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Franco Of Cologne
Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone. The result was Franconian notation, described most famously in his ''Ars cantus mensurabilis''. Life Some details are known about his life, and more can be inferred. In his own treatise he described himself as the papal chaplain and the preceptor of the Knights Hospitallers of St. John at Cologne, an extremely powerful position in northern Europe in the 13th century. Other documents of the time refer to him as "Franco of Paris" as well as "Franco teutonicus"; since his writing on music is intimately associated with the Notre Dame school of Paris, and his Teutonic origin is mentioned in several sources, he was probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the " rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conductus
The ''conductus'' (plural: ''conducti'') was a sacred Latin song in the Middle Ages, one whose poetry and music were newly composed. It is non-liturgical since its Latin lyric borrows little from previous chants. The conductus was northern French equivalent of the ''versus'', which flourished in Aquitaine. It was originally found in the twelfth-century Aquitanian repertories. But major collections of conductus were preserved in Paris. The conductus typically includes one, two, or three voices. A small number of the conductus are for four voices. Stylistically, the conductus is a type of discant (i.e. note-against-note polyphony). Its form can be strophic or through-composed form. The genre flourished from the early twelfth century to the middle of thirteenth century. It was one of the principal types of vocal composition of the ars antiqua period of medieval music history. History Origins of the name The conductus was most likely sung while the lectionary was carried fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Disciplina
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by King Henry VIII in 1534, it is the oldest university press in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and university textbooks, and English language teaching and learning publications. It also publishes Bibles, runs a bookshop in Cambridge, sells through Amazon, and has a conference venues business in Cambridge at the Pitt Building and the Sir Geoffrey Cass Sports and Social Centre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music History
''Early Music History'' is a peer-reviewed academic journal published annually by Cambridge University Press, which specialises in the study of music from the early Middle Ages to the end of the 17th century. It was established in 1981 and is edited by Iain Fenlon Iain Alexander Fenlon (born 26 October 1949 in Prestbury, Cheshire) is a British musicologist who specializes in music from 1450–1650; particularly Renaissance and early Baroque music from Italy. Fenlon was born to Albert Fenlon and Joan Fen .... References Cambridge University Press academic journals Music journals Publications established in 1981 Annual journals English-language journals {{music-publication-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James McKinnon
James William McKinnon (April 7, 1932 – February 23, 1999) was an American musicologist most known for his work in the fields of Western plainchant, medieval music, medieval and renaissance music, Latin liturgy and musical iconography. Life and career He studied classical languages at Niagara University before going to Columbia University to study with Paul Henry Lang and Edward Lippman, completing his PhD in 1965. He also studied organ with Frederick Swann and was active as a church organist and choir director in New York throughout his life. He began teaching at State University of New York, Buffalo in 1967, where he stayed until 1989, becoming full professor in 1979 and serving as chair from 1987-89. He was also appointed Richard H. Fogel Professor of Music at University of North Carolina at Chapel Hill. He was the author of five books, including ''Source Readings in Music History'', ''Music in Early Christian Literature'', and ''The Advent Project: The Later Seventh-Century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrus De Cruce
Petrus de Cruce (also Pierre de la Croix) was active as a cleric, composer and music theorist in the late part of the 13th century. His main contribution was to the notational system. Life 13th-century composer, theorist, and scholar, Petrus de Cruce was apparently born in or near Amiens, in north-central France; for dates we know only that he was active in the years around 1290. He held the title of ''magistar,'' indicating that he probably studied at the University of Paris. Given the overlap of their lives and supposed tenures at Paris, Petrus may have been Franco of Cologne's student. It is recorded that in 1298 he composed a monophonic office for the royal palace chapel at Paris, and that in 1301–2, he resided at the court of the Bishop of Amiens, undoubtedly as a member of his clerical staff, and most likely his chapel staff as well. Petrus died before 1347, since in that year is the first reference in the inventory of Amiens Cathedral to its possession of a polyphon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the Christian denomination, church or the country, especially in a military capacity. Knighthood finds origins in the Ancient Greece, Greek ''hippeis'' and ''hoplite'' (ἱππεῖς) and Ancient Rome, Roman ''Equites, eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon Equestrianism, mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect Court (royal), courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in Horses in warfare, battle on horseback. Knighthood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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