Filmmaking Technique Of Kurosawa
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Filmmaking Technique Of Kurosawa
The legacy of filmmaking technique left by Akira Kurosawa (1910–1998) for subsequent generations of filmmakers has been diverse and of international influence beyond his native Japan. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema. Kurosawa's working method was oriented toward extensive involvement with numerous aspects of film production. He was also an effective screenwriter who would work in close contact with his writers very early in the production cycle to ensure high quality in the scripts which would be used for his films. Kurosawa's aesthetic visual sense meant that his attention to cinematography and filming was also demanding and often went beyond the attention which directors would normally expect to use with their cameramen. His reputation as an editor of his own films was consistent throughout his lifetime in his insisting on close participation with any other editors involved in the edit ...
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Akira Kurosawa
was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film '' Sanshiro Sugata''. After the war, the critically acclaimed '' Drunken Angel'' (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. ''Rashomon'' (1950), which premiered ...
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Yoshirō Muraki
was a Japanese production designer, art director, and costume designer. Muraki joined Toho Film studio in 1944. He was nominated three times for the Academy Award for Best Art Direction for his work in the films ''Tora! Tora! Tora!'' (1970), ''Kagemusha'' (1980), and '' Ran'' (1985). He was also nominated for the Academy Award for Best Costume Design for his work in '' Yojimbo'' (1961). He is most well known for his collaborations with director Akira Kurosawa, having done work on all of Kurosawa's films from '' Record of a Living Being'' (1955) onward, with the exception of '' Dersu Uzala'' (1975).Gerow, Aaron.Muraki Yoshiro" ''Tangemania: Aaron Gerow's Japanese Film Page''. 27 October 2009. Accessed 2 November 2009 He was married to Shinobu Muraki. Award * Medal with Purple Ribbon (1994) * The Order of the Rising Sun The is a Japanese order, established in 1875 by Emperor Meiji. The Order was the first national decoration awarded by the Japanese government, created on 10 ...
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Kazuo Miyagawa
was a Japanese cinematographer. Career Born in Kyoto, Miyagawa was taken with sumi-e Chinese ink painting from the age of eleven and began to sell his work as an illustrator while a teenager. He became interested in the cinema during the 1920s, particularly admiring the German Expressionist silents. He joined the Nikkatsu film company in 1926 after graduating from Kyoto Commercial School. He began as a laboratory technician before becoming an assistant cameraman. Miyagawa is best known for his tracking shots, particularly those in ''Rashomon'' (1950), the first of his three collaborations with filmmaker Akira Kurosawa. The other films with Kurosawa were '' Yojimbo'' (1961) and ''Kagemusha'' (1980). He also worked on multiple films directed by Kenji Mizoguchi, including ''Ugetsu'' (1953), but only on a single Yasujirō Ozu production, '' Floating Weeds'' (1959). He oversaw 164 cameramen for Kon Ichikawa's ''Tokyo Olympiad'' (1965), a documentary which necessitated the developme ...
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Asakazu Nakai
was a Japanese cinematographer born in Hyōgo Prefecture. He worked on several films with director Akira Kurosawa. In 1950, he won the Mainichi Film Award for Best Cinematography for ''Stray Dog''. He was nominated for the Academy Award for Best Cinematography for his work on the film '' Ran'' (1985), being the oldest nominee ever in that category. Selected Filmography * 1943: ''The Song Lantern'' * 1949: ''Stray Dog'' * 1954: '' Seven Samurai'' * 1957: '' Throne of Blood'' * 1961: ''The End of Summer'' * 1963: '' High and Low'' * 1965: ''Red Beard'' * 1975: ''Dersu Uzala Dersu Uzala (russian: Дерсу Узала; 1849–1908) was a Nanai trapper and hunter. He worked as a guide for Vladimir Arsenyev who immortalized him in his 1923 book '' Dersu Uzala''. The book was adapted into two feature films, with the ...'' * 1985: '' Ran'' References External links * Japanese cinematographers 1901 births 1988 deaths {{Cinematographer-stub ...
