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Here And There (Eric Dolphy Album)
''Here and There'' is a jazz album by multi-instrumentalist Eric Dolphy. It was originally released in 1966 on the Prestige label as PRLP 7382. It contains tracks recorded on three separate dates, in different locations. Mal Waldron's "Status Seeking" and Dolphy's solo bass clarinet version of Billie Holiday's "God Bless the Child" were recorded on July 16, 1961 at the Five Spot in New York City as part of the concert that was documented on the '' At the Five Spot'' recordings. (This version of "God Bless the Child" was Dolphy's first recorded performance of the tune.) "April Fool" and "G.W. (Take 1)" were recorded on April 1, 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey as part of the session that yielded ''Outward Bound'', Dolphy's first album as a leader. ("G.W. (Take 1)" is an alternate take of the first track on ''Outward Bound''. It previously appeared on '' Dash One'', and was not part of the original LP issue of ''Here and There''. "G.W." is dedicated to the Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dolphy
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register." Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MusicHound
MusicHound (sometimes stylized as musicHound) was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the ''Detroit Free Press''. Subtitled "''The Essential Album Guide''", each publication typically contained entries providing an overview of an artist's career and dividing their work into categories such as "what to buy", "what's next", "what to avoid" and "worth searching for". Among the MusicHound album guides were titles dedicated to rock, blues, classical, jazz, world music, swing, and soundtrack recordings. Further to the canine analogy in the series title, albums were graded according to a "bone" rating system: five bones constituting the highest score ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Davis (double Bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's '' Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Blackwell
Edward Joseph Blackwell (October 10, 1929 – October 7, 1992) was an American jazz drummer born in New Orleans, Louisiana, known for his extensive, influential work with Ornette Coleman. Biography Blackwell's early career began in New Orleans in the 1950s. He played in a bebop quintet that included pianist Ellis Marsalis and clarinetist Alvin Batiste. There was also a brief stint touring with Ray Charles. The second line parade music of New Orleans greatly influenced Blackwell's drumming style and could be heard in his playing throughout his career. Blackwell first came to national attention as the drummer with Ornette Coleman's quartet around 1960, when he took over for Billy Higgins in the quartet's stand at the Five Spot in New York City. He is known as one of the great innovators of the free jazz of the 1960s, fusing New Orleans and African rhythms with bebop. In the 1970s and 1980s, Blackwell toured and recorded extensively with fellow Ornette Quartet veterans Don Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Booker Little
Booker Little Jr. (April 2, 1938 – October 5, 1961) – accessed June 2010 was an American trumpeter and composer. He appeared on many recordings in his short career, both as a sideman and as a leader. Little performed with , John Coltrane, and and was strongly influenced by and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), " On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), " Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts, United States, where he published about a dozen songs with local publishers. His first success was with the World War I song " Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan. After struggling in a variety of jobs, including rehearsal pianist for the Boston Opera House and pianist-song plugger for Irving Berlin's publishing company. In 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on '' Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Duke Jordan with Sam Jones and Al Foster (1975) * Terence Blanchard with Cassandra Wilson – ''Let's Get Lost'' (2001) * King Cole October 1938, July 1944,The King Cole Trio: The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Herzog Jr
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Bless The Child (Billie Holiday Song)
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942. Holiday's version of the song was honored with the Grammy Hall of Fame Award in 1976. It was also included in the list of ''Songs of the Century'', by the Recording Industry Association of America and the National Endowment for the Arts. Billie Holiday recording sessions Billie Holiday recorded the song three times. First recording (Session #44, Columbia/Okeh): Columbia Studio A, 799 Seventh Avenue, New York City, May 9, 1941, Eddie Heywood and his Orchestra with Roy Eldridge (trumpet), Jimmy Powell and Lester Boone (alto saxophone), Ernie Powell (trumpet), Eddie Heywood (piano), Johan Robins (guitar), Paul Chapman (guitar), Grachan Moncur II (bass), Herbert Cowans (drums), Billie Holiday (vocal). Second recording (Session #65, her final Decca session): Los Angeles March 8, 1950, Gordon Jenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
