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Gutai Group Member Artists
The was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. The group, today one of the most internationally-recognized instances of 20th century Japanese art, is best known for the broad range of experimental art forms combining painting with performance, conceptual, interactive, site-specific, theatrical and installation artworks, which its members explored in unconventional venues such as public parks and on stage. The members’ engagement with the relationship between spirit, human body and material, often concretized in artistic methods that involved the artist’s body and violent gestures. Fueled by Yoshihara’s ambitions, global scope and strategic awareness, Gutai’s exhibitions and publications reached audiences around the world, realizing what Yoshihara called an “international common ground” of art.Ming Tiampo, ''Gutai: Decentering Modernism'', Chic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiro Yoshihara
was a Japanese painter, art educator, curator, and businessman. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge ''Circles'' beginning in the 1960s, Yoshihara’s oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings, ceramics, watercolors, and stage design. Yoshihara was a key figure of postwar Japanese art and culture through his work as painter, art educator, promoter of the arts, and networker between the arts, commerce, and industry in the Kansai region and beyond, and, especially, as the leader of the postwar avant-garde art collective Gutai Art Association, which he co-founded in 1954. Under Yoshihara’s guidance, Gutai explored radically experimental approaches, including outdoor exhibitions, performances, onstage presentations, and interactive works. Fueled by Yoshihara’s global ambitions, Gutai developed artistic strategies to communicate internationally and insert themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shozo Shimamoto
was a Japanese artist. Having studied with Jirō Yoshihara, the future Gutai leader, from 1947, Shimamoto was a key founding member of Gutai along with Yoshihara and fifteen others in August, 1954. He was close to the leader Yoshihara and actively engaged in the early activities and group administrations. He xpand this here more in an evocative manner: holes poked on layered newspaper, bottle-throwing paintings, film experiments, stage experiments, sound art, etc. etc.He was particularly strong with performative innovations, anticipating the future performance art. Indeed, when Yoshihara turned to focus more on painting, upon his meeting with the French art critic Michel Tapié, Shimamoto continued to urge the leader to pursue this direction, wanting to work with Allan Kaprow, for example. After Gutai, he became known for his mail art activities with the group AU and the continuation of his painting performances which he staged around the world. He died of acute heart failure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Capogrossi
Giuseppe Capogrossi (7 March 1900 – 9 October 1972) was an Italian painter. Biography Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artist and acquaintance Fausto Pirandello. In the 1930s Capogrossi participated to many group exhibitions in Rome, Venice and Milan and Paris, usually as associate to the so-called " Scuola romana" ("Roman school"). In 1930 he was invited to show at the 23rd edition of the Venice Biennale; In 1933 he signed with Emanuele Cavalli and others the "Manifesto del Primordialismo Plastico" (The Plastic Primordialism Manifest) and in 1934 he was one of the artists invited to the exhibition the "Exhibition of Contemporary Italian Painting" at the Western Art Museum in San Francisco. In the years following World War II, Capogrossi's work changed in favour of a more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucio Fontana
Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He is mostly known as the founder of Spatialism. Early life Born in Rosario, to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865—1946). Fontana spent the first years of his life in Argentina and then was sent to Italy in 1905, where he stayed until 1922, working as a sculptor with his father, and then on his own. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé."Press Release: Lucio Fontana: Venice/New York opens at Guggenheim Museum" Guggenheim Museum, New York. Work In 1927 Fontana returned to Italy and studied alongside Fausto Melotti under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. It was there he presented his first exhibition in 1930, organized by the Milan art gallery ''Il Milione''. During the followin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Dubuffet
Jean Philippe Arthur Dubuffet (31 July 1901 – 12 May 1985) was a French painter and sculptor. His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement art brut, and for the collection of works—''Collection de l'art brut''—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. Early life Dubuffet was born in Le Havre to a family of wholesale wine merchants who were part of the wealthy bourgeoisie. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic trai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fautrier
