|
Hirado Ware
is a type of Japanese porcelain mostly made at kilns at Mikawachi, Sasebo, Nagasaki, and it is therefore also known as . It was made in the former feudal Hirado Domain, which owned the kilns, and was responsible for establishing and directing their production. It is known mainly for its ''sometsuke'' underglaze cobalt blue and white porcelain, with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain. This has a finer grain than most Japanese porcelains, allowing fine detail and thin and complicated openwork in forms. It was used for tablewares, but was especially noted for small figures and structured objects such as incense burners and brush rests. It developed supplying the domestic Japanese market in the 18th century, in the gap between the two main periods of Japanese export porcelain, and produced much of the best Japanese porcelain of the late 18th century and early 19th century. When large-scale exports r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabeshima Ware
is a type of Japanese pottery, specifically an unusually high-quality porcelain Arita ware. It was produced in Lord Nabeshima of Saga Domain's kiln at Okawachi near Arita in the Edo period, for the use and profit of the family. The name therefore derives from the family. The Okawachi kiln was already in use, and continued to make other wares at the same time. Production began around 1700, and continued until the late 19th century, with similar wares being produced elsewhere by descendants of the master lineage to the present day Unlike most Arita ware, the designs drew on Japanese rather than Chinese traditions, especially those of textile design, and are often marked by a free use of empty space. Much of the wares were dishes for food made in sets of five, with a high foot. These followed in shape the dishes in lacquered wood, which until then were the preferred dining dishes used by the aristocracy. The Nabeshima used them themselves and gave them to other feudal lords as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chawan
A ''chawan'' (; literally "tea bowl") is a bowl used for preparing and drinking tea. Many types of ''chawan'' are used in East Asian tea ceremonies. The choice of their use depends upon many considerations. History The ''chawan'' originated in China. The earliest ''chawan'' in Japan were imported from China between the 13th and the 16th centuries. The ''Jian chawan'', a Chinese tea bowl known as ''Tenmoku chawan'' in Japan, was the preferred tea bowl for the Japanese tea ceremony until the 16th century. In Japan, tea was also mainly drunk from this Chinese variety of tea bowls until about the 15th century. The Japanese term ''tenmoku'' is derived from the name of the Tianmu Mountain, where Japanese priests acquired these tea bowls from Chinese temples to bring back to Japan, according to tradition. An 11th-century resident of Fujian wrote about the Jian tea wares: : By the end of the Kamakura period (1185–1333), as the custom of tea drinking spread throughout Japan and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Tea Ceremony
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sencha
is a type of Japanese ''ryokucha'' (, green tea) which is prepared by infusing the processed whole tea leaves in hot water. This is as opposed to matcha (), powdered Japanese green tea, where the green tea powder is mixed with hot water and therefore the leaf itself is included in the beverage. Sencha is the most popular tea in Japan. Overview Among the types of Japanese green tea prepared by infusion, sencha is distinguished from such specific types as gyokuro in that it is shaded for a shorter time or not at all, or bancha which is the same tea but harvested later in the season. It is the most popular tea in Japan, representing about 80 percent of the tea produced in the country. The flavour depends upon the season and place where it is produced, but shincha, or 'new tea' from the first flush of the year, is considered the most delicious. Tea-picking in Japan begins in the south, gradually moving north with the spring warmth. During the winter, tea plants store nutrients, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okimono
is a Japanese term meaning "ornament for display; objet d'art; decorative object", typically displayed in a alcove or altar. Etymology The Japanese word compounds and .. The ''Oxford English Dictionary'' defines the loanword as "A standing ornament or figure, esp. one put in a guest room of a house", and records the first usage in 1886 by William Anderson.''Oxford English Dictionary'' (2009), CD-ROM edition (v. 4.0). Description An may be a small Japanese carving, similar to, but larger than . Unlike , which have a specific purpose, are purely decorative and are displayed in the . An can be made out of wood, ivory, ceramic or metal. One subcategory of is the , an articulated figure often made out of bronze or iron. are normally not larger than a few centimetres. They depict all sorts of animals, mythological beasts, humans, gods, fruit, vegetables and objects, sometimes combined with each other, in all sorts of positions. Sometimes a scene is portrayed as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karako
''Karako'' (唐子) is a Japanese term used in art with the depiction of Chinese children playing. The literal translation means "Tang children". The children tend to be depicted with a particular hairstyle that is knotted at the top and shaved on both sides of the head. The theme of these playing children can be found in screens and ceramics and other forms of Japanese art. They symbolise the innocence and joy of childhood. Arita ware, Nabeshima ware, and Hirado ware are typical examples of Japanese pottery that depict ''karako''. In painted form on ceramic ware, it often shows boys chasing butterflies. See also * Japanese tea utensils are the tools and utensils used in , the art of Japanese tea. Tea utensils can be divided into five major categories: * * * * * A wide range of utensils, known collectively as , is necessary for even the most basic tea ceremony. Genera ... References External links Japanese pottery Japanese iconography {{Japan-art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weight (noshi-osae) In The Form Of Chrysanthemums And Plum Blossoms LACMA M
In science and engineering, the weight of an object is the force acting on the object due to gravity. Some standard textbooks define weight as a vector quantity, the gravitational force acting on the object. Others define weight as a scalar quantity, the magnitude of the gravitational force. Yet others define it as the magnitude of the reaction force exerted on a body by mechanisms that counteract the effects of gravity: the weight is the quantity that is measured by, for example, a spring scale. Thus, in a state of free fall, the weight would be zero. In this sense of weight, terrestrial objects can be weightless: ignoring air resistance, the famous apple falling from the tree, on its way to meet the ground near Isaac Newton, would be weightless. The unit of measurement for weight is that of force, which in the International System of Units (SI) is the newton. For example, an object with a mass of one kilogram has a weight of about 9.8 newtons on the surface of the Earth, and ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship. History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a . , like and , evolved over time from being strictly utilitarian into object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosa School
of Japanese painting was founded in the early Muromachi period (14th–15th centuries),,p.988 and was devoted to ''yamato-e'', paintings specializing in subject matter and techniques derived from ancient Japanese art, as opposed to schools influenced by Chinese art, notably the Kanō school (狩野派). Tosa school paintings are characterised by "areas of flat opaque colour enclosed by simple outlines, where drawing is precise and conventional", with many narrative subjects from Japanese literature and history. However, by the 17th century both Tosa and Kanō artists broadened their range, and the distinction between these and other schools became less clear. The origins of this school of painting can be traced to (fl. first half 15th century), ''Encyclopedia of World Art"", pp. 1032–3 who first used the professional name of Tosa, though unverified claims to earlier origins were made later by Mitsunobu (1434?–?1525) who formally founded the school. Mitsunobu served as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Relief")
