|
Hercules At The Crossroads
Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vice and Virtue—a life of pleasure or one of hardship and honour. In the early modern period it became a popular motif in Western art. History Classical period The parable stems from the Classical era of ancient Greece and is reported by Xenophon in ''Memorabilia'' 2.1.21–34. In Xenophon's text, Socrates tells how the young Heracles, as the hero contemplates his future, is visited by the female personifications of Vice and Virtue (Ancient Greek: Κακία and Ἀρετή; '' Kakía'' and ''Areté''). They offer him a choice between a pleasant and easy life or a severe but glorious life, and present their respective arguments. Xenophon credits the invention of the parable to Prodicus. He cites a precursor in Hesiod's ''Works and Days ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hercules At The Crossroad MET DP806017
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and sent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arete
''Arete'' (Greek: ) is a concept in ancient Greek thought that, in its most basic sense, refers to 'excellence' of any kind Liddell, H.G. & Scott, R. ''A Greek–English Lexicon'', 9th ed. (Oxford, 1940), s.v.br>—especially a person or thing's "full realization of potential or inherent function." The term may also refer to excellence in " moral virtue." The concept was also occasionally personified as a minor goddess, Arete (not to be confused with the mythological Queen Arete), who, together with sister Homonoia, formed the ''Praxidikai'' ('Exacters of Justice'). In its earliest appearance in Greek, this general notion of excellence was ultimately bound up with the notion of the fulfillment of purpose or function: the act of living up to one's full potential. A person of arete is of the highest effectiveness; they use all of their faculties—strength, bravery, and wit—to achieve real results. In the Homeric world, arete involves all of the abilities and potentialitie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychomachia
The ''Psychomachia'' (''Battle of Spirits'' or ''Soul War'') is a poem by the Late Antique Latin poet Prudentius, from the early fifth century AD. It has been considered to be the first and most influential "pure" medieval allegory, the first in a long tradition of works as diverse as the ''Romance of the Rose'', ''Everyman'' and ''Piers Plowman''; however, a manuscript discovered in 1931 of a speech by the second-century academic skeptic philosopher Favorinus employs psychomachia, suggesting that he may have invented the technique. In slightly less than a thousand lines, the poem describes the conflict of vices and virtues as a battle in the style of Virgil's ''Aeneid''. Christian faith is attacked by and defeats pagan idolatry to be cheered by a thousand Christian martyrs. The work was extremely popular, and survives in many medieval manuscripts, 20 of them illustrated. It may be the subject of wall paintings in the churches at Claverley, Shropshire, and at Pyrford, Surrey, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Matthew
The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and forms a community of disciples, of how he taught the people through such events as the Sermon on the Mount and its Beatitudes, and how Israel becomes divided and how Jesus condemns this hostile Israel. This culminates in his departure from the Temple and his execution. At this point many people reject Jesus, and on his resurrection he sends the disciples to the gentiles. Matthew seems to emphasize that the Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees with the position that through their rejection of Christ, the Kingdom of God h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scipio Africanus
Publius Cornelius Scipio Africanus (, , ; 236/235–183 BC) was a Roman general and statesman, most notable as one of the main architects of Rome's victory against Carthage in the Second Punic War. Often regarded as one of the best military commanders and strategists of all time, his greatest military achievement was the defeat of Hannibal at the Battle of Zama in 202 BC. This victory in Africa earned him the epithet ''Africanus'', literally meaning “the African,” but meant to be understood as a conqueror of Africa. Scipio's conquest of Carthaginian Iberia culminated in the Battle of Ilipa in 206 BC against Hannibal's brother Mago Barca. Although considered a hero by the Roman people, primarily for his victories against Carthage, Scipio had many opponents, especially Cato the Elder, who hated him deeply. In 187 BC, he was tried in a show trial alongside his brother for bribes they supposedly received from the Seleucid king Antiochos III during the Roman–Seleucid War. Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silius Italicus
Tiberius Catius Asconius Silius Italicus (, c. 26 – c. 101 AD) was a Roman senator, orator and Epic poetry, epic poet of the Silver Age of Latin literature. His only surviving work is the 17-book ''Punica (poem), Punica'', an epic poem about the Second Punic War and the longest surviving poem in Classical Latin at over 12,000 lines. Life Sources and birthplace The sources for the life of Silius Italicus are primarily Letter 3.7 of Pliny the Younger, which is a description of the poet's life written on the occasion of his suicide, some inscriptions, and several epigrams by the poet Martial. Silius is believed to have been born between AD 23 and 35, but his birthplace has not been securely identified. Italica, in the Roman province of Hispania, (modern Spain), was once considered the prime candidate, based on his cognomen Italicus, but, if that were the case, Latin usage would have demanded the form ''Italicensis'', and it is highly improbable that Martial would have failed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punica (poem)
The ''Punica'' is a Latin epic poem in seventeen books in dactylic hexameter written by Silius Italicus (c. 28 – c. 103 AD) comprising some twelve thousand lines (12,202, to be exact, if one includes a probably spurious passage in book 8). It is the longest surviving Latin poem from antiquity. Its theme is the Second Punic War and the conflict between the two great generals Hannibal and Scipio Africanus. The poem was re-discovered in either 1416 or 1417 by the Italian humanist and scholar Poggio Bracciolini. Composition The dates of the ''Punica's'' composition are not entirely clear. There is external evidence for composition dates from some of the epigrams of Martial. Martial 4.14, a poem dated to 88 AD, describes Silius' work on the ''Punica'', mentioning Scipio and Hannibal as the subjects of the poem. 7.63, dated to 92 AD also describes his work on the poem. Two passages of internal evidence also help date the ''Punica''. At 3.600ff. during Jupiter's prophecy about the fut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birds (play)
''The Birds'' ( grc-gre, Ὄρνιθες, Órnithes) is a comedy by the Ancient Greek playwright Aristophanes. It was performed in 414 BC at the City Dionysia in Athens where it won second place. It has been acclaimed by modern critics as a perfectly realized fantasy remarkable for its mimicry of birds and for the gaiety of its songs. Unlike the author's other early plays, it includes no direct mention of the Peloponnesian War and there are few references to Athenian politics, and yet it was staged not long after the commencement of the Sicilian Expedition, an ambitious military campaign that greatly increased Athenian commitment to the war effort. In spite of that, the play has many indirect references to Athenian political and social life. It is the longest of Aristophanes's surviving plays and yet it is a fairly conventional example of Old Comedy. The plot of the play revolves around Pisthetaerus, an Athenian who convinces the birds to create a great city in the sky, and thus r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
