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Grotesque (Stephenson Blake Typefaces)
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century. Stephenson Blake's grotesque faces are in the traditional nineteenth-century "grotesque" style of sans-serif, with folded-up letterforms and a solid structure not intended for extended body text. Forming a sprawling series, they include several unusual details, such as an 'r' with a droop, a bruised-looking 'G' and 'C' with inward curls on the right, very short descenders and considerable variation in stroke width, creating a somewhat eccentric, irregular impression. Much less even in colour than later families like Univers and Helvetica, they were very commonly used in British commercial printing in the metal type era, with a revival of interest as part of a resurgence of use of such "industrial" sans-serifs around the 1950s. Writing in ''The Typography of Press Advertisement'' (1956 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called " serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typefac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast (magazine)
''Blast'' was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)Black (2004), p. 100 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis.Pfannkuchen (2005) The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6. Background When the Italian futurist Filippo Tommaso Marinetti visited London in 1910, as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of ... traditionalism and its medieval trappings", electrified the assembled avant-garde. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caslon Egyptian
Egyptian is a typeface created by the Caslon foundry of Salisbury Square, London around or probably slightly before 1816, that is the first general-purpose sans-serif typeface in the Latin alphabet known to have been created. Historical background Sans-serif lettering in block capitals had been developing in popularity over the past decades, initially due to interest in classical antiquity in which inscriptions often had minimal or no serifs, and come to be used by architect John Soane and copied by others, particularly in signpainting. Historian James Mosley, the leading expert on early sans-serifs, has suggested in his book ''The Nymph and The Grot'' that Soane's influence was crucial in spreading the idea of sans-serif letterforms around the end of the eighteenth century. However, it was some decades before a printing typeface would be released in this style, now commonly used. The name "Egyptian" had become commonly used in England by 1816 to describe this style of lettering; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series '' The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Berlow
The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History Font Bureau was founded in 1989 by Roger Black and David Berlow. Before founding Font Bureau, Roger Black was an established publications designer and consultant. David Berlow is a noted type designer. ''The New York Times Magazine'', ''Newsweek'', ''Esquire Magazine'', ''Rolling Stone'' and the '' Wall Street Journal'' rank among Font Bureau's client list. Apart from Black and Berlow, other prominent designers at Font Bureau have included Tobias Frere-Jones, later of Hoefler & Frere-Jones and Frere-Jones Type, and Cyrus Highsmith, later of Occupant Fonts and Morisawa. Matthew Carter has been a frequent collaborator with the foundry. In October 2009, news sources reported that Font Bureau was "suing NBC Universal for at least $2 million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Bureau
The Font Bureau, Inc. or Font Bureau is a digital type foundry based in Boston, Massachusetts, United States. The foundry is one of the leading designers of typefaces, specializing in type designs for magazine and newspaper publishers. History Font Bureau was founded in 1989 by Roger Black and David Berlow. Before founding Font Bureau, Roger Black was an established publications designer and consultant. David Berlow is a noted type designer. ''The New York Times Magazine'', ''Newsweek'', ''Esquire Magazine'', ''Rolling Stone'' and the '' Wall Street Journal'' rank among Font Bureau's client list. Apart from Black and Berlow, other prominent designers at Font Bureau have included Tobias Frere-Jones, later of Hoefler & Frere-Jones and Frere-Jones Type, and Cyrus Highsmith, later of Occupant Fonts and Morisawa. Matthew Carter has been a frequent collaborator with the foundry. In October 2009, news sources reported that Font Bureau was "suing NBC Universal for at least $2 million o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Parkinson
Jim Parkinson (born October 23, 1941, in Oakland, California) is an American type designer in Oakland, California. Life Parkinson studied advertising design and painting at the California College of Arts and Crafts in Oakland, graduating in 1963. In 1964, he worked as a lettering artist for Hallmark Cards under Myron McVay with some consultation from Hermann Zapf. Afterwards, Parkinson moved back to Oakland and freelanced as a lettering artist doing work for rock bands (including Creedence Clearwater, Taj Mahal, The Doobie Brothers, Kansas, et al.), sign painting, advertisements, packaging. In the mid-1970s Dan X. Solo introduced Parkinson to Roger Black who was, at that time, the newly appointed Art Director for ''Rolling Stone'' magazine in San Francisco. Black hired Parkinson to design a series of typefaces and redesign the logo for ''Rolling Stone''. Although Parkinson's lettering sensibility is rooted in old wood type and signage from the 19th century and during the first p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newsweek
