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Gamma Correction
Gamma correction or gamma is a nonlinear operation used to encode and decode luminance or tristimulus values in video or still image systems. Gamma correction is, in the simplest cases, defined by the following power-law expression: : V_\text = A V_\text^\gamma, where the non-negative real input value V_\text is raised to the power \gamma and multiplied by the constant ''A'' to get the output value V_\text. In the common case of , inputs and outputs are typically in the range 0–1. A gamma value \gamma 1 is called a ''decoding gamma'', and the application of the expansive power-law nonlinearity is called gamma expansion. Explanation Gamma encoding of images is used to optimize the usage of bits when encoding an image, or bandwidth used to transport an image, by taking advantage of the non-linear manner in which humans perceive light and color. The human perception of brightness ( lightness), under common illumination conditions (neither pitch black nor blindingly bright), ...
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Cathode Ray Tube
A cathode-ray tube (CRT) is a vacuum tube containing one or more electron guns, which emit electron beams that are manipulated to display images on a phosphorescent screen. The images may represent electrical waveforms ( oscilloscope), pictures ( television set, computer monitor), radar targets, or other phenomena. A CRT on a television set is commonly called a picture tube. CRTs have also been used as memory devices, in which case the screen is not intended to be visible to an observer. The term '' cathode ray'' was used to describe electron beams when they were first discovered, before it was understood that what was emitted from the cathode was a beam of electrons. In CRT television sets and computer monitors, the entire front area of the tube is scanned repeatedly and systematically in a fixed pattern called a raster. In color devices, an image is produced by controlling the intensity of each of three electron beams, one for each additive primary color (red, gre ...
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Primary Color
A set of primary colors or primary colours (see spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive, subtractive) that reflects the physics of how light interacts with physical media, and ultimately the retina. Primary colors can also be conceptual (not necessarily real), either as additive mathematical elements of a color space or as irreducible phenomenological categories in domains such as psychology and philosophy. Color space primaries are precisely defined and empirically rooted in psychophysical colorimetry experiments which are foundational for understanding color vision. Primaries of some color spaces are ''com ...
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CCIR System B
CCIR System B (originally known as the "Gerber Standard") was the 625-line VHF analog broadcast television system which at its peak was the system used in most countries. It's usually associated with CCIR System G for UHF broadcasts. It is mostly replaced across Western Europe, part of Asia and Africa by digital broadcasting. Specifications The system was developed for VHF (also known as VHF-3) band (part of RF band lower than 300 MHz.) Some of the most important specs are listed below. A frame is the total picture. The frame rate is the number of pictures displayed in one second. But each frame is actually scanned twice interleaving odd and even lines. Each scan is known as a field (odd and even fields.) So field rate is twice the frame rate. In each frame there are 625 lines (or 312.5 lines in a field.) So line rate (line frequency) is 625 times the frame frequency or 625•25=15625 Hz. The video bandwidth is 5.0 MHz. The video signal modulates the carrie ...
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NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the intr ...
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CCIR System N
CCIR System N is an analog broadcast television system introduced in 1951 and adopted by Argentina, Paraguay and Uruguay (since 1980), paired with the PAL color system (PAL-N). It was also used briefly in Brazil and Venezuela. It employs the 625 line/50 field per second waveform of PAL-B/G, D/K, H, and I, but on a 6 MHz channel with a chrominance subcarrier frequency of 3.582056 MHz (very similar to NTSC). On the studio production level, PAL-B cameras and equipment were used, with the signal then transcoded to PAL-N for broadcast. This allows 625-line, 50-frame/s video to be broadcast in a 6-MHz channel, at some cost in horizontal resolution. Specifications Some of the important specs are listed below. Television channels were arranged as follows: See also * PAL *PAL-N *Broadcast television systems * Television transmitter *Transposer In broadcasting, a transposer or translator is a device in or beyond the service area of a radio or television statio ...
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CCIR System M
CCIR System M, sometimes called 525–line, monochrome NTSC or NTSC-M, is the analog broadcast television system approved by the FCC (upon recommendation by the National Television Systems Committee - NTSC) for use in the United States since July 1, 1941, replacing the 441-line TV system introduced in 1938. System M displays a total of 525 lines of video (with 480 carrying visible image information) at 30 frames per second using 6 MHz spacing between channel numbers, and is used for both VHF and UHF channels. It was also adopted in most of the Americas and Caribbean, South Korea, Taiwan and Japan (here with minor differences, informally referred to as ''System J)''. System M doesn't specify a color system, but NTSC (NTSC-M) was normally used, with some exceptions: NTSC-J in Japan, PAL-M in Brazil and SECAM-M on Cambodia and Vietnam (see ''Color standards'' section below). The letter M designation was attributed by the ITU on the 1961 Stockholm meeting (see ITU identifi ...
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Eastman Kodak Company
The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. Kodak provides packaging, functional printing, graphic communications, and professional services for businesses around the world. Its main business segments are Print Systems, Enterprise Inkjet Systems, Micro 3D Printing and Packaging, Software and Solutions, and Consumer and Film. It is best known for photographic film products. Kodak was founded by George Eastman and Henry A. Strong on May 23, 1892. During most of the 20th century, Kodak held a dominant position in photographic film. The company's ubiquity was such that its " Kodak moment" tagline entered the common lexicon to describe a personal event that deserved to be recorded for posterity. Kodak began to struggle financially in the late 1990s, as a result o ...
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Sensitometry
Sensitometry is the scientific study of light-sensitive materials, especially photographic film. The study has its origins in the work by Ferdinand Hurter and Vero Charles Driffield (circa 1876) with early black-and-white emulsions. They determined how the density of silver produced varied with the amount of light received, and the method and time of development. Details Plots of film density (log of opacity) versus the log of exposure are called characteristic curves, Hurter–Driffield curves, H–D curves, HD curves, H & D curves, D–logE curves, or D–logH curves. At moderate exposures, the overall shape is typically a bit like an "S" slanted so that its base and top are horizontal. There is usually a central region of the HD curve which approximates to a straight line, called the "linear" or "straight-line" portion; the slope of this region is called the gamma. The low end is called the "toe", and at the top, the curve rounds over to form the "shoulder". At extremely hi ...
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Exposure (photography)
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where ...
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Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and high-energy particles. Unmodified silver halide crystals are sensitive only to the blue part of the visible spectrum, producing unnatural-looking rendition ...
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