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Find Spot
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1780s in English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian - Diana And Actaeon - 1556-1559
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliography
Bibliography (from and ), as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology (from ). English author and bibliographer John Carter describes ''bibliography'' as a word having two senses: one, a list of books for further study or of works consulted by an author (or enumerative bibliography); the other one, applicable for collectors, is "the study of books as physical objects" and "the systematic description of books as objects" (or descriptive bibliography). Etymology The word was used by Greek writers in the first three centuries CE to mean the copying of books by hand. In the 12th century, the word started being used for "the intellectual activity of composing books." The 17th century then saw the emergence of the modern meaning, that of description of books. Currently, the field of bibliography has expanded to include studies that consider the book as a material object. Bibliography, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Museum For Central Africa
The Royal Museum for Central Africa or RMCA ( nl, Koninklijk Museum voor Midden-Afrika or KMMA; french: Musée royal de l'Afrique centrale or MRAC; german: Königliches Museum für Zentralafrika or KMZA), also officially known as the AfricaMuseum, is an ethnography and natural history museum situated in Tervuren in Flemish Brabant, Belgium, just outside Brussels. It was built to showcase King Leopold II's Congo Free State in the International Exposition of 1897. The museum focuses on the Congo, a former Belgian colony. The sphere of interest, however, especially in biological research, extends to the whole Congo River basin, Middle Africa, East Africa, and West Africa, attempting to integrate "Africa" as a whole. Intended originally as a colonial museum, from 1960 onwards it has focused more on ethnography and anthropology. Like most museums, it houses a research department in addition to its public exhibit department. Not all research pertains to Africa (e.g. research on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Report On The Restitution Of African Cultural Heritage
''The Restitution of African Cultural Heritage. Toward a New Relational Ethics'' (in French: ''Rapport sur la restitution du patrimoine culturel africain. Vers une nouvelle éthique relationnelle'') is a report written by Senegalese academic and writer Felwine Sarr and French art historian Bénédicte Savoy, first published online in November 2018 in a French original version and an authorised English translation. Commissioned by the president of France, Emmanuel Macron, the aim of the report was to assess the history and present state of publicly owned French collections of African artworks originating from illicit or otherwise disputed acquisitions, as well as claims and a plan for subsequent steps for eventual restitutions. More specifically, the report also presents recommendations for the preparation of restitutions, such as international cultural cooperation, provenance research, legal frameworks, and ends with a list of the cultural objects involved, as well as ways ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Drewe
John Drewe (born 1948) is a British purveyor of art forgeries who commissioned artist John Myatt to paint them. Drewe earned about £1.8 million executing these art crimes. Early life Drewe was born John Cockett in 1948 in Sussex, England. At the age of 17 he dropped out of school and changed his surname to Drewe. He worked briefly with the British Atomic Energy Authority, having initially convinced his superiors that he had a Ph.D. in physics. He resigned two years later, after this was found to be false. After that, there is a 15-year gap in official records about him — no employment or tax records. According to Drewe himself, he joined the student protests in Paris in 1968, moved to West Germany and studied physics in the Kiel University. When he moved back to the UK, he taught experimental physics at the University of Sussex for a year and received a second degree in physics at SUNY Buffalo. None of those educational institutions have his name on their records. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vermeer
Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was barely mentioned in Arnold Houbraken's major source book on 17t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Van Meegeren
Henricus Antonius "Han" van Meegeren (; 10 October 1889 – 30 December 1947) was a Dutch painter and portraitist, considered one of the most ingenious art forgers of the 20th century. Van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to '' Reichsmarschall'' Hermann Göring during the Nazi occupation of the Netherlands. As a child, Van Meegeren developed an enthusiasm for the paintings of the Dutch Golden Age, and he set out to become an artist. Art critics, however, decried his work as tired and derivative, and Van Meegeren felt that they had destroyed his career. He decided to prove his talent by forging paintings by 17th-century artists including Frans Hals, Pieter de Hooch, Gerard ter Borch and Johannes Vermeer. The best art critics and experts of the time accepted the paintings as genuine and sometimes exquisite. His most successful forgery was ''Supper at Emmaus'', created in 1937 while he was living in the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Van Meegeren
Jacques Henri Emil van Meegeren (26 August 1912 – 26 October 1977) was a Dutch illustrator and painter. He is also considered to be a forger of the work of his father, Han van Meegeren, convicted of forging old masters and fraud. He was, however, less gifted and his forgeries adversely affected the reputation of his father's work. Life Youth Van Meegeren was born 26 August 1912 in the small village of Rijswijk, near The Hague, the Netherlands, four months after the marriage of his parents. His father was Han van Meegeren, who later became known as an art forger, while his mother was descended from an Indonesian royal family. In 1915, his sister Inez was born. Van Meegeren adored his father and loved being allowed to go to his father's studio and help him by cleaning brushes and such. When he grew older, his father took him along to art dealers and museums, teaching him how to observe and assess paintings and other works of art. He soon began to sketch and draw, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certification
Certification is the provision by an independent body of written assurance (a certificate) that the product, service or system in question meets specific requirements. It is the formal attestation or confirmation of certain characteristics of an object, person, or organization. This confirmation is often, but not always, provided by some form of external review, education, assessment, or audit. Accreditation is a specific organization's process of certification. According to the U.S. National Council on Measurement in Education, a certification test is a credentialing test used to determine whether individuals are knowledgeable enough in a given occupational area to be labeled "competent to practice" in that area. Types One of the most common types of certification in modern society is professional certification, where a person is certified as being able to competently complete a job or task, usually by the passing of an examination and/or the completion of a program of stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfini Portrait
''The Arnolfini Portrait'' (or ''The Arnolfini Wedding'', ''The Arnolfini Marriage'', the ''Portrait of Giovanni Arnolfini and his Wife'', or other titles) is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It forms a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art, because of its beauty, complex iconography, geometric orthogonal perspective, and expansion of the picture space with the use of a mirror. According to Ernst Gombrich "in its own way it was as new and revolutionary as Donatello's or Masaccio's work in Italy. A simple corner of the real world had suddenly been fixed on to a panel as if by magic... For the first time in history the artist became the perfect eye-witness in the truest sense of the term". The portrait has been consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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