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I'll Get By (As Long As I Have You)
"I'll Get By (As Long as I Have You)" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk. The song was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929. 1944 recordings *In 1944 the song achieved its biggest success with a version by Harry James and His Orchestra featuring vocalist Dick Haymes – an April 1941 recording re-released owing to a stipulation by the 1942–44 musicians' strike that prevented recording of new material. The single debuted in April 1944 on ''Billboard'''s National Best Selling Retail Records chart and reached number one in the chart dated June 10, 1944 – the seventh of Harry James's nine US number ones; it stayed at number one for four non-consecutive weeks. The single topped ''Billboards Most Played Juke Box Records chart for six weeks. *A recording by The Ink Spots featuring tenor Bill Kenny also reached ''Billboards Top Ten in 1944. A version by the ...
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Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the populat ...
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The Ink Spots
The Ink Spots were an American pop vocal group who gained international fame in the 1930s and 1940s. Their unique musical style presaged the rhythm and blues and rock and roll musical genres, and the subgenre doo-wop. The Ink Spots were widely accepted in both the white and black communities, largely due to the ballad style introduced to the group by lead singer Bill Kenny. In 1989, the Ink Spots (Bill Kenny, Charlie Fuqua, Deek Watson, Jerry Daniels and Orville Jones) were inducted into the Rock and Roll Hall of Fame, and in 1999 they were inducted into the Vocal Group Hall of Fame. Since the Ink Spots disbanded, in 1954, there have been well over a hundred vocal groups calling themselves "The Ink Spots", with and without any original members of the group. It has often been the case that these groups claimed to be "second generation" or "third generation" Ink Spots.Goldberg, Marv (1998). ''More Than Words Can Say: The Ink Spots And Their Music''. Scarecrow Press 1930s Early ba ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78

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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of   rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac com ...
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The Platters
The Platters was an American vocal group formed in 1952. They are one of the most successful vocal groups of the early rock and roll era. Their distinctive sound bridges the pre-rock Tin Pan Alley tradition and the new burgeoning genre. The act has gone through multiple line-ups over the years, earning it the branding tag "Many Voices One Name", with the most successful incarnation comprising lead tenor Tony Williams, David Lynch, Paul Robi, founder and naming member Herb Reed, and Zola Taylor. The group had 40 charting singles on the '' Billboard'' Hot 100 between 1955 and 1967, including four number-one hits. In 1990, the Platters were inducted into the Rock and Roll Hall of Fame. The Platters continue to perform around the world with Herb Reed Enterprises (an LLC set up by Reed in response to numerous fake Platters groups) owning the rights and trademark to the name. Band formation and early years The Platters formed in Los Angeles in 1952 and were initially managed by ...
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Buddy Clark
Buddy Clark (born Samuel Goldberg, July 26, 1912 – October 1, 1949) was an American popular singer of the Big Band era. He had some success in the 1930s, but his career truly blossomed in the late 1940s, after his return from service in World War II, and he became one of the nation's top crooners. He died in a plane crash in 1949. Life and career Clark was born to Jewish parents in Dorchester, Massachusetts, Tillie (Leibowitz), from Romania, and Nathan Goldberg, from Russia. He made his Big Band singing debut in 1932 as a tenor, with Gus Arnheim's orchestra, but was not successful. Singing baritone, he gained wider notice in 1934, with Benny Goodman on the '' Let's Dance'' radio program. In 1936 he began performing on the show '' Your Hit Parade'', and remained until 1938. In the mid-1930s he signed with Vocalion Records, having a top-20 hit with "Spring Is Here". He continued recording, appearing in movies, and dubbing other actors' voices until he entered the military, ...
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Teddy Wilson
Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style. His work was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to appear prominently with white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s. Biography Wilson was born in Austin, Texas. He studied piano and violin at Tuskegee Institute in Tuskegee, Alabama. After working in Speed Webb's band, with Louis Armstrong, and also understudying Earl Hines in Hines's Grand Terrace Cafe Orchestra, Wilson joined Benny Carter's Chocolate Dandies in 1933. In 1935, he joined the Benny Goodman Trio (which consisted of Goodman, Wilson and ...
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Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out c ...
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Ben Bernie
Benjamin Anzelwitz, known professionally as Ben Bernie (May 30, 1891 – October 23, 1943),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 32. was an American jazz violinist, bandleader, and radio personality, often introduced as "The Old Maestro". He was noted for his showmanship and memorable bits of snappy dialogue, being part of the first generation of "stars" of American popular music, alongside other artists such as Paul Whiteman (a fellow violinist and bandleader), Ted Lewis and Al Jolson. Career Early years Bernie was born Bernard Anzelevitz (another source says Benjamin Anzelevitz) in Bayonne, New Jersey. He attended Columbia University and the New York College of Music. By the age of 15 he was teaching violin, but this experience apparently diminished his interest in the violin for a time. Bernie performed in vaudeville, appearing with Charles Klass as The Fiddle ...
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Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hou ...
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The Ipana Troubadors
''The Ipana Troubadors'' (aka ''The Ipana Troubadours'') was a musical variety radio program which began in New York on WEAF in 1923. In actuality, the Troubadors were the Sam Lanin Orchestra. They opened the show with their theme, "Smiles." The show was sponsored by Bristol Myers' Ipana Toothpaste, and it was during this period that Bristol Myers introduced the slogan, "Ipana for the Smile of Beauty; Sal Hepatica for the Smile of Health." With a mix of hot foxtrots, sweet waltzes and snappy novelty tunes, the show moved from WEAF to the NBC Red Network (1926-28) for a 30-minute series on Wednesday evenings at 9pm. It then aired on the Blue Network (1929-31) Mondays at 8:30pm. Network radio exposure made the Ipana Troubadors one of the most well-known dance bands of the 1920s, resulting in a recording contract with Columbia and bookings at dance halls, such as the Casino at Bemus Point, New York. However, the recording contract covered only the Ipana Troubadors, so Lanin conti ...
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Your Hit Parade
''Your Hit Parade'' was an American radio and television music program that was broadcast from 1935 to 1953 on radio, and seen from 1950 to 1959 on television. It was sponsored by American Tobacco's Lucky Strike cigarettes. During its 24-year run, the show had 19 orchestra leaders and 52 singers or groups. Many fans inaccurately referred to the show as ''The Hit Parade''. When the show debuted, there was no agreement on its title. The press referred to it by several names, with the most common being "Hit Parade", "The Hit Parade", and even "The Lucky Strike Hit Parade", also "The Lucky Strike Parade". The program title officially became "Your Hit Parade" on November 9, 1935. Every Saturday evening, the program offered the most popular and bestselling songs of the week. The earliest format involved a presentation of the top 15 songs. Later, a countdown with fanfares led to the top three finalists, with the number one song for the finale. Occasional performances of standards and o ...
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