|
Into Battle With The Art Of Noise
''Into Battle with the Art of Noise'' is a 1983 EP by the Art of Noise—its first release, and also the first release by ZTT Records. The record represented the first installment in ZTT's Incidental Series (catalogue number ZTIS 100). ''Into Battle'' constructed tracks using early sampling techniques centred on the Fairlight CMI workstation, which at the time was state-of-the-art technology. Two songs from the EP, "Beat Box" and "Moments in Love", were subsequently featured on the group's first LP, '' Who's Afraid of the Art of Noise?'', in altered form. Reissues In 1986, portions of ''Into Battle'', ''Who's Afraid'', and the "Moments in Love" 12-inch single were combined to form the ''Daft'' compilation. In 2003, the original ''Into Battle'' EP was issued on CD for the first time in Germany, but the release included "Beat Box (Diversion One)", as on ''Who's Afraid'', rather than the original EP mix. ''Into Battle'' appeared in full on disc four of the 2006 Art of Noise b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Noise
Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of " Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The band is noted for innovative use of electronics and computers in pop music and particularly for innovative use of sampling. History Beginnings The technological impetus for the Art of Noise was the advent of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Peel (journalist)
, Ian Peel (born 1972) is a British music journalist. He is most well known as founder of the magazines ''Classic Pop'' and ''Long Live Vinyl'' and as a writer with special interests in Eighties pop music, ZTT Records, 12" remixes and Paul McCartney. He has written as a regular columnist for ''The Guardian'', ''DJ Mag'', ''Record Collector'', ''net'' and ''Music Business International'' (sister publication of ''Music Week''). His work has also appeared in ''The Times'', ''BlackBook'' and ''Sound on Sound''. 12" Remixes Peel is a longstanding commentator on, and curator of, 12-inch single and remixes. He wrote ''Classic Pop''s ''Top 50 12"s of the Eighties'' special edition, and curated three volumes of the compilation series ''The Art of the 12"''. In 2016 he wrote the Afterword of Rob Grillo's book, ''Is That The 12" Remix?''. Peel used 12" remixes and rare edits to curate the soundtrack to ''In The AM'', a film by The The. It was released as ''In The AM (Ian Peel Mix)'' as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Morley
Paul Robert Morley is an English music journalist. He wrote for the ''New Musical Express'' from 1977 to 1983 and has since written for a wide range of publications as well as writing his own books. He was a co-founder of the record label ZTT Records and was a member of the synthpop group Art of Noise. He has also been a band manager, promoter and television presenter. Early life Morley was born on 26 March 1957 in Farnham, Surrey, and moved with his family to Reddish, Stockport, before starting school. He was educated at Stockport Grammar School, at the time a direct grant grammar school, and the Royal Academy of Music. In his later teenage years, he would travel to London "in search of music, and new experience". Career Morley wrote for three Manchester area magazines in the late 1970s, ''Penetration'', ''Out There'' and ''Girl Trouble''. He then went on to write for ''NME'', where he and colleagues such as Ian Penman developed an innovative style of music criticism that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Langan
Gary Michael Langan (born 19 April 1956) is an English engineer, record producer, mixer and musician. Biography His career started at age 18 when he worked as an assistant engineer at Sarm East Studios, learning the craft from Gary Lyons and Mike Stone, whom he assisted on the Queen albums '' A Night at the Opera'', '' A Day at the Races'', and ''News of the World''. After engineering for John Sinclair (co-founder of ''Sarm'' (East), together with sister Jill Sinclair, G. Lyons and M. Stone) on his band Levinsky/Sinclair's 1979 single "Only Feel This Way" and for Trevor Horn on ''90125'' by Yes, Langan would produce '' Beauty Stab'' by ABC and, later, ''Through the Barricades'' by Spandau Ballet. In 1983, Langan co-founded the ZTT Records label with Trevor Horn, Paul Morley and Jill Sinclair. He was also a founding member of the avant-garde synthpop group Art of Noise, but departed in 1986 after touring in support of the group's ''In Visible Silence'' album. In 1986, Lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevor Horn
Trevor Charles Horn (born 15 July 1949) is an English music producer, label and recording studio owner, musician and composer. He is best known for his production work in the 1980s, and for being one half of the new wave band The Buggles (with Geoff Downes). Horn took up the bass guitar at an early age and taught himself the instrument and to sight-read music. In the 1970s, he worked as a session musician, built his own studio, and wrote and produced singles for various artists. Horn and Downes gained international fame in 1979 with the Buggles' hit single " Video Killed the Radio Star". This was followed by their one-year tenure with the progressive rock band Yes, with Horn becoming their lead singer. In 1981, Horn became a full-time producer, working on commercially successful songs and albums for numerous artists, among them Dollar, ABC, Malcolm McLaren, Yes, and Frankie Goes to Hollywood. He ventured into business with his wife Jill Sinclair, purchasing Sarm West Studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Dudley
