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Filth Hounds Of Hades
''Filth Hounds of Hades'' is the debut studio album by English heavy metal band Tank, released in March 1982 on the Kamaflage label. The album was produced by "Fast" Eddie Clarke of Motörhead, and recorded between December 1981 and January 1982 at Ramport Studios in London. The Canadian pressing on Attic Records had an alternate blue cover with the dogs in maroon and with a different logo. The title came from Viv Stanshall's '' Sir Henry at Rawlinson End'', originally a radio series recorded for the John Peel show in 1975, and later a 1978 album and 1980 film: "Filth hounds of Hades!: Sir Henry Rawlinson surfaced from the blackness, hot and fidgety, fuss, bother and itch, conscious mind coming up too fast for the bends, through pack-ice thrubbing seas, boom-sounders, blow-holes, harsh-croak Blind Pews tip-tap-tocking for escape from his pressing skull...." In an interview with ''Sounds'', drummer Mark Brabbs said that "It came from Viv Stanshall's book and it just sounded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tank (band)
Tank (stylized as TANK) is the name of two British heavy metal bands, both of which stem from a band formed in 1980 by Algy Ward, a former member of The Damned. The original band is known as part of the new wave of British heavy metal movement. Tank was often compared to Motörhead as both bands were trios fronted by singing bassists, and played a loose, almost punk-styled metal music with often colourful lyrics. After legal and creative disputes, Algy Ward led one version of the group while guitarists Mick Tucker and Cliff Evans led the other. History Their 1982 debut album, '' Filth Hounds of Hades'', was positively received by both punk and metal fans as well as most critics, regarded now as one of the best albums of the NWOBHM movement. AllMusic critic, Eduardo Rivadavia; described it as "Tank's best album ever, and qualifying it as an essential item in the record collection of any serious '80s metal fan." As was the case with many other bands of the era, Tank was nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motörhead
Motörhead () were an English rock band formed in London in 1975 by Lemmy (lead vocals, bass), Larry Wallis (guitar) and Lucas Fox (drums). Lemmy was also the primary songwriter and only constant member. The band are often considered a precursor to the new wave of British heavy metal, which re-energised heavy metal in the late 1970s and early 1980s. Though several guitarists and drummers have played in Motörhead, most of their best-selling albums and singles feature drummer Phil "Philthy Animal" Taylor and guitarist "Fast" Eddie Clarke. Motörhead released 23 studio albums, 10 live recordings, 12 compilation albums and five EPs over a career spanning 40 years. Usually a power trio, they had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums '' Overkill'', ''Bomber'', ''Ace of Spades'' and, particularly, the live album ''No Sleep 'til Hammersmith'' cemented Motörhead's reputation as a top-tier rock band. The band are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algy Ward
Alasdair Mackie "Algy" Ward (born 11 July 1959) is an English heavy metal bass guitarist and singer. He founded Tank, a part of the new wave of British heavy metal movement. He also played with the Damned and before that the Saints. Career with The Saints Alasdair Mackie Ward first rose to fame by joining the Australian punk rock band the Saints, replacing their former bassist Kym Bradshaw. Ward's first appearance with the band was in 1977 on their third single, "This Perfect Day." He also played on their second album '' Eternally Yours'' and third album ''Prehistoric Sounds'', both released in 1978, when the band began to experiment with a jazzier R&B sound. A little after the release of ''Prehistoric Sounds'', The Saints temporarily disbanded, and when the band got back together with their more post-punk driven sound, Ward was replaced by Janine Hall. Career with The Damned After the Saints disintegrated, Ward joined the influential English punk band the Damned. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Henry At Rawlinson End (film)
''Sir Henry at Rawlinson End'' is a 1980 British film based on the eponymous character created by Vivian Stanshall (see Rawlinson End, Sir Henry at Rawlinson End (recording)). It stars Trevor Howard as Sir Henry and Stanshall himself as Henry's brother Hubert. Unusually, the film was released in sepia-toned monochrome. After a long wait, while the film obtained cult status, it was finally released on DVD in 2006. The bonuses include a commentary track with the director, Steve Roberts, as well as Sheila Reid (Aunt Florrie) and Jeremy Child (Peregrine Maynard), as well as a picture gallery, synopsis, the script of unfilmed scenes, and actor biographies. Plot The plot of Sir Henry at Rawlinson End revolves around attempts to exorcise the ghost of Humbert, the brother of drunken aristocrat Sir Henry (Trevor Howard) who was accidentally killed in a drunken duck-shooting incident whilst escaping trouserless from an illicit tryst. It transpires that Humbert's ghost will not rest unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Henry At Rawlinson End (recording)
