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Gilda
''Gilda'' is a 1946 American film noir directed by Charles Vidor and starring Rita Hayworth in her signature role and Glenn Ford. The film is known for cinematographer Rudolph Maté's lush photography, costume designer Jean Louis's wardrobe for Hayworth (particularly for the dance numbers), and choreographer Jack Cole's staging of "Put the Blame on Mame" and "Amado Mio", sung by Anita Ellis. Over the years ''Gilda'' has gained cult classic status. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Plot Johnny Farrell, an American newly arrived in Buenos Aires, Argentina, wins a lot of money cheating at craps. He is rescued from a robbery attempt by a complete stranger, Ballin Mundson. Mundson tells him about an illegal high-class casino, but warns him not to cheat there. Farrell ignores his advice, wins at blackjack, and is taken to see the cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilda (1946) Trailer
''Gilda'' is a 1946 American film noir directed by Charles Vidor and starring Rita Hayworth in her signature role and Glenn Ford. The film is known for cinematographer Rudolph Maté's lush photography, costume designer Jean Louis's wardrobe for Hayworth (particularly for the dance numbers), and choreographer Jack Cole's staging of " Put the Blame on Mame" and " Amado Mio", sung by Anita Ellis. Over the years ''Gilda'' has gained cult classic status. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Plot Johnny Farrell, an American newly arrived in Buenos Aires, Argentina, wins a lot of money cheating at craps. He is rescued from a robbery attempt by a complete stranger, Ballin Mundson. Mundson tells him about an illegal high-class casino, but warns him not to cheat there. Farrell ignores his advice, wins at blackjack, and is taken to see the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rita Hayworth
Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918May 14, 1987) was an American actress, dancer and producer. She achieved fame during the 1940s as one of the era's top stars, appearing in 61 films over 37 years. The press coined the term "The Love Goddess" to describe Hayworth after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II. Hayworth is perhaps best known for her performance in the 1946 film noir ''Gilda'', opposite Glenn Ford, in which she played the '' femme fatale'' in her first major dramatic role. She is also known for her performances in ''Only Angels Have Wings'' (1939), ''The Strawberry Blonde'' (1941), '' Blood and Sand'' (1941), ''The Lady from Shanghai'' (1947), '' Pal Joey'' (1957), and ''Separate Tables'' (1958). Fred Astaire, with whom she made two films, ''You'll Never Get Rich'' (1941) and ''You Were Never Lovelier'' (1942), once called her his favorite dance partner. She also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Ford
Gwyllyn Samuel Newton "Glenn" Ford (May 1, 1916 – August 30, 2006) was a Canadian-American actor who often portrayed ordinary men in unusual circumstances. Ford was most prominent during Classical Hollywood cinema, Hollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, who had a career that lasted more than 50 years. Although he played in many genres of movies, some of his most significant roles were in the film noirs ''Gilda'' (1946) and ''The Big Heat'' (1953), and the high school angst film ''Blackboard Jungle'' (1955). However, it was for comedies or westerns which he received acting laurels, including three Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, Golden Globe Nominations for Best Actor in a Comedy movie, winning for ''Pocketful of Miracles'' (1961). He also played a supporting role as Clark Kent's adoptive father, Jonathan and Martha Kent, Jonathan Kent, in ''Superman (1978 film), Superman'' (1978). F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anita Kert Ellis
Anita Ellis (née Kert, later Shapiro; April 12, 1920 – October 28, 2015) was a Canadian-born American singer and actress. She famously dubbed Rita Hayworth's songs in ''Gilda''. Early years Anita Kert was born in Montreal, Quebec, the eldest of four children born to Orthodox Jewish parents, Harry and Lillian "Libbie" Kert (née Pearson; originally Peretz). She had a younger sister and two younger brothers, one of whom, Larry Kert, Lawrence Frederick Kert (1930–1991), became an actor and singer best known for originating the role of Tony in ''West Side Story''.Family Tree of Anita Kert cousinsconnection.com; accessed May 4, 2016. The family moved to Hollywood when she was nine years old. She graduated from Hollywood High School in 1938, and attended the College of Music in C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Calleia
Joseph Calleia ( ; born Joseph Alexander Caesar Herstall Vincent Calleja, August 4, 1897 – October 31, 1975) was a Maltese-born American actor and singer on the stage and in films, radio and television. After serving in the British Transport Service during World War I, he travelled to the United States and began his career on the stage, initially in musical comedy, but later in original Broadway productions such as ''Broadway'' (1926), ''The Front Page'' (1928), ''The Last Mile'' (1930), and ''Grand Hotel'' (1930). Calleia became a star with the play '' Small Miracle'' (1934), his first real role as a villain, and he was put under contract by Metro-Goldwyn-Mayer. Calleia excelled as the villain in Hollywood films, but he fought against typecasting and created a succession of darkly mysterious characters edged with humor in films such as ''Algiers'' (1938), ''Five Came Back'' (1939), '' Golden Boy'' (1939), ''The Glass Key'' (1942) and ''Gilda'' (1946). During World War II, Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Put The Blame On Mame
