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Francesco Bartolozzi
__NOTOC__ Francesco Bartolozzi (21 September 1727, in Florence – 7 March 1815, in Lisbon) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving. Early life Bartolozzi was born in Florence in 1727. He was originally destined to follow the profession of his father, a gold- and silver-smith, but he manifested so much skill and taste in designing that he was placed under the supervision of two Florentine artists, including Ignazio Hugford and Giovanni Domenico Ferretti who instructed him in painting. After devoting three years to that art, he went to Venice and studied engraving. He spent six years there working for Joseph Wagner, an engraver and printseller, before setting up his own workshop. Early career His first productions in Venice were plates in the style of Marco Ricci, Zuccarelli. He then moved for a short time in 1762 to Rome, where he completed a set of engravings representing frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Dalton (librarian)
Richard Dalton (c. 1715 - 1791) was an English draughtsman, engraver, and royal librarian. He later became an art dealer. Life Born about 1715, he was the younger son of the Rev. John Dalton of Whitehaven in Cumberland; John Dalton, D.D., the poet, was his elder brother. He trained as an artist, and went to Rome to pursue his studies. In 1749 Dalton travelled with Roger Kynaston and John Frederick to Naples, South Italy, and Sicily, where they joined a party consisting of James Caulfeild, 1st Earl of Charlemont, Francis Pierpoint Burton, and others. Dalton then accompanied Charlemont on his tour to Constantinople, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III when the future king was Prince of Wales, and, after the king's accession, continued in his post through the favour of the Earl of Bute. He was subsequently appointed keeper of the pictures, and antiquarian to his majesty. Dalton was sent abroad to purchase works of art for the king, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Engravers
The Society of Engravers was founded in London in 1802 to promote British printmaking, largely because engravers were not allowed (unless they were also painters or sculptors) to join the Royal Academy, and also to enable "each individual to act with more firmness in opposing the pretensions ... of booksellers and publishers". The first President was Francesco Bartolozzi, himself in fact an R.A.. The Royal Watercolour Society (as it later became) was founded in 1804 for similar reasons.Iain McCalman (ed), ''An Oxford Companion to the Romantic Age: British Culture, 1776-1832'', p.189, OUP, 1999, . Though most other sources say 1803. The society is described as "short-lived". Later Presidents included William Bond, and James Parker, James Pastorini and Thomas Milton were Governors. See also *Royal Society of Painter-Etchers and Engravers The Royal Society of Painter-Printmakers (RE), known until 1991 as the Royal Society of Painter-Etchers and Engravers, is a leading art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George III Of The United Kingdom
George III (George William Frederick; 4 June 173829 January 1820) was King of Great Britain and of Monarchy of Ireland, Ireland from 25 October 1760 until Acts of Union 1800, the union of the two kingdoms on 1 January 1801, after which he was King of the United Kingdom of Great Britain and Ireland until his death in 1820. He was the longest-lived and longest-reigning king in British history. He was concurrently Duke and Prince-elector of Electorate of Brunswick-Lüneburg, Brunswick-Lüneburg ("Hanover") in the Holy Roman Empire before becoming King of Hanover on 12 October 1814. He was a monarch of the House of Hanover but, unlike his two predecessors, he was born in Great Britain, spoke English as his first language and never visited Hanover. George's life and reign were marked by a series of military conflicts involving his kingdoms, much of the rest of Europe, and places farther afield in Africa, the Americas and Asia. Early in his reign, Great Britain defeated France in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boydell Shakespeare Gallery
The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting. In addition to the establishment of the gallery, Boydell planned to produce an illustrated edition of William Shakespeare's plays and a folio of prints based upon a series of paintings by different contemporary painters. During the 1790s the London gallery that showed the original paintings emerged as the project's most popular element. The works of William Shakespeare enjoyed a renewed popularity in 18th-century Britain. Several new editions of his works were published, his plays were revived in the theatre and numerous works of art were created illustrating the plays and specific productions of them. Capitalising on this interest, Boydell decided to publish a grand illustrated edition of Shakespeare's plays that would showcase the talents of British painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boydell
John Boydell (; 19 January 1720 (New Style) – 12 December 1804) was a British publisher noted for his reproductions of engravings. He helped alter the trade imbalance between Britain and France in engravings and initiated a British tradition in the art form. A former engraver himself, Boydell promoted the interests of artists as well as patrons and as a result his business prospered. The son of a land surveyor, Boydell apprenticed himself to William Henry Toms, an artist he admired, and learned engraving. He established his own business in 1746 and published his first book of engravings around the same time. Boydell did not think much of his own artistic efforts and eventually started buying the works of others, becoming a print dealer as well as an artist. He became a successful importer of French prints during the 1750s but was frustrated by their refusal to trade prints in kind. To spark reciprocal trade, he commissioned William Wollett's spectacular engraving of Richard W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelica Kauffman
Maria Anna Angelika Kauffmann ( ; 30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768. Early life Kauffman was born at Chur in Graubünden, Switzerland. Her family moved to Morbegno in 1742, then Como in Lombardy in 1752 at that time under Austrian rule. In 1757 she accompanied her father to Schwarzenberg in Vorarlberg/Austria where her father was working for the local bishop. Her father, Joseph Johann Kauffmann, was a relatively poor man but a skilled Austrian muralist and painter, who was often travelling for his work. He trained Angelica and she worked as his assistant, moving through Switzerland, Austria, and Italy. Angeli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Cipriani
Giovanni Battista Cipriani (1727 – 14 December 1785) was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi. Life Cipriani was born in Florence. His family were originally from Pistoia. He first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani. He spent the years 1750–53 in Rome, where he became acquainted with the architect, Sir William Chambers, and the sculptor, Joseph Wilton whom he accompanied to England in August 1755. He had already painted two pictures, a ''St Tesauro'' and ''St Peter Igneo'' for the abbey of San Michele in Pelago, Pistoia, which had brought him a favorable reputation. He also painted one of the canvases of the organ of the church of Santa Maria Maddalena dei Pazzi in Florence and the main altarpiece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Dolci
Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. Biography He was born in Florence, on his mother's side the grandson of a painter. He was precocious and apprenticed at a young age to Jacopo Vignali, and when only eleven years of age he attempted a whole figure of St John, and a head of the infant Christ, which received some approbation. However Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. When only eleven years of age, he attempted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Meutas By Bartolozzi After Holbein
The word ''lady'' is a term for a girl or woman, with various connotations. Once used to describe only women of a high social class or status, the equivalent of lord, now it may refer to any adult woman, as gentleman can be used for men. Informal use is sometimes euphemistic ("lady of the night" for prostitute) or, in American slang, condescending in direct address (equivalent to "mister" or "man"). "Lady" is also a formal title in the United Kingdom. "Lady" is used before the family name of a woman with a title of nobility or honorary title ''suo jure'' (in her own right), or the wife of a lord, a baronet, Scottish feudal baron, laird, or a knight, and also before the first name of the daughter of a duke, marquess, or earl. Etymology The word comes from Old English '; the first part of the word is a mutated form of ', "loaf, bread", also seen in the corresponding ', "lord". The second part is usually taken to be from the root ''dig-'', "to knead", seen also in dough; the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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