Gazi Husrev-beg's Mosque
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Gazi Husrev-beg's Mosque
Gazi Husrev-beg Mosque (, ) is a mosque in the city of Sarajevo, Bosnia and Herzegovina. Built in the 16th century, it is the largest historical mosque in Bosnia and Herzegovina and one of the most representative Ottoman structures in the Balkans. Being the central Sarajevo's mosque since the days of its construction, today it also serves as the main congregational mosque of the Muslims in Bosnia and Herzegovina. It is located in the Baščaršija neighborhood in the Stari Grad municipality and, being one of the main architectural monuments in the town, is regularly visited by tourists. History The Gazi Husrev-beg Mosque was built in 1530 as the central object of the Beg's endowment, which also included a maktab and a madrasa (Islamic primary and secondary schools), a bezistan (vaulted marketplace), a hammam (public bathplace) etc. The foundation of this waqf by the contemporary Ottoman governor of Bosnia had a crucial point in the development of the town. The architect ...
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Sarajevo
Sarajevo ( ; cyrl, Сарајево, ; ''see names in other languages'') is the capital and largest city of Bosnia and Herzegovina, with a population of 275,524 in its administrative limits. The Sarajevo metropolitan area including Sarajevo Canton, East Sarajevo and nearby municipalities is home to 555,210 inhabitants. Located within the greater Sarajevo valley of Bosnia, it is surrounded by the Dinaric Alps and situated along the Miljacka River in the heart of the Balkans, a region of Southern Europe. Sarajevo is the political, financial, social and cultural center of Bosnia and Herzegovina and a prominent center of culture in the Balkans. It exerts region-wide influence in entertainment, media, fashion and the arts. Due to its long history of religious and cultural diversity, Sarajevo is sometimes called the "Jerusalem of Europe" or "Jerusalem of the Balkans". It is one of a few major European cities to have a mosque, Catholic church, Eastern Orthodox church, and synagogue ...
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Mimar Sinan
Mimar Sinan ( ota, معمار سينان, translit=Mi'mâr Sinân, , ) ( 1488–1490 – 17 July 1588) also known as Koca Mi'mâr Sinân Âğâ, ("Sinan Agha the Grand Architect" or "Grand Sinan") was the chief Ottoman architect ( tr, links=no, mimar) and civil engineer for sultans Suleiman the Magnificent, Selim II and Murad III. He was responsible for the construction of more than 300 major structures and other more modest projects, such as schools. His apprentices would later design the Sultan Ahmed Mosque in Istanbul and Stari Most in Mostar. The son of a stonemason, he received a technical education and became a military engineer. He rose rapidly through the ranks to become first an officer and finally a Janissary commander, with the honorific title of Sinan.Goodwin (2001), p. 87 He refined his architectural and engineering skills while on campaign with the Janissaries, becoming expert at constructing fortifications of all kinds, as well as military infrastructure p ...
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Portal (architecture)
A portal is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates, or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation. The elements of a portal can include the voussoir, tympanum, an ornamented mullion or ''trumeau'' between doors, and columns with carvings of saints in the westwork of a church. Examples File:Baroque portal in Brescia.jpg, Baroque portal of a private palace in Brescia File:Dülmen, St.-Viktor-Kirche, Eingangsportal -- 2021 -- 4504-10.jpg, Wooden portal of the Church of St. Victor in Dülmen File:Porto - Sant Martí de Cedofeita - Façana principal.JPG, Romanesque portal of the Church of São Martinho de Cedofeita, with nested arches File:Hronsky Benadik-Hlavny portal klastorneho kostola.jpg, Gothic portal of the church in Hronský Beňadik File:FI-Tampere- ...
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Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long ...
