforzesco is an art gallery in the museum complex of the Castello Sforzesco in Milan, northern Italy. History Inaugurated in 1878, the gallery displays over 230 artworks, which include masterpieces by Titian, Andrea Mantegna, Canaletto, Antonello da Messina, Pisanello, Vincenzo Foppa, Giovanni Bellini, Correggio, Bernardino Luini, Lorenzo Lotto, Tintoretto and others. The complete collection of the museum, enriched in the last two centuries by donations of illustrious citizens and collectors, now has more than 1,500 artworks. The first rooms of the Pinacoteca are dedicated to religious paintings of the 15th and 16th centuries, with artworks by Vincenzo Foppa, Bergognone, Bramantino, Carlo Crivelli, Bernardino Luini and other Lombard and Italian Renaissance painters. This part of the museum includes the '' Trivulzio Madonna'' by Andrea Mantegna, dating from 1497. (Another ''Trivulzio Madonna'' by Filippo Lippi is also in the museum.) The second half ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bordone
Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor. Biography Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. Bordone's works of the 1520s include the ''Holy Family'' in Florence, ''Sacra Conversazione with Donor'' (Glasgow), and ''Holy Family with St. Catherine'' (Hermitage Museum). The ''St. Ambrose and a Donor'' (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a ''Madonna with St. Christopher and St George'' (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ''Pentecost'', is also in the Pinacoteca di Brera. In 1534–35, he painted his large-scale masterpiece for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermitage Museum
The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia. It is the largest art museum in the world by gallery space. It was founded in 1764 when Empress Catherine the Great acquired an impressive collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. The ''Art Newspaper'' ranked the museum 6th in their list of the most visited art museums, with 1,649,443 visitors in 2021. Its collections, of which only a small part is on permanent display, comprise over three million items (the numismatic collection accounts for about one-third of them). The collections occupy a large complex of six historic buildings along Palace Embankment, including the Wint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
