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Illuminato Da Rieti
Illuminatus of Arce ( it, Illuminato dell'Arce) or Illuminatus of Rieti (''Illuminato da Rieti'') was an earlier follower of Francis of Assisi. Illuminatus was born around 1190, probably in Rocca Antica or Rocca Sinibalda, villages southwest of Rieti, or possibly in the region of Arce in the plain around Assisi. In 1219, during the Fifth Crusade, he accompanied Francis on his mission to the court of al-Kāmil, sultan of Egypt. In 1224, he was the first to spot the stigmata on Francis at La Verna. He convinced Francis to publicize the miracle. He was living at Greccio in 1246. He is reported to have died either in 1260–1262 or in 1266. While earlier sources confirm that Francis had a companion in 1219, Bonaventure, in his ''Legenda maior'' (), is the first to name him: "a brother named Illuminatus, a virtuous and enlightened man" (''Illuminato nomine, viro utique luminis et virtutis''). It has been speculated that Illuminatus was one of Bonaventure's informants. A letter ap ...
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Giotto Di Bondone - Legend Of St Francis - 11
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ...
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Exempla
An exemplum (Latin for "example", pl. exempla, ''exempli gratia'' = "for example", abbr.: ''e.g.'') is a moral anecdote, brief or extended, real or fictitious, used to illustrate a point. The word is also used to express an action performed by another and used as an example or model. Exemplary literature This genre sprang from the above, in classical, medieval and Renaissance literature, consisting of lives of famous figures, and using these (by emphasizing good or bad character traits) to make a moral point. Collections of Exempla helped medieval preachers to adorn their sermons, to emphasize moral conclusions or illustrate a point of doctrine. The subject matter could be taken from fables, folktales, legends, real history, or natural history. Jacques de Vitry's book of exempla, c. 1200, Nicholas Bozon's ''Les contes moralisés'' (after 1320), and Odo of Cheriton's ''Parabolae'' (after 1225) were famous medieval collections aimed particularly at preachers. Geoffrey Chaucer's ...
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Franciscan Missionaries
, image = FrancescoCoA PioM.svg , image_size = 200px , caption = A cross, Christ's arm and Saint Francis's arm, a universal symbol of the Franciscans , abbreviation = OFM , predecessor = , merged = , formation = , founder = Francis of Assisi , founding_location = , extinction = , merger = , type = Mendicant Order of Pontifical Right for men , status = , purpose = , headquarters = Via S. Maria Mediatrice 25, 00165 Rome, Italy , location = , coords = , region = , services = , membership = 12,476 members (8,512 priests) as of 2020 , language = , sec_gen = , leader_title = Motto , leader_name = ''Pax et bonum'' ''Peace and llgood'' , leader_title2 = Minister General , leader_name2 = ...
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Italian Franciscans
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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People From Rieti
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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1260s Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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12th-century Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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Enciclopedia Dantesca
The ''Enciclopedia Dantesca'', published 1970–1975 by the Istituto dell'Enciclopedia Italiana, in six volumes, under the general editorship of Umberto Bosco, is considered the reference book in Italian language about the life and works of Dante Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian people, Italian Italian poetry, poet, writer and philosopher. His ''Divine Comedy'', origin ..., described as a "monumental" work References External links Enciclopedia Dantesca- online edition Dante Alighieri Encyclopedias of literature 1970s books Italian biographies Italian-language encyclopedias 20th-century encyclopedias {{lit-book-stub ...
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Illuminatus Of Assisi
Illuminato da Chieti ( ? – 1280×1282), in Latin Illuminatus de Theate, was a Franciscan friar who served as the bishop of Assisi from 1274 until his death. Illuminato was born at Chieti in the early thirteenth century. Some sources placing his birth around 1200, but this would make him an unusually old man when first elected bishop. He has sometimes been misidentified with Illuminato da Rieti, the companion of Francis of Assisi, but the two were certainly not the same. Likewise, he is not the same person as the Illuminato who, born blind and cured by Francis, entered the Franciscan order in gratitude, as told by Thomas of Celano, who makes clear that this person was certainly already dead by 1254. Nor is he to be identified with a certain Friar Alluminato, born Accarino della Rocca, who had an adult son named Enrico in October 1238. It is unknown when Illuminato entered the Franciscan order. According to Salimbene de Adam, he worked in the convent of Assis ...
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Paradiso (Dante)
''Paradiso'' (; Italian for "Paradise" or "Heaven") is the third and final part of Dante's ''Divine Comedy'', following the '' Inferno'' and the '' Purgatorio''. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God. Introduction The ''Paradiso'' begins at the top of Mount Purgatory, called the Earthly Paradise (i.e. the Garden of Eden), at noon on Wednesday, March 30 (or April 13), 1300, following Easter Sunday. Dante's journey through Paradise takes approximately twenty-four hours, which indicates that the entire journey of the ''Divine Comedy'' has taken one week, Thursday evening (''Inferno ...
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Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would late ...
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Divine Comedy
The ''Divine Comedy'' ( it, Divina Commedia ) is an Italian narrative poem by Dante Alighieri, begun 1308 and completed in around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: ''Inferno'', ''Purgatorio'', and '' Paradiso''. The narrative takes as its literal subject the state of the soul after death and presents an image of divine justice meted out as due punishment or reward, and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (''Inferno''), foll ...
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