Grand Church Of The Winter Palace
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Grand Church Of The Winter Palace
The Grand Church of the Winter Palace () in Saint Petersburg, sometimes referred to as the Winter Palace's cathedral A cathedral is a church (building), church that contains the of a bishop, thus serving as the central church of a diocese, Annual conferences within Methodism, conference, or episcopate. Churches with the function of "cathedral" are usually s ..., was consecration, consecrated in 1763. It is located on the piano nobile in the eastern wing of the Winter Palace, and is the larger, and principal, of two churches within the palace. A smaller, more private church was constructed in 1768, near the private apartment in the northwest part of the wing. The Grand Church was designed by Francesco Bartolomeo Rastrelli, Francesco Rastrelli, and has been described as "one of the most splendid rooms" in the palace. Today, the church is an unconsecrated exhibition hall of the State Hermitage Museum. History Construction of the church began on 14 October 1753 (Julian cale ...
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Hau Edward Petrovich - Cathedral In The Winter Palace
Hau or HAU may refer to: People and characters * Hau, a character in Pokémon Sun and Moon * Hau (mythology), a Polynesian wind god * Hau (surname) * Hau Latukefu (AKA Hau, born 1976), Australian hip hop musician and radio host Places * Hậu River, Vietnamese name for the Bassac River * Haugesund Airport, Karmøy, in Norway Universities * Chaudhary Charan Singh Haryana Agricultural University, India * Holy Angel University, in Angeles City, Philippines * Hunan Agricultural University, in Changsha, Hunan, China Other uses * Haemagglutinating unit (hau), a measure of Phytohaemagglutinin * Hau, a superunit of the Tongan pa'anga currency * Hau, ISO 639-2 code for the Hausa language * Hau (sociology) * ''HAU: Journal of Ethnographic Theory'' * Hebbel am Ufer, or HAU, a German theatre company and performance centre in Berlin * Hebrew Actors' Union, United States * ''Hibiscus tiliaceus'' (Hawaiian: '), a tree See also

* Hao (other) * How (other) * Howe (disambi ...
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Pilaster
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ...
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Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ...
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Papier-mâché
file:JacmelMardiGras.jpg, upright=1.3, Mardi Gras papier-mâché masks, Haiti Papier-mâché ( , , - the French term "mâché" here means "crushed and ground") is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce a pulp ideal for modelling or moulding, which dries to a hard surface and allows the creation of light, strong and inexpensive objects of any shape, even very complicated ones. There are various recipes, including those using cardboard and some mineral elements such as chalk or clay (carton-pierre, a building material). Papier-mâché reinforced with textiles or boiled cardboard (carton bouilli) can be used for durable, sturdy objects. There is even carton-cuir (cardboard and leather) There is also a "laminating process", a method in which strips of paper are glued together in layers. Binding agents include glue, starch or wallpaper paste. "Carton-paille" or strawboard was already describ ...
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Vasily Stasov
Duke Vasily Petrovich Stasov (Russian: Васи́лий Петро́вич Ста́сов; 4 August 1769 – 5 September 1848) was a famous Russian architect, born into a wealthy noble family: his father, Pyotr Fyodorovich Stasov, came from one of the oldest aristocratic families founded in 1387 by the 1st Duke Stasov Dmitri Vasilevich and his mother, Anna Antipyevna, came from the prominent :ru:Приклонские, Priklonsky family Biography Stasov was born in Moscow. He extensively travelled in France and Italy, where he became professor at the Accademia di San Luke, St Luke Academy in Rome. On his return home, he was elected to the Imperial Academy of Arts (1811). One of his early works, the Gruzino estate, Gruzino estate near Novgorod, was built for Count Alexey Arakcheyev in the 1810s and was completely destroyed during World War II. While developing guidelines for other architects, Stasov advocated making even the most trivial of buildings—barracks, store ...
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Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ...
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Jordan Staircase
The principal or Jordan Staircase of the Winter Palace, St Petersburg is so called because on the Feast of the Epiphany the Tsar descended this imperial staircase in state for the ceremony of the "Blessing of the Waters" of the Neva River, a celebration of Christ's baptism in the Jordan River. The staircase is one of the few parts of the palace retaining the original 18th-century style. The massive grey granite columns, however, were added in the mid 19th century. The staircase was badly damaged by a fire that swept the palace in 1837, but Nicholas I ordered the architect in charge of reconstruction, Vasily Stasov, to restore the staircase using Francesco Bartolomeo Rastrelli's original plans. Stasov made two small changes: he replaced the original gilt bronze handrails with white marble and the original pink columns with gray granite. The stair hall, which has an 18th-century ceiling depicting the Gods at Olympus, is decorated with alabaster statues of Wisdom and Justice by Mi ...
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Wedding Of Nicholas II And Alexandra Feodorovna By Laurits Tuxen (1895-6, Royal Coll
A wedding is a ceremony in which two people are united in marriage. Wedding traditions and customs vary greatly between cultures, ethnicities, races, religions, denominations, countries, social classes, and sexual orientations. Most wedding ceremonies involve an exchange of marriage vows by a couple; a presentation of a gift (e.g., an offering, rings, a symbolic item, flowers, money, or a dress); and a public proclamation of marriage by an authority figure or celebrant. Special wedding garments are often worn, and the ceremony is sometimes followed by a wedding reception. Music, poetry, prayers, or readings from religious texts or literature are also commonly incorporated into the ceremony, as well as superstitious customs. Common elements across cultures Some cultures have adopted the traditional Western custom of the white wedding, in which a bride wears a white wedding dress and veil. This tradition was popularized through the marriage of Queen Victoria. Some say Q ...
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Sanctuary
A sanctuary, in its original meaning, is a sacred space, sacred place, such as a shrine, protected by ecclesiastical immunity. By the use of such places as a haven, by extension the term has come to be used for any place of safety. This secondary use can be categorized into human sanctuary, a safe place for people, such as a political sanctuary; and non-human sanctuary, such as an animal or plant sanctuary. Religious sanctuary ''Sanctuary'' is a word derived from the Latin , which is, like most words ending in , a container for keeping something in—in this case holy things or perhaps cherished people (/). The meaning was extended to places of holiness or safety. Its origin is the principle of independence and immunity of religious orders from "temporal" powers. In many Place of worship, religious buildings ''sanctuary'' has a specific meaning, covering part of the interior. Sanctuary as area around the altar In many Western Christianity, Western Christian traditions in ...
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Image Of Edessa
According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus Christ had been imprinted—the first icon (). The image is also known as the Mandylion (, 'cloth' or 'towel'), in Eastern Orthodoxy, it is also known as Acheiropoieton (, ). In the tradition recorded in the early 4th century by Eusebius of Caesarea, King Abgar of Edessa wrote to Jesus, asking him to come cure him of an illness. Abgar received a reply letter from Jesus, declining the invitation, but promising a future visit by one of his disciples. One of the seventy disciples, Thaddeus of Edessa, is said to have come to Edessa, bearing the words of Jesus, by the virtues of which the king was miraculously healed. Eusebius said that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa, but who makes no mention of an image. The report of an image, which accrued t ...
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