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Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been ...
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History Of Horror Films
The history of horror films is one that was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events. Films prior to the 1930s have been retrospectively described as horror films as the genre did not become a codified genre until the release of ''Dracula'' (1931), where the style and themes of the film have been specifically re-adapted into similar works. Context In his book ''Caligari's Children: The Film as Tale of Terror'' (1980), author Siegbert Solomon Prawer stated that horror films cannot be interpreted as following a linear historical path. Historians and critics like Carlos Clarens noted that while some film audiences at the time took films made by Tod Browning that starred Bela Lugosi with utmost seriousness, other productions from other countries saw the material set for parody, as children's entertainment ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of ci ...
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Horror Icon
A horror icon is a person or fictional character that is considered to be significant to horror fiction within mediums such as film, literature, television, or video games. History Pre 1900s: literary beginnings Examples of early horror icons began with the Werewolf or Lycanthrope introduced in the 1500s, the Frankenstein monster as introduced by Mary Shelley in 1818, and Dracula introduced into literature in 1897 by Bram Stoker. 1900s-1920s: early film icons One of the earliest horror icons in film dates back to 1913 with '' The Werewolf'', which is one of the earliest werewolf films. In the 1920s, Dracula and Frankenstein's monster had movies released. Their presence in literary history led to them becoming among the most famous horror film icons. Dracula's first known appearance in film dates to 1921 with '' Dracula's Death'', which achieved mild success. The second attempt a year later would give birth to one of the best known early horror icons, Count Orlok from ''Nosfer ...
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List Of Highest-grossing Horror Films
The following page lists high-grossing films of no particular genre, some high-grossing film franchises at the box office and the biggest opening weekends for a bunch of films. The figures have not been adjusted for inflation. Highest-grossing horror films Highest-grossing horror film franchises and film series : Highest-grossing horror films by year Timeline of highest-grossing horror films By tickets sold The following is a list of horror films which sold more than 1 million tickets. See also * Lists of highest-grossing films ** List of highest-grossing R-rated films This is a list of the highest-grossing R-rated films. An R-rated film is a film that has been assessed as having material which may be unsuitable for children under the age of 17 by the Motion Picture Association; the MPA writes "Under 17 requi ... * List of highest-grossing media franchises Notes References External links Top 25 Highest Grossing Horror Movies Worldwideat IMDb {{Horror f ...
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Thai Horror
Thai horror refers to horror films produced in the Thai film industry. Thai folklore and beliefs in ghosts have influenced its horror cinema. Horror is among the most popular genres in Thai cinema, and its output has attracted recognition internationally. ''Pee Mak'', a 2013 comedy horror film, is the most commercially successful Thai film of all time. History '' Nang Nak'' (1999) has been described as a key part of " Thai New Wave". ''Shutter'' (2004) was critically acclaimed and commercially successful locally and internationally. ''Shutter'' was successful in Malaysia, Singapore, the Philippines and Brazil, and was remade in the United States and in India. ''Pee Mak'' (2013), a comedy horror, became the highest-grossing Thai film of all time upon its release. ''The Medium'' (2021), a Thai- South Korean co-production, was awarded Best Film at the 25th Bucheon International Fantastic Film Festival and was the Thai submission for the Academy Award for Best International Fea ...
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Korean Horror
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. Several Korean horror films have been adapted into English-language Hollywood films such as '' Oldboy'' (2003), ''Into the Mirror'' (2003), and ''A Tale of Two Sisters'' (2003). '' Train to Busan'' (2016) and '' The Wailing'' (2016) are rumored to currently have remakes in talks for production. The female ghost The expression, "When a woman is fu ...
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Japanese Horror
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and supernatural horror, particularly involving ghosts ('' yūrei'') and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and '' yōkai''. Forms of Japanese horror fiction include artwork, theater, literature, film, anime and video games. Origins The origins of Japanese horror can be traced back to the horror fiction and ghost stories of the Edo period and the Meiji period, which were known as '' kaidan'' (sometimes transliterated ''kwaidan''; literally meaning "strange story"). Elements of these popular folktales have routinely been used in various forms of Japanese horror, especially t ...
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Psychological Horror
Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the archetypal shadow characteristics: suspicion, distrust, self-doubt, and paranoia of others, themselves, and the world. The genre sometimes s ...
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Supernatural Horror Film
Supernatural horror film is a film genre that combines aspects of horror film and supernatural film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence". Comparisons For such films and other media, critics distinguish supernatural horror from psychological horror. Mathias Clasen writes in ''Why Horror Seduces'', "Supernatural horror involves some kind of suspension or breach of physical law, usually embodied in or caused by some kind of supernatural agency such as an uncanny monster or a ghost... psychological horror, on the other hand, does not involve violations of physical law, but features naturalistic (if often implausible) menaces and scenarios." Paul Meehan also distinguishes supernatural horror films from psy ...
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Slasher Film
A slasher film is a genre of horror films involving a killer stalking and murdering a group of people, usually by use of bladed or sharp tools like knife, chainsaw, scalpel, etc. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies, splatter films, supernatural and psychological horror films. Critics cite the Italian ''giallo'' films and psychological horror films such as ''Peeping Tom'' (1960) and '' Psycho'' (1960) as early influences. The genre hit its peak between 1978 and 1984 in an era referred to as the "Golden Age" of slasher films. Notable slasher films include '' The Texas Chain Saw Massacre'' (1974), '' Black Christmas'' (1974), '' Halloween'' (1978), '' Friday the 13th'' (1980), '' A Nightmare on Elm Street'' (1984), '' Child's Play'' (1988), '' Candyman'' (1992), ...
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Comedy Horror
Comedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." It often crosses over with the black comedy genre. Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction, for example in ''The Cabin in the Woods'', '' Tucker & Dale vs. Evil'', '' Shaun of the Dead'' or the ''Evil Dead'' franchise. Author Bruce G. Hallenbeck cites the short story "The Legend of Sleepy Hollow" by Washington Irving as "the first great comedy horror story". The story made readers "laugh one moment and scream the next" and its premise was based on mischief typically found during the holiday Halloween. In literature Horror and comedy have been associated with each other since the early days of horror novels. Shortly after ...
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