"Put the Blame on Mame" is a song by Allan Roberts and Doris Fisher, originally written for the classic film noir ''Gilda'' (1946) in which it was sung by the title character, played by Rita Hayworth with the singing voice of Anita Kert Ellis dubbed in. In keeping with the film character Gilda being "the ultimate femme fatale", the song sung by her in two scenes facetiously credits the amorous activities of a woman named "Mame" as the true cause of three well-known cataclysmic events in American history: The Great Chicago Fire of 1871, the Great Blizzard of 1888 in New York City and the 1906 San Francisco earthquake. Mame is also credited with causing the fictional shooting of Dan McGrew during the Yukon Gold Rush, an event derived from a short narrative poem published in 1907 by Robert W. Service. The song was later reprised as an instrumental version in another quintessential noir film, 1953's ''The Big Heat'', when ''Gilda'' star Glenn Ford first meets Lee Marvin's ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Van Upp
Virginia Van Upp (January 13, 1902 – March 25, 1970) was an American film producer and screenwriter. Early life Virginia Van Upp was born in Chicago, the daughter of Harry and Helen Van Upp. Mrs Van Upp had been an editor and title writer for Thomas H. Ince. Virginia Van Upp performed in several silent films as a child actress. She soon worked her way up in the film industry becoming a script writer, film editor, script reader, casting director, and agent. Career Her first screenplay credit was for Paramount Pictures' ''The Pursuit of Happiness'' (1934). She was a prolific writer and re-writer of screenplays for Paramount until 1943. Queen of Columbia Ever on the lookout for talent, and after several writers failed to create a satisfying screenplay of ''Cover Girl'' (1944), Harry Cohn of Columbia Pictures hired Van Upp from Paramount to rewrite the script. ''Cover Girl'' was designed as a Technicolor project for Columbia's Rita Hayworth. Cohn surrounded his star with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Vidor
Charles Vidor (born Károly Vidor; July 27, 1900June 4, 1959) was a Hungarian film director. Among his film successes are ''The Bridge'' (1929), ''The Tuttles of Tahiti'' (1942), ''The Desperadoes'' (1943), ''Cover Girl'' (1944), '' Together Again'' (1944), '' A Song to Remember'' (1945), ''Over 21'' (1945), ''Gilda'' (1946), '' The Loves of Carmen'' (1948), ''Rhapsody'' (1954), '' Love Me or Leave Me'' (1955), ''The Swan'' (1956), ''The Joker Is Wild'' (1957), and '' A Farewell to Arms'' (1957). Life and career Born Károly Vidor in Budapest, Hungary, he served in the Austro-Hungarian Army during World War I. He first came to prominence during the final years of the silent film era, working with Alex Korda among others. Contrary to common belief, he is not related to fellow director King Vidor (1894–1982). Early Hollywood career In 1922, Vidor emigrated to the United States. He worked as a basso for the English Grand Opera Company. He was a chorus boy in ''Love Song'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amado Mio
"Amado Mio" is a song from the classic 1946 film noir ''Gilda'', written by Doris Fisher and Allan Roberts. The piece was lip-synched by Rita Hayworth and sung by Anita Kert Ellis. Grace Jones's rendition of the song on her 1989 album ''Bulletproof Heart'' was released as a single in a special "Brazilian Mix" in 1990. It became a significant dance hit in the US. Grace Jones version In 1989 Grace Jones recorded a version of the song on her album ''Bulletproof Heart''. A special "Brazilian Mix" of "Amado Mio" was produced by Clivillés and Cole and served as second single of the album, released in 1990. This mix was later available on the 2004 CD re-issue of ''Bulletproof Heart''. The mix charted low on European charts, despite being promoted live on various occasions. In the US, the single was a double A-side with "Crack Attack", and became a significant dance hit. Track listing *7" single :A. "Amado Mio" (The Brazilian Mix – radio edit) – 3:45 :B. "Amado Mio" (LP vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Louis
Jean Louis (born Jean Louis Berthault; October 5, 1907 – April 20, 1997) was a French-American costume designer. He won an Academy Award for Best Costume Design, Academy Award for ''The Solid Gold Cadillac'' (1956). Life and career Before coming to Hollywood, he worked in New York for fashion entrepreneur Hattie Carnegie, where the clientele included Joan Cohn, the wife of Columbia Pictures studio chief Harry Cohn. He worked as head designer for Columbia Pictures from 1944 to 1960. His most famous works include Rita Hayworth's black satin strapless dress from ''Gilda'' (1946), Marlene Dietrich's celebrated beaded souffle stagewear for her cabaret world tours, as well as the sheer, sparkling gown that Marilyn Monroe wore when she sang "Happy Birthday, Mr. President" to John F. Kennedy in 1962. The dress was so tight that he is believed to have actually sewn it while Monroe was wearing it. The idea of a dress being a nude color, with crystals coating it, stunned audiences. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jo Eisinger
Jo Eisinger (1909–1991) was a film and television writer whose career spanned more than 40 years from the early 1940s well into the 1980s. He is widely recognized as the writer of two of the most psychologically complex film noirs, ''Gilda'' (1946) and ''Night and the City'' (1950). His credits also include '' The Sleeping City'' (1950) and ''Crime of Passion'' (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it's a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for '' The Adventures of Sam Spade'' series. He returned to thriller and private eye adventure series writing for the ITC television series ''Danger Man'' (1960–61) and the mid-1980s HBO series ''Philip Marlowe, Private Eye''. His script for an episode of the latter show, "The Pencil", earned him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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