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Minaret
A minaret (; ar, منارة, translit=manāra, or ar, مِئْذَنة, translit=miʾḏana, links=no; tr, minare; fa, گل‌دسته, translit=goldaste) is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (''adhan''), but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires. Etymology Two Arabic words are used to denote the minaret tower: ''manāra'' and ''manār''. The English word "minaret" originates from the former, via the Turkish version (). The Arabic word ''manāra'' (plural: ''manārāt'') originally meant a "lamp stand", a cognate of Hebrew '' menorah''. It is assumed to be a derivation of an older reconstructed form, ''manwara''. The other word, ''manār'' (plural: ''manā'ir'' or ''manāyir''), means "a place of light". Both words derive from the Arabic root ''n-w-r'', which has a ...
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Minbar
A minbar (; sometimes romanized as ''mimber'') is a pulpit in a mosque where the imam (leader of prayers) stands to deliver sermons (, '' khutbah''). It is also used in other similar contexts, such as in a Hussainiya where the speaker sits and lectures the congregation. Etymology The word is a derivative of the Arabic root ''n-b-r'' ("to raise, elevate"); the Arabic plural is ''manābir'' ( ar, مَنابِر). Function and form The minbar is symbolically the seat of the imam who leads prayers in the mosque and delivers sermons. In the early years of Islam, this seat was reserved for the Islamic prophet Muhammad and later for the caliphs who followed him, each of whom was officially the imam of the whole Muslim community, but it eventually became standard for all Friday mosques and was used by the local imam. Nonetheless, the minbar retained its significance as a symbol of authority. While minbars are roughly similar to church pulpits, they have a function and posi ...
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Mihrab
Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the ''qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla wall". The ''minbar'', which is the raised platform from which an imam (leader of prayer) addresses the congregation, is located to the right of the mihrab. Etymology The origin of the word ''miḥrāb'' is complicated and multiple explanations have been proposed by different sources and scholars. It may come from Old South Arabian (possibly Sabaic) ''mḥrb'' meaning a certain part of a palace, as well as "part of a temple where ''tḥrb'' (a certain type of visions) is obtained," from the root word ''ḥrb'' "to perform a certain religious ritual (which is compared to combat or fighting and described as an overnight retreat) in the ''mḥrb'' of the temple." It may also possibly be related to Ethiopic ''məkʷrab'' "temple, sa ...
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Muqarnas
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas a ...
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Qibla
The qibla ( ar, قِبْلَة, links=no, lit=direction, translit=qiblah) is the direction towards the Kaaba in the Sacred Mosque in Mecca, which is used by Muslims in various religious contexts, particularly the direction of prayer for the salah. In Islam, the Kaaba is believed to be a sacred site built by prophets Abraham and Ishmael, and that its use as the qibla was ordained by Allah in several verses of the Quran revealed to Muhammad in the second Hijri year. Prior to this revelation, Muhammad and his followers in Medina faced Jerusalem for prayers. Most mosques contain a '' mihrab'' (a wall niche) that indicates the direction of the qibla. The qibla is also the direction for entering the '' ihram'' (sacred state for the hajj pilgrimage); the direction to which animals are turned during '' dhabihah'' (Islamic slaughter); the recommended direction to make '' dua'' (supplications); the direction to avoid when relieving oneself or spitting; and the direction to which the ...
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Pendentive
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople ...
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Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a rotunda wall, a drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian, Hellenistic, Roman, and Chinese architecture in the ancient world, as well as among a number of indigenous building traditions throughout t ...
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Ottoman Architecture
Ottoman architecture is the architectural style that developed under the Ottoman Empire. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East.: "The grand tradition of Ottoman architecture, established in the 16th century, differed markedly from that of the earlier Moors. It was derived from both the Byzantine Christian tradition, outlined above, and native Middle Eastern forms used by the Islamic Seljuk Turks, who preceded the Ottomans. The Byzantine tradition, particularly as embodied in Hagia Sophia, was perhaps the major source of inspiration." "The mosques of the classical period are more elaborate than those of earlier times. They derive from a fusion of a native Turkish tradition with certain elements of the plan of Haghia Sophia, the former cathedral of Constantinople, converted into a mo ...
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