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Il Filosofo Di Campagna
''Il filosofo di campagna'' (''The Country Philosopher'') is a dramma giocoso per musica in 3 acts by composer Baldassare Galuppi. The opera uses an Italian language libretto by Carlo Goldoni. The work premiered at the Teatro San Samuele Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 ... in Venice on 26 October 1754. ''Il filosofo di campagna'', which has been defined a "masterly opera", obtained a great success, with many performances throughout Europe. Roles Synopsis Tritemio wants his daughter Eugenia to marry Nardo, a rich farmer, known as "the Philosopher", but Eugenia is in love with the nobleman Rinaldo. Lesbina, housemaid of Tritemio, in order to avoid that Nardo meets Eugenia, takes the place of the girl. Nardo, who has never seen Eugenia before, ends up falling in l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Galuppi
Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments. In his early career Galuppi made a modest success in ''opera seria'', but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new '' dramma giocoso'' style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature ''opere serie'', for which his librettists included the poet and dramatist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Moffo
Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima". Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles. In the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1754 Operas
Events January–March * January 28 – Horace Walpole, in a letter to Horace Mann, coins the word '' serendipity''. * February 22 – Expecting an attack by Portuguese-speaking militias in the Viceroyalty of the Río de la Plata, the indigenous Guarani people residing in the Misiones Orientales stage an attack on a small Brazilian Portuguese settlement on the Rio Pardo in what is now the Brazilian state of Rio Grande do Sul. The attack by 300 Guarani soldiers from the missions at San Luis, San Lorenzo and San Juan Bautista is repelled with a loss of 30 Guarani and is the opening of the Guarani War * February 25 – Guatemalan Sergeant Major Melchor de Mencos y Varón departs the city of Santiago de los Caballeros de Guatemala with an infantry battalion to fight British pirates that are reportedly disembarking on the coasts of Petén (modern-day Belize), and sacking the nearby towns. * March 16 – Ten days after the death of British Prime Minister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongiovanni (record Label)
F. Bongiovanni (1905) of Bologna is an Italian classical music publisher and, since 1975, classical record label. The company was founded by Francesco Bongiovanni to publish the works of then modern composers such as Respighi, Zandonai, Alfano, Pietro Cimara, and Francesco Balilla Pratella. Among the most famous pieces published by Bongiovanni are Respighi's Nebbie and Balilla Pratella's futurist manifesto in music, Musica Futurista. Bongiovanni played a central role in promoting music written by the composers of the Generazione dell'80, and in 1938 Alfredo Casella wrote: "The history of music in Bologna can't be written without the name Bongiovanni". In 1975, Bongiovanni produced its first record, a live recital of Mirella Freni, for which the company received the 1976 Award of the Italian Record Critics. At that time, professional produced live recordings of classical music were still a rarity, and the then owner Giancarlo Bongiovanni can be seen as a pioneer in this regard. Soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Testament Records (UK)
The Testament Records label, based in Great Britain, specialises in historical classical music recordings, including previously unreleased broadcast performances by Arturo Toscanini and the NBC Symphony Orchestra and the pianist Solomon. It has also issued DVDs of kinescopes of Toscanini's 10 televised concerts on NBC from 1948 to 1952, adding sound taken from magnetic tape recordings of the broadcasts. In 2004, Testament released the complete Verdi Requiem conducted by Toscanini from a BBC recording of a live concert at Queen's Hall, London on 27 May 1938, with soprano Zinka Milanov, mezzo-soprano Kerstin Thorborg, tenor Helge Rosvaenge, bass Nicola Moscona, and the BBC Symphony Orchestra and Chorus. ''The Gramophone Classical Musical Guide'' described the Testament issue as "skillfully remastered" and a superior performance to Toscanini's better known recording on RCA from 1951. In 2008, the company released the complete 1955 Bayreuth Wagner Ring Cycle conducted by Jos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Fasano
Renato Fasano (Naples, August 21, 1902 – Rome, August 3, 1979) was an Italian conductor and musicologist particularly associated with 18th-century Italian works. Having studied music in his native Naples, Fasano established in 1941 the chamber orchestra ''Collegium Musicum Italicum'' later renamed ''I Virtuosi di Roma''. This small orchestra helped popularize Italian Baroque music. He conducted widely in Europe works by such composers as Corelli, Vivaldi, Pergolesi, Baldassarre Galuppi, Alessandro Marcello and Giovanni Paisiello. In addition, he founded the "Piccolo Teatro Musicale Italiano" in 1957. In 1971, he conducted an acclaimed tour through Southern Africa with his "Virtuosi di Roma" chamber orchestra and cellist Radu Aldulescu. The best-known of Fasano's recordings (for RCA) is that of an opera by a non-Italian, Gluck's ''Orfeo ed Euridice'', with Shirley Verrett, Anna Moffo and Judith Raskin Judith Raskin (June 21, 1928 – December 21, 1984) was an American lyric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Petri
Mario Petri (21 January 1922 – 26 January 1985) was an Italian operatic bass-baritone particularly associated with Mozart and Rossini roles. Life and career Petri was born in Perugia and began his career after World War II, making his stage debut in 1947 at the Teatro alla Scala in Milan, where he sang the following year the role of Creonte in the premiere of Stravinsky's ''Oedipus Rex'', he also sang there his first Don Giovanni in 1950, a role he quickly became associated with throughout Italy. He appeared in Rome, Florence, Venice, Parma, Bergamo, Verona, Naples. He sang opposite Maria Callas in the revival of Cherubini's ''Medea''. In 1951, for the celebration of Verdi's 50th death anniversary, he sang on Italian radio (RAI) in '' I Lombardi'', ''I masnadieri'', and '' Simon Boccanegra''. Soon his reputation as Don Giovanni led to invitation to appear at the festivals of Glyndebourne, Salzburg, and Edinburgh. He sang relatively little outside Europe, though he made a fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolando Panerai
Rolando Panerai (17 October 1924 – 22 October 2019) was an Italian baritone, particularly associated with the Italian repertoire. He performed at La Scala in Milan, often alongside Maria Callas and Giuseppe Di Stefano. He was known for musical understanding, excellent diction and versatile acting in both drama and comic opera. Among his signature roles were Ford in Verdi's '' Falstaff'' and the title role of Puccini's '' Gianni Schicchi''. Life and career Panerai was born in Campi Bisenzio near Florence, and studied with Vito Frazzi in Florence and Giacomo Armani and Giulia Tess in Milan.Giorgio Bagnoli: The La Scala Encyclopedia of the Opera, 1993, Simon and Schuster, p. 28/ref> Panerai appeared on stage first in 1946, as Lord Ashton in Donizettis's ''Lucia di Lammermoor''. He appeared in 1947 in Naples at the Teatro di San Carlo as the pharaon in Rossini's ''Mosè in Egitto''. In 1951, he performed the title role of Verdi's '' Simon Boccanegra'' in Bergamo, and the role of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