Anne Jennifer Dudley (née Beckingham; born 7 May 1956) is an English composer, keyboardist, conductor and pop musician. She was the first BBC Concert Orchestra's Composer in Association in 2001. She has worked in the classical and pop genres, as a film composer, and was one of the core members of the Synth-pop band Art of Noise. In 1998, Dudley won an Oscar for Best Original Musical or Comedy Score for '' The Full Monty''. In addition to over twenty other film scores, in 2012 she served as music producer for the film version of ''Les Misérables'', also acting as arranger and composing some new additional music. Career Dudley was born in Beckenham, Kent. She graduated with a master's in music from King's College London in 1978. Trained as a classical performer, she moved into the competitive commercial field as a session musician, where her professional relationship with Trevor Horn began. In 1982, Dudley made significant contributions to the Horn-produced '' The Lexic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close (To The Edit)
"Close (to the Edit)" is a single by English avant-garde synth-pop group Art of Noise, released on various formats in October 1984. It was closely related to their earlier single (and hip hop club hit) " Beat Box", though the two tracks were developed as separate pieces from an early stage. The first release of a version of "Close (to the Edit)" was as a nominal remix of "Beat Box" under the title "Beat Box (Diversion Two)". This was then re-edited and partly remixed with different effects applied, to become the version of "Close (to the Edit)" which appeared on the subsequent studio album '' Who's Afraid of the Art of Noise?'' (1984). Paul Morley's sleevenotes for the single simplify the relationship between "Diversion Two" and "Close", noting only that 20 seconds were "snipped out". The song takes its title from the studio album ''Close to the Edge'' (1972) by Yes, and also samples " Leave It" and "Owner of a Lonely Heart" by the same band, the latter two of which Trevor Horn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainframe (band)
A mainframe computer, informally called a mainframe or big iron, is a computer used primarily by large organizations for critical applications like bulk data processing for tasks such as censuses, industry and consumer statistics, enterprise resource planning, and large-scale transaction processing. A mainframe computer is large but not as large as a supercomputer and has more processing power than some other classes of computers, such as minicomputers, servers, workstations, and personal computers. Most large-scale computer-system architectures were established in the 1960s, but they continue to evolve. Mainframe computers are often used as servers. The term ''mainframe'' was derived from the large cabinet, called a ''main frame'', that housed the central processing unit and main memory of early computers. Later, the term ''mainframe'' was used to distinguish high-end commercial computers from less powerful machines. Design Modern mainframe design is characterized less by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent Altarpiece
The ''Adoration of the Mystic Lamb'', also called the ''Ghent Altarpiece'' ( nl, De aanbidding van het Lam Gods), is a large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420s and completed by 1432, and it is attributed to the Early Netherlandish painters and brothers Hubert and Jan van Eyck. The altarpiece is considered a masterpiece of European art and one of the world's treasures, it was “the first major oil painting,” and it marked the transition from Middle Age to Renaissance art. The panels are organised in two vertical registers, each with double sets of foldable wings containing inner and outer panel paintings. The upper register of the inner panels represent the heavenly redemption, and include the central classical '' Deësis'' arrangement of God (identified either as Christ the King or God the Father), flanked by the Virgin Mary and John the Baptist. They are flanked in the next panels by an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg (Belgium), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III, Duke of Bavaria, John III the Pitiless, ruler of the counties of County of Holland, Holland and County of Hainaut, Hainaut. After John's death in 1425, he was later appointed as court pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Further Out
''Time Further Out'' (subtitled '' Miró Reflections'') is a jazz studio album by the Dave Brubeck Quartet released by Columbia Records in November 1961. It features the "classic" lineup of the quartet: pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero. Overview ''Time Further Out'' continues the Quartet's exploration of unusual time signatures that began on their 1959 album '' Time Out''. The tracks are ordered by the number of beats per bar: "It's a Raggy Waltz" and "Bluette" are in ; " Charles Matthew Hallelujah", a tribute to Brubeck's newborn son, is in ; "Far More Blue" and "Far More Drums" are in ; "Maori Blues" is in ; " Unsquare Dance" is in ; "Bru's Boogie Woogie" is in ; and "Blue Shadows in the Street" is in . The time signature of each song is listed on the cover of the album (where they are referred to as "tempos"). Cover art Ec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