Jean Fautrier (May 16, 1898 – July 21, 1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme. Early life Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother.Grove Art Online. There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to go it alone, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner. He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health. He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fabr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Kaprow
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the " Environment" and " Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work. Academic career Studies Because of a chronic illness Kaprow was forced to move from New York to Tucson, Arizona. He began his early education in Tucson where he attended boarding school. Later he would attend the High School of Music and Art in New York where his fellow students were the artists Wolf Kahn, Rachel Rosenthal and the future New York gallerist Virginia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henk Peeters
Henk Peeters (8 December 1925 – 13 April 2013) was a Dutch artist. He was an active member of the ZERO movement. Peeters was born in The Hague. He studied Fine Art at the Koninklijke Academie voor Beeldende Kunsten in The Hague and taught from 1957 until 1972 at the Art Academy in Arnhem, the Netherlands. Until his death (Hall (NL), 2013), Henk Peeters restored artworks from the Nul period and remained an active spokesman for the Nul group. Activities Henk Peeters was the most active member of the Dutch Nul group, notably with regard to the organization; he made the international contacts, organized the international ZERO (Nul) exhibitions at the Stedelijk Museum Amsterdam, and wrote on the theory of art. It was also he who first actively participated in international exhibitions with artist groups such as the German ZERO, the Italian Azimuth, and with artists Yves Klein, Yayoi Kusama and Lucio Fontana. He initiated the (utopian) project "Zero on Sea", with more than fifty parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his " drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled '' Number 17A'' was reported to have fetched US$200 million in a private purchase. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiyoji Ōtsuji
was a Japanese photographer, photography theorist, and educator. He was active in the avant-garde art world in Japan after World War II, both creating his own experimental photographs, and taking widely circulated documentary photographs of other artists and art projects. He became an authority in Japanese photography, extensively publishing commentaries and educating future generations of photographers. Biography Early life: 1923–1945 Ōtsuji was born in the Kōtō ward of Tokyo on July 27, 1923. He first became interested in photography when he purchased back issues of the photography periodical ''Photo Times'' from a used book store. Through ''Photo Times'' he first encountered avant-garde photography from Europe, the United States, and Japan, and was deeply inspired by the photography criticism of Shūzō Takiguchi and Abe Nobuya. In 1942, Ōtsuji enrolled in the art department at the Tokyo Professional School of Photography (today Tokyo Polytechnic University). In 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atsuko Tanaka (artist)
Atsuko Tanaka (田中 敦子, ''Tanaka Atsuko''; February 10, 1932 – December 3, 2005) was a Japanese avant-garde artist. She was a central figure of the Gutai Art Association from 1955 to 1965. Her works have found increased curatorial and scholarly attention across the globe since the early 2000s, when she received her first museum retrospective in Ashiya, Japan, which was followed by the first retrospective abroad, in New York and Vancouver. Her work was featured in multiple exhibitions on Gutai art in Europe and North America. Biography Tanaka was born in Osaka, on February 10, 1932. She had four older sisters and four older brothers. She studied at the Department of Western Painting at Kyoto Municipal College of Art (now Kyoto City University of Arts) in 1950 and left to attend the Art Institute of Osaka Municipal Museum of Art from 1951.''Gutai shiryoshu: Dokyumento Gutai, 1954 -1972 /Document Gutai, 1954-1972'' (Ashiya: Ashiya City Museum of Art and History, 1993), edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Shiraga
was a Japanese abstract painter and the first-generation member of the postwar artists collective Gutai Art Association (Gutai). As a Gutai member, he was a prolific, inventive, and pioneering experimentalist who tackled a range of media: in addition to painting, he worked in performance art, three-dimensional object making, conceptual art, and installations, many of which are preserved only in documentary photos and films. Shiraga is best known for his abstract paintings, or the so-called “foot painting”, which he created by spreading oil paint initially on paper and later on canvas with his feet. Through this original method he had invented in 1954, he made a critical engagement with the tradition of painting, the result of which resonated with European and American gestural abstraction of the 1950s, such as Informel and Abstract Expressionism. In the 1960s and 1970s, he reintroduced tools such as boards and spatulas for spreading the paint. His experiments outside paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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