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Higashiyama Period
The Higashiyama culture (東山文化 ''Higashiyama bunka'') is a segment of Japanese culture that includes innovations in Japanese architecture, architecture, the Japanese painting, visual arts and Theatre of Japan, theatre during the late Muromachi period. It originated and was promoted in the 15th century by the ''shōgun'' Ashikaga Yoshimasa, after he retired to his villa in the eastern hills (東山 ''Higashiyama'') of the capital city Kyoto. History Based largely on the ideals and aesthetics of Zen Buddhism and the concept of ''wabi-sabi'', Higashiyama culture centered on the development of ''Japanese tea ceremony, chadō'' (Japanese tea ceremony), ''ikebana'' (flower arranging), Noh drama, and ''sumi-e'' ink painting. Much of what is commonly seen today as Japanese Zen aesthetics originated in this period. Higashiyama culture is often contrasted with , the "Kitayama Culture" came earlier in the Muromachi period. In this comparison Kinkaku-ji, representative of Kitayama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ginkaku-ji
__NOTOC__ , officially named , is a Zen temple in the Sakyo ward of Kyoto, Japan. It is one of the constructions that represents the Higashiyama Culture of the Muromachi period. History Ashikaga Yoshimasa initiated plans for creating a retirement villa and gardens as early as 1460; After his death, Yoshimasa would arrange for this property to become a Zen temple. the villa and gardens became a Buddhist temple complex, renamed Jishō-ji after Yoshimasa's Buddhist name. After extensive restoration, started February 2008, Ginkaku-ji is again in full glory to visit. The garden and temple complex are open to the public. There is still no silver foil used. After much discussion, it was decided to not refinish the lacquer to the original state . The lacquer finish was the source of the original silver appearance of the temple, with the reflection of silver water of the pond on the lacquer finish. Garden In addition to the temple's famous building, the property features wooded gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karesansui
The or Japanese rock garden, often called a zen garden, is a distinctive style of Japanese garden. It creates a miniature stylized landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and uses gravel or sand that is raked to represent ripples in water. Zen gardens are commonly found at temples or monasteries. A zen garden is usually relatively small, surrounded by a wall or buildings, and is usually meant to be seen while seated from a single viewpoint outside the garden, such as the porch of the ''hojo'', the residence of the chief monk of the temple or monastery. Many, with gravel rather than grass, are only stepped into for maintenance. Classical zen gardens were created at temples of Zen Buddhism in Kyoto during the Muromachi period. They were intended to imitate the essence of nature, not its actual appearance, and to serve as an aid for meditation. History Early Japanese rock gardens Stone gardens existed in Japan at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jishō-ji
__NOTOC__ , officially named , is a Zen temple in the Sakyo ward of Kyoto, Japan. It is one of the constructions that represents the Higashiyama Culture of the Muromachi period. History Ashikaga Yoshimasa initiated plans for creating a retirement villa and gardens as early as 1460; After his death, Yoshimasa would arrange for this property to become a Zen temple. the villa and gardens became a Buddhist temple complex, renamed Jishō-ji after Yoshimasa's Buddhist name. After extensive restoration, started February 2008, Ginkaku-ji is again in full glory to visit. The garden and temple complex are open to the public. There is still no silver foil used. After much discussion, it was decided to not refinish the lacquer to the original state . The lacquer finish was the source of the original silver appearance of the temple, with the reflection of silver water of the pond on the lacquer finish. Garden In addition to the temple's famous building, the property features wooded gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sen No Rikyū
, also known simply as Rikyū, is considered the historical figure with the most profound influence on ''chanoyu,'' the Japanese "Way of Tea", particularly the tradition of '' wabi-cha''. He was also the first to emphasize several key aspects of the ceremony, including rustic simplicity, directness of approach and honesty of self. Originating from the Sengoku period and the Azuchi–Momoyama period, these aspects of the tea ceremony persist. Rikyū is known by many names; for consistency, he will be referred to as Rikyū in this article. There are three '' iemoto'' ('' sōke''), or 'head houses' of the Japanese Way of Tea, that are directly descended from Rikyū: the Omotesenke, Urasenke, and Mushakōjisenke, all three of which are dedicated to passing forward the teachings of their mutual family founder, Rikyū. Early life Rikyū was born in Sakai in present-day Osaka Prefecture. His father was a warehouse owner named , who later in life also used the family name Sen, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanoyu
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesshū Tōyō
(c. 1420 – 26 August 1506) has been regarded as one of the greatest painters in Japanese history. Sesshū was a Zen-Shu priest painter of the Muromachi period in Japan, prominently recognised for his art of sumi-e (black ink painting). Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. His prominent work captured images of landscapes, portraits, and birds and flowers paintings, infused with Zen Buddhist beliefs, flattened perspective, and emphatic lines. Sesshū was born into the samurai and trained at Shōkoku-ji temple in Kyoto, Japan, as a Zen monk. From his early childhood, Sesshū showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu. Sesshū worked in a painting atelier whilst training under Tenshō Shūbun (c. 1418–1463). But upon visiting China, his work betook a distinctive Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokonoma
A , or simply , is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed. In English, a could be called an alcove. History There are two theories about the predecessor of : the first is that it derives from the room structure of the , which flourished in the Heian period (794–1185) and declined in the Muromachi period (1336–1573); the second is that it derives from the room structure of Zen monasteries in the Kamakura period (1185–1333). In the room of the monastery, there was a board called which displayed Buddhist altar fittings such as candlesticks, incense burners and vases. On the wall behind was a hanging scroll with a Buddhist theme. The second theory is that the and the back wall developed into a -style in the Muromachi period. In , an architectural style developed in the Muromachi period, came to be used as room decoration, and the owner of the house sat in front of decorated with various things to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoin
is a type of audience hall in Japanese architecture that was developed during the Muromachi period. The term originally meant a study and a place for lectures on the sūtra within a temple, but later it came to mean just a drawing room or study.Iwanami Japanese dictionary, 6th Edition (2008), DVD version From this room takes its name the ''shoin-zukuri'' style. In a shoin-zukuri building, the ''shoin'' is the ''zashiki'', a tatami-room dedicated to the reception of guests. The emerging architecture of the Muromachi period was subsequently influenced by the increasing use and appearance of ''shoin''. One of the most noticeable changes in architecture to arise from the ''shoin'' came from the practice of lining their floors with tatami mats. Since ''tatami'' mats have a standardized size the floor plans for ''shoin'' rooms had to be developed around the proportions of the ''tatami'' mat; this in turn affected the proportions of doors, the height of rooms, and other aspects of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Higashiyama Treasure
The Higashiyama Treasure (東山御物 ''Higashiyama gyomutsu, Higashiyama gomotsu'') was a collection of important and valuable artefacts by the Ashikaga shogunate. It is named after the residence of the 8th ''shōgun'' of the Ashikaga shogunate, (1436–1490), in the eastern hills (東山 ''Higashiyama'') of the capital city Kyoto. The items consisted mostly of ''karamono'' (Chinese items) and consisted of ceramics, lacquerware, paintings, calligraphy, and others. It represented the pinnacle of Higashiyama culture. After the fall of the shogunate, the treasures were dispersed and some survived and are listed as either National Treasures or objects of Important Cultural Property. The collecting of important items was continued by the warlords Oda Nobunaga and Toyotomi Hideyoshi, who laid great emphasis on Japanese tea utensils as ''chadō'' was developed. These were known as special tea utensils (名物 ''meibutsu'', 大名物 ). List of existing items * Summer Mountain ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