''Sir Henry at Rawlinson End'', released in 1978, is a largely spoken-word, solo comedy recording by British musician Vivian Stanshall, formerly of the Bonzo Dog Doo-Dah Band. It originated in his Rawlinson End sessions for the John Peel Show on BBC Radio 1 beginning in 1975, and a similarly-named track on the Bonzo Dog Band's 1972 album ''Let's Make Up and Be Friendly''."Vivian Stanshall's Radio Flashes" Ian Kitching website, Accessed February 4, 2008 Description In 1971, Stanshall took over John Peel's show, while the presenter was on holiday ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vivian Stanshall
Vivian Stanshall (born Victor Anthony Stanshall; 21 March 1943 – 5 March 1995) was an English singer-songwriter, musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in ''Sir Henry at Rawlinson End'' (as a radio series for John Peel, as an audio recording, as a book and as a film), and for acting as Master of Ceremonies on Mike Oldfield's album '' Tubular Bells''. Early life and education Stanshall was born on 21 March 1943 at the Radcliffe Maternity Home Shillingford, Oxfordshire, son of Victor George Stanshall (1909-1990; born Vivian), at the time of his son's birth an RAF corporal, later a company secretary, then company director ( FCIS), and Eileen Monica Prudence (née Wadeson). He was christened Victor Anthony. He lived with his mother while his father served in the RAF during World War II. Stanshall described this early period as the happiest time of his childhood. When the war ende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collector's Guide Publishing
{{Infobox publisher , image = , parent = , status = , founded = 1984 , founder = Robert Godwin , successor = , country = Canada , headquarters = Burlington, Ontario , distribution = , keypeople = , publications = Books , topics = , genre = , imprints = Apogee , revenue = , numemployees = , nasdaq = , url = {{URL, http://www.cgpublishing.com Collector's Guide Publishing (CGP) is a Canadian publisher based in Burlington, Ontario, Canada. The company's first publication was Robert Godwin's Illustrated Collector's Guide to Led Zeppelin released in 1987. Owner Godwin also founded the independent record label Griffin Music in 1989. CGP would supply books for music collectors to the Griffin label for inclusion in box sets with accompanying compact discs. CD/Book packages included sets by Hawkwind, Motörhead, Wishbone Ash and Olivia Newton-John. In 1998 Godwin started an imprin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramport Studios
Ramport Studios was a recording studio on Thessaly Road, Battersea, south London, owned by the Who. The studio was built in an old church hall. Several major albums were recorded at Ramport, including 1974's ''Crime of the Century'' by Supertramp and 1976's ''Jailbreak'' by Thin Lizzy. Judas Priest also recorded their album '' Sin After Sin'' there during 1976–1977. The Who's 1973 album ''Quadrophenia'' was recorded there. Johnny Thunders and the Heartbreakers spent much of the summer of 1977 recording and mixing the album '' L.A.M.F.'' there for the Who's label Track Records. Joan Jett recorded several tracks there which would end up on her ''Joan Jett'' album, later retitled '' Bad Reputation''. Neil Young, together with Robbie Robertson Jaime Royal "Robbie" Robertson, OC (born July 5, 1943), is a Canadian musician. He is best known for his work as lead guitarist and songwriter for the Band, and for his career as a solo recording artist. With the deaths of Richard M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Popoff
Martin Popoff (born April 28, 1963) is a Canadian music journalist, critic and author. He is mainly known for writing about the genre of heavy metal music. The senior editor and co-founder of ''Brave Words & Bloody Knuckles'', he has additionally written over twenty books that both critically evaluate heavy metal and document its history. He has been called "heavy metal's most widely recognized journalist" by his publisher. Popoff lives in Toronto, Ontario. Career Born in Castlegar, British Columbia, Popoff's interest in heavy metal began as a youth in Trail, British Columbia, in the early 1970s, when bands such as Led Zeppelin and Iron Butterfly were in the collections of the older brothers and cousins of Popoff and his friends. Black Sabbath played even heavier music, and became the group his circle of friends thought of as "our band, not the domain of our elders". Other heavy rock albums of the era, such as Nazareth's ''Razamanaz'' and Kiss' '' Hotter than Hell'', further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
