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Index Of Renaissance Articles
This is an alphabetical index of articles related to the Renaissance. 0-9 1400s in art = 1500 in art A Académie de musique et de poésie - Accademia degli Infiammati - Accademia Filarmonica di Verona - Accademia Fiorentina - Age of Discovery - Air de cour - Aldine Press - Allegory in Renaissance literature - Allemande - Almain rivet - Andalusian cadence - Antwerp Mannerism - Antwerp school - Arquebus - Ars historica - Art patronage of Julius II - Artists of the Tudor court B Ballo - Baluster - Bardini Gardens - Basse danse - Bastion fort - Bicinium - Bolognese School - Bolognese Swordsmanship - Bonfire of the vanities - Brancacci Chapel - Branchwork - Brick Renaissance - Broken consort - Brussels tapestry - Burgonet - Burgundian School C Camera degli Sposi - Canary dance - Cangiante - Cantore al liuto - Capriccio (art) - ''Carmen figuratum'' - Carnival song - Carracks black sword - Catherine de' Medici's building projects - Catherine de' Medici's court festivals - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Historica
''Ars Historica'' was a genre of Renaissance humanism, humanist historiography in the later Renaissance. It produced a small library of treatises underscoring the stylistic aspects of writing history as a work of art, but also introducing the contributions of philology and textual criticism in its precepts and evaluations. Background At the summit of his ''ars oratoria'' Cicero had celebrated history as the ''magistra vitae''. In his ''De Oratore'' he proposed history as the summit of ''ars rhetorica'', the rhetorical culture in which eloquence is at the service of the truth of human experience. Within the context of the rhetorical culture of humanism, the ''ars historica'' was an attempt to introduce critical and scholarly criteria into historical literature. Its significance was great during the period of confessional struggle between Protestants and Catholics in the later sixteenth century. In addition to the examples of the classical historians (Herodotus and Thucydides, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branchwork
Branchwork on the baptismal font of Worms Cathedral Branchwork or branch tracery (german: Astwerk , Dutch: Lofwerk of Loofwerk) is a type of architectural ornament often used in late Gothic architecture and the Northern Renaissance, consisting of knobbly, intertwined and leafless branches. Branchwork was particularly widespread in Central European art between 1480 and 1520 and can be found in all media. The intellectual origin of branchwork lies in theories in Renaissance humanism about the origins of architecture in natural forms and barely-treated natural materials. In artistic terms it often follows scrolling patterns that had long been used with thinner stem and tendril plant forms. The development of the representation of thicker tree branches had a long history in the crosses in representations of the Crucifixion of Jesus, and the popular subject of the Tree of Jesse. Origins and meanings Traditionally branchwork was conceived as a typical ornament of late Gothic ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brancacci Chapel
The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21-year-old Masaccio, 18 years younger than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonfire Of The Vanities
A bonfire of the vanities ( it, falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin. The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion of Shrove Tuesday, ''martedí grasso''. Francesco Guicciardini's ''The History of Florence'' gives a firsthand account of the 1497 Florentine bonfire of the vanities. The focus of this destruction was on objects that might tempt one to sin, including vanity items such as mirrors, cosmetics, fine dresses, playing cards, and musical instruments. Other targets included books which Savonarola deemed immoral (such as works by Boccaccio), manuscripts of secular songs, and artworks, including paintings and sculpture. Precursors Although often associated with Savonarola, such bonfires had been a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognese Swordsmanship
Bolognese Swordsmanship, also sometimes known as the Dardi school, is a tradition within the Italian school of swordsmanship which is based on the surviving fencing treatises published by several 16th century fencing masters of Bologna, As early as the 14th century several fencing masters were living and teaching in the city: a maestro Rosolino in 1338, a maestro Nerio in 1354, and a maestro Francesco in 1385. Overview The Dardi school is named after Lippo Bartolomeo Dardi, a professor of mathematics and astronomy at the University of Bologna, who was licensed as a fencing master and founded a fencing school in Bologna in 1415, just a few years after Fiore dei Liberi had completed his ''Fior di Battaglia''. The Dardi School constituted both the last great medieval Western martial arts tradition as well as the first great Renaissance tradition, embracing both armed and unarmed combat. No manuscript ascribed to Dardi himself survives, although his tradition became the foundation for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognese School
The Bolognese School of painting, also known as the ''School of Bologna'', flourished between the 16th and 17th centuries in Bologna, which rivalled Florence and Rome as the center of painting in Italy. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bicinium
In music of the Renaissance and early Baroque eras, a bicinium (pl. bicinia) was a composition for only two parts, especially one for the purpose of teaching counterpoint or singing. The term has had two usages in music history: # Recently, the term has come to mean any composition at all from the Renaissance or early Baroque period for two vocal or instrumental parts. # Historically, a bicinium referred specifically to a two-part composition used as a teaching tool, most often in Protestant, German-speaking areas. The term was first used in Poland, by Jan z Lublina in a treatise of 1540. Volumes of bicinia were published in the next several decades in Germany, the Low Countries, and even in Italy, as the usefulness of bicinia as teaching aids became apparent. In addition, Martin Luther had strongly expressed that children should learn both music and the psalms: bicinia with German texts from the Psalms fulfilled his purpose. Students could be expected to master singing a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastion Fort
A bastion fort or ''trace italienne'' (a phrase derived from non-standard French, literally meaning ''Italian outline'') is a fortification in a style that evolved during the early modern period of gunpowder when the cannon came to dominate the battlefield. It was first seen in the mid-fifteenth century in Italy. Some types, especially when combined with ravelins and other outworks, resembled the related star fort of the same era. The design of the fort is normally a polygon with bastions at the corners of the walls. These outcroppings eliminated protected blind spots, called "dead zones", and allowed fire along the curtain from positions protected from direct fire. Many bastion forts also feature cavaliers, which are raised secondary structures based entirely inside the primary structure. Origins Their predecessors, medieval fortresses, were usually placed on high hills. From there, arrows were shot at the enemies. The enemies' hope was to either ram the gate or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse Danse
The ''basse danse'', or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Burgundian court. The word ''basse'' describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone. History The earliest record of a basse danse is found in an Occitan poem of the 1320s by Raimon de Cornet, who notes that the '' joglars'' performed them. The ''bassa danza'' is described in the dance treatise of Guglielmo Ebreo da Pesaro, in northern Italy towards the end of the 15th century, and by his friend Antonio Cornazzano, for whom it was the queen of all dance measures, low dance to be contrasted with the ''alta danza'', the "high" or leaping dance called the '' saltare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bardini Gardens
The Giardino Bardini is an Italian Renaissance garden of the Villa Bardini in the hilly part of Oltrarno, offering fine views of Florence, Italy. Opened only recently to the public, it is one of Florence's well kept secrets. The garden is composed of three separate areas, each created in a different time period, which adds to the architectural and agricultural diversity. The park's center contains the grand staircase that was constructed in the 17th century. On one side of the staircase you can find the Anglo-Chinese garden created in the 19th century. The other side of the staircase hosts the garden's agricultural park. The garden boasts many statues and panoramic views over the city. Wildlife in the garden includes rock pigeons, blackbirds and woodpigeons. Access is gained via the Via de' Bardi, just over the road from thMuseo Bardiniin the Oltrarno district of the city, although the gardens exit onto the Costa di San Giorgio, onto which the Forte di Belevedere and the Gia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baluster
A baluster is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the french: balustre, from it, balaustro, from ''balaustra'', "pomegranate flower" rom a resemblance to the swelling form of the half-open flower (''i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
