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Greek (opera)
''Greek'' is an opera in two acts composed by Mark-Anthony Turnage to a libretto adapted by Turnage and Jonathan Moore from Steven Berkoff's 1980 verse play ''Greek (play), Greek''. The play and the opera are a re-telling of Sophocles's Greek tragedy ''Oedipus Rex'' with the setting changed to the East End of London in the 1980s. The opera was first performed on 17 June 1988 in the Carl-Orff-Saal of the Gasteig, Munich, in a co-production by the Munich Biennale, the Edinburgh International Festival and the BBC. Background and performance history Turnage composed ''Greek'' between 1986 and 1988 as a commission from the City of Munich for one of five new operas to premiere at the first Munich Biennale. The commission was suggested by the Biennale's founder, German composer Hans Werner Henze, who had taught Turnage at the Tanglewood Music Center and admired his work. Turnage adapted Berkoff's play for the libretto with the help of Jonathan Moore who would be the stage director of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark-Anthony Turnage
Mark-Anthony Turnage Commander of the Order of the British Empire, CBE (born 10 June 1960) is a British composer of classical music. Biography Turnage was born in Corringham, Essex. He began composing at age nine and at fourteen began studying at the junior section of the Royal College of Music. His initial musical studies were with Oliver Knussen, John Lambert (composer), John Lambert, and later with Gunther Schuller. He also has been strongly influenced by jazz, in particular by the work of Miles Davis, and has composed works featuring jazz performers, including John Scofield, Peter Erskine, John Patitucci, and Joe Lovano. Turnage has composed numerous orchestral and chamber music, chamber works, and three full-length operas. ''Greek (opera), Greek'', composed with the encouragement of Hans Werner Henze and first performed in 1988 at the Munich Biennale, is based on Steven Berkoff's adaptation of ''Oedipus Rex''. ''The Silver Tassie (opera), The Silver Tassie'', first perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Philharmonic Society
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693, located at 48 Great Marlborough Street in London. The current chief executive of the RPS is James Murphy, and its current chairman is John Gilhooly. History In London, at a time when there were no permanent London orchestras, nor organised series of chamber music concerts, a group of thirty music professional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Suart
Richard Suart (born 5 September 1951) is an English opera singer and actor, who has specialised in the comic roles of Gilbert and Sullivan operas and in operetta, as well as in ''avant-garde'' modern operas. He is probably best known for his numerous portrayals of Ko-Ko in ''The Mikado''. Suart has often performed with English National Opera, as well as other opera companies throughout the UK, Europe and North America. He has also recorded extensively and performed on the concert platform. Biography Suart was born on 5 September 1951 in Blackpool, Lancashire. He was educated at Sedbergh School (1965–69) and later studied at St John's College, Cambridge (1971–74) and the Royal Academy of Music (1974–77). He is chiefly known as a stage performer, but his concert work has included baritone leads in Benjamin Britten's '' Saint Nicolas'', and Monteverdi's ''Vespers'',''The Guardian'', 12 January 1980, p. 21 and a song recital of works by Ravel, Ibert and Mussorgsky at the Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiona Kimm
Fiona Kimm is a British mezzo-soprano known for a wide-ranging operatic and concert repertoire. Education and early career She studied at the Royal College of Music with Meriel St Clair, and at the National Opera Studio in its inaugural year. She made her operatic debut as Irene in ''"Tamerlano"'' for Musica Nel Chiostro at the Riverside Studios. Her Glyndebourne debut in 1978 was as 3rd Lady in'' Die Zauberflöte'' (in Southern Television's broadcast) and she was given the John Christie Award that year. She joined English National Opera North in 1979, making her debut as Hansel. She appeared with ENO as Fyodor in'' Boris Godunov'' in 1980, a role she repeated with the Royal Opera House in 1983. Operatic roles UK For Glyndebourne Festival and Touring Companies, she has sung 3rd Lady (debut), Celia ''(La Fedeltà Premiata)'', Sméraldine ''(L'Amour des Trois Oranges),'' Maman/Chatte ''(L'Enfant et les Sortilèges)'', Baba the Turk ''(The Rake's Progress)'', Sesto ''(La Clemenza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Academy Of Music
The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in 1908. The Academy is incorporated as a New York State not-for-profit corporation. It has 501(c)(3) status. Katy Clark became president in 2015 and left the institution in 2021. David Binder became artistic director in 2019. History 19th and early 20th centuries On October 21, 1858, a meeting was held at the Polytechnic Institute to measure support for establishing "a hall adapted to Musical, Literary, Scientific and other occasional purposes, of sufficient size to meet the requirements of our large population and worth in style and appearance of our city." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a financial restructuring plan had called for the elimin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buxton Festival
The Buxton Festival is an annual summer festival of opera, music and (since 2000) a literary series, held in Buxton, Derbyshire, England since its beginnings in July 1979. The 2020 festival would have run but was cancelled due to the Covid-19 crisis. The 2023 Buxton International Festival will run 6–23 July. Origins of the present-day Festival The origins of the Festival date to September 1937, when an annual drama festival was first held (running until 1942) in conjunction with the London-based Old Vic Theatre Company under Lilian Baylis. In addition to plays at the Buxton Opera House, the festival ran a summer school at the adjoining Playhouse Theatre. The Festival as it exists today came about because of the inspiration in the 1970s to encourage the restoration of the Buxton Opera House, a classic Frank Matcham building. The conductor Anthony Hose (then Head of Music at Welsh National Opera) and Malcolm Fraser (then lecturing in opera at the Royal Northern College of Music i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theatre Wales
Music Theatre Wales (MTW) is a touring contemporary opera company, based in Cardiff, Wales. MTW performs newly commissioned works, alongside existing pieces from the recent past which are either neglected or have been unseen in the UK. Works are toured across the UK and internationally. Over its 22-year history MTW has performed almost 30 productions and 14 world premieres. In 2002 it became the first Associate Company of the Royal Opera House. History Founded in 1988 by Artistic Directors Michael McCarthy and Michael Rafferty, Music Theatre Wales was created from the merger of two previous companies - both formed in south Wales in 1982 - Cardiff New Opera Group and St Donats Music Theatre Ensemble. At that time both organisations had identified a gap in the provision of opera in Wales. Though Welsh National Opera had achieved great success in exploring lesser known areas of the repertoire and had established itself as the leading, innovative opera company of the UK, there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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