''Newsweek'' is an American weekly online news magazine co-owned 50 percent each by Dev Pragad, its president and CEO, and Johnathan Davis (businessman), Johnathan Davis, who has no operational role at ''Newsweek''. Founded as a weekly print magazine in 1933, it was widely distributed during the 20th century, and had many notable editors-in-chief. The magazine was acquired by The Washington Post Company in 1961, and remained under its ownership until 2010. Revenue declines prompted The Washington Post Company to sell it, in August 2010, to the audio pioneer Sidney Harman for a purchase price of one dollar and an assumption of the magazine's liabilities. Later that year, ''Newsweek'' merged with the news and opinion website ''The Daily Beast'', forming The Newsweek Daily Beast Company. ''Newsweek'' was jointly owned by the estate of Harman and the diversified American media and Internet company IAC (company), IAC. ''Newsweek'' continued to experience financial difficulties, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Graphics Corporation
The visual system comprises the sensory organ (the eye) and parts of the central nervous system (the retina containing photoreceptor cells, the optic nerve, the optic tract and the visual cortex) which gives organisms the sense of sight (the ability to perception, detect and process visible light) as well as enabling the formation of several non-image photo response functions. It detects and interprets information from the optical spectrum perceptible to that species to "build a representation" of the surrounding environment. The visual system carries out a number of complex tasks, including the reception of light and the formation of monocular neural representations, colour vision, the neural mechanisms underlying stereopsis and assessment of distances to and between objects, the identification of a particular object of interest, motion perception, the analysis and integration of visual information, pattern recognition, accurate motor coordination under visual guidance, and mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Black (graphic Designer)
Roger Black is an American graphic designer whose work has been influential in the design of magazines, newspapers, digital typography and the web. His contributions include designs for '' Rolling Stone'', '' Esquire'', '' The New Republic'', '' Fast Company'', '' Reader's Digest'', ''Foreign Affairs'', the '' Los Angeles Times'', the'' Houston Chronicle'' and the website Bloomberg.com. Early life Roger Black was born in Austin, Texas, to Eleanor Fox Black and J. J. Black, an architect who built more than 200 homes in Midland, Texas and several buildings in New York. His mother, Eleanor, worked in the business department of '' The New York Times'' in the mid-1920s and left to work at ''The American Mercury'', a magazine published in the Roaring Twenties. Black attended Deerfield Academy boarding school in Massachusetts. Early career Roger Black's first position as a publication art director was at the alternative weekly ''LA'', edited by Karl Fleming and funded by Max Palevsky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dry Transfer
Dry transfers (also called rub-ons or rubdowns) are decals that can be applied without the use of water or other solvent. The decal itself is on a backing material such as paper or plastic sheeting much like a transparency. The dry transfer is placed in the desired location with the backing side up. The decal is then applied by burnishing the backing with a stylus or similar object such as a ballpoint pen. The contact side of the decal includes a pressure-sensitive adhesive; the combination of heat and pressure causes the decal to stick more strongly to the new surface than to the backing. When the backing is removed, the decal remains. This allows for ink only where needed even if the pattern is delicate, because the backing supports the decal while it is being applied. Dry transfers are used in manual technical drawing when standard graphic elements such as title blocks, forms, patterned lines, shading, piping or electronic schematic symbols need to be repetitively used. Use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letraset
Letraset was a company known mainly for manufacturing sheets of typefaces and other artwork elements using the dry transfer method. Letraset has been acquired by the Colart group and become part of its subsidiary Winsor & Newton. Corporate history Letraset was founded in London in 1959, with the launch of the Letraset Type Lettering System. In 1961, Letraset came out with their dry transfer lettering system, which pioneered the technique. Starting in 1964, Letraset also applied the dry rub-down transfer technique to create a children's game called Action Transfers, which would later develop into Kalkitos (marketed by Gillette) and many other series of transferable figures that were very popular up to the 1980s.LETRASET was squired by the Swedish stationary company Esselte until 2000 when it was sold to a Management buyout headed up by Martin Gibbs and Michael Travers. Eventually sold to ColArt in 2012. Seeing a decline in the sales of its materials in the early 1990s, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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