Half-title Oval 'where The Hermit Hangs His Straw-clad Cell' Natural History Of Selborne
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Half-title Oval 'where The Hermit Hangs His Straw-clad Cell' Natural History Of Selborne
The half-title or bastard title is a page carrying nothing but the title of a book—as opposed to the title page, which also lists subtitle, author, publisher and edition. The half-title is usually counted as the first page (p. i) in a printed book. The half-title can have some ornamentation of the book's title, or it can be plain text. The purpose of the half-title page is to protect the full title page and its traditional counterpart, the frontispiece, during the bookbinding process. When the completed interior pages of the book are bound together to form the book block, the half-title page serves as the outermost layer of paper at the front of the book. Several hundreds or thousands of book blocks may need to be moved or stored for a period of time before they are bound into their covers, during which the half-title page protects the more intricately-designed pages that follow from rubbing and dust. Archaic uses of the terms half-title and bastard title may refer to two sep ...
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Picturesque New Guinea
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beaut ...
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Title
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) ...
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Book
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is '' codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is c ...
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Title Page
The title page of a book, thesis or other written work is the page at or near the front which displays its title, subtitle, author, publisher, and edition, often artistically decorated. (A half title, by contrast, displays only the title of a work.) The title page is one of the most important parts of the " front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication". This determines the way the book is cited in library catalogs and academic references. The title page often shows the title of the work, the person or body responsible for its intellectual content, and the imprint, which contains the name and address of the book's publisher and its date of publication. Particularly in paperback editions it may contain a shorter title than the cover or lack a descriptive subtitle. Fur ...
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Subtitle (titling)
In books and other works, the subtitle is an explanatory title added by the author to the title proper of a work. Another kind of subtitle, often used in the past, is the alternative title, also called alternate title, traditionally denoted and added to the title with the alternative conjunction "or", hence its appellation.. As an example, Mary Shelley gave her most famous novel the title ''Frankenstein; or, The Modern Prometheus'', where ''or, The Modern Prometheus'' is the alternative title, by which she references the Greek Titan as a hint of the novel's themes. A more modern usage is to simply separate the subtitle by punctuation, making the subtitle more of a continuation or sub-element of the title proper. In library cataloging and in bibliography, the subtitle does not include an alternative title, which is defined as part of the title proper: e.g., '' One Good Turn: A Natural History of the Screwdriver and the Screw'' is filed as ''One Good Turn'' (title) and ''A Natur ...
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Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page—on the left-hand, or verso, page opposite the right-hand, or recto, page. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Origin The word comes from the French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with ' metoposcopy'. In English, it was originally used as an architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian, the term came to refer to the title page of a book, which at the time was o ...
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Bookbinding
Bookbinding is the process of physically assembling a book of codex format from an ordered stack of ''signatures'', sheets of paper folded together into sections that are bound, along one edge, with a thick needle and strong thread. Cheaper, but less permanent, methods for binding books include loose-leaf rings, individual screw-posts (binding posts), twin loop spine coils, plastic spiral coils, and plastic spine combs. For protection, the bound stack of signatures is wrapped in a flexible cover or is attached to stiffened boards. Finally, an attractive cover is placed onto the boards, which includes the publisher's information, and artistic decorations. The trade of binding books is in two parts; (i) stationery binding (vellum binding) for books intended for handwritten entries, such as accounting ledgers, business journals, blank-page books, and guest logbooks, and notebooks, manifold books, day books, diaries, and portfolios. (ii) letterpress printing and binding deals wit ...
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Book Block
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is '' codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a ...
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Theodore Low De Vinne
Theodore Low De Vinne (December 25, 1828 – February 16, 1914) was an American printer and scholarly author on typography. Considered "the leading commercial printer of his day," De Vinne did much for the improvement of American printing and typography. Life and career De Vinne was born at Stamford, Connecticut, and educated in the common schools of the various towns where his father, an itinerant Methodist minister, had pastorates. He learned the rudiments of printing while employed in a shop at Fishkill, New York. He worked at the Newburgh, New York ''Gazette'', then moved to New York City. In 1850 he was hired as a compositor by the printing shop of Francis Hart in New York, where he rose to the position of foreman within a year, which included duties as shop manager. He became a partner in Hart's business in 1858 and assumed sole proprietorship of the firm upon Hart's death in 1877, eventually renaming it to Theodore L. De Vinne & Co. in 1883. While still a partner ...
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Verso
'''' is the "right" or "front" side and ''verso'' is the "left" or "back" side when text is written or printed on a leaf of paper () in a bound item such as a codex, book, broadsheet, or pamphlet. Etymology The terms are shortened from Latin: and ' (which translate as "on the right side of the leaf" and "on the back side of the leaf"). The two opposite pages themselves are called ' and ' in Latin, and the ablative ', ' already imply that the text on the page (and not the physical page itself) are referred to. Usage In codicology, each physical sheet (', abbreviated ''fol.'' or ''f.'') of a manuscript is numbered, and the sides are referred to as ' and ', abbreviated as ''r'' and ''v'' respectively. Editions of manuscripts will thus mark the position of text in the original manuscript in the form ''fol. 1r'', sometimes with the ''r'' and ''v'' in superscript, as in ''1r'', or with a superscript ''o'' indicating the ablative ', ', as in ''1ro''. This terminology has been sta ...
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Book Design
Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, elies uponmethods and rules upon which it is impossible to improve, nd whichhave been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied". Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means. Structure Modern books are paginated consecutively, and all pages are counted in the pagination whether or not the numbers appear (see also: blind folio). The page number, or folio, may be found at the top or the bottom of the page, often flush left verso, flush right recto. The folio may also be printed at the bottom of the page, and in that location it is called a ''drop folio''. Drop f ...
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