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Shin'ichirō Ikebe
Shin'ichirō Ikebe ( ja , 池辺 晋一郎 ''Ikebe Shin'ichirō''; born September 15, 1943 in Mito, Ibaraki) is a Japanese composer of contemporary classical music. Overviews He has written the scores for many films by Akira Kurosawa and other Japanese film directors, including ''Kagemusha'' (1980), ''MacArthur's Children'' (1984), '' Kurosawa's Dreams'' (1990), '' Rhapsody in August'' (1991), ''Madadayo'' (1993), and ''Warm Water Under a Red Bridge'' (2001). Biography He studied composition with Tomojirō Ikenouchi, Akio Yashiro, and Akira Miyoshi at the Tokyo National University of Fine Arts and Music, obtaining a master's degree in 1971. He serves as a professor at the Tokyo College of Music. He had several awards up to 2004, such as Excellence at the Salzburg TV Opera, The Italian Broadcasting Corporation, that is, RAI, The International Emmy Award, the Otaka Award, Broadcasting Culture Award, Yoshio Sagawa incentive Award, Medal with Purple Ribbon. Selected works ...
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Tōru Takemitsu
was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu was admired for the subtle manipulation of instrumental and orchestral timbre. He is known for combining elements of oriental and occidental philosophy and for fusing sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books. He was also a founding member of the ''Jikken Kōbō'' (Experimental Workshop) in Japan, a group of avant-garde artists who distanced themselves from academia and whose collaborative work is often regarded among the most influential of the 20th century. His 1957 ''Requiem'' for string orchestra attracted international attention, led to several commissions from across the world and established his reputation as the leading 20th-century Japanese composer. He was the recipient of numerous awards and honours and the Toru Takemitsu Composition Award is named ...
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Masaru Sato
(sometimes transliterated Satoh) was a Japanese composer of film scores. Following the 1955 death of Fumio Hayasaka, whom Sato studied under, Sato was the composer of Akira Kurosawa's films for the next 10 years. He was nominated for Best Music at the 15th Japan Academy Prize in 1992. In 1999, the Japanese government decorated Sato with the Order of the Rising Sun, 4th Class, Gold Rays with Rosette for his contributions to the arts. Career He was born in Rumoi, Hokkaido, and raised in Sapporo. While studying at the National Music Academy, Sato came under the influence of Fumio Hayasaka, Akira Kurosawa's regular composer for his earlier films. He became a pupil of Hayasaka's, studying film scoring with him at Toho Studios, and working on the orchestration of ''Seven Samurai'' (1954). When the older composer died suddenly in 1955, leaving the scores to Kenji Mizoguchi's '' New Tales of the Taira Clan'', and Kurosawa's '' I Live in Fear'' incomplete, Toho assigned Sato to finish th ...
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Fumio Hayasaka
Fumio Hayasaka (早坂 文雄 ''Hayasaka Fumio''; August 19, 1914 – October 15, 1955) was a Japanese composer of classical music and film scores. Early life Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō. In 1933, Hayasaka and Akira Ifukube organized the New Music League, which held a new music festival the year after. Hayasaka won a number of prizes for his early concert works; in 1935, his piece ''Futatsu no sanka e no zensōkyoku'' won first prize in a radio competition, and another concert piece, ''Kodai no bukyoku'', won the 1938 Weingartner Prize. Other early works include a ''Nocturne'' (1936) for piano and the orchestral ''Ancient Dance'' (1938). In 1939, Hayasaka moved to Tokyo to begin a career as film composer. By early 1940, Hayasaka was seen as "a major composer for Japanese Cinema". Post-War film music After the war, Hayasaka continued ...
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IMDb
IMDb (an abbreviation of Internet Movie Database) is an online database of information related to films, television series, home videos, video games, and streaming content online – including cast, production crew and personal biographies, plot summaries, trivia, ratings, and fan and critical reviews. IMDb began as a fan-operated movie database on the Usenet group "rec.arts.movies" in 1990, and moved to the Web in 1993. It is now owned and operated by IMDb.com, Inc., a subsidiary of Amazon. the database contained some million titles (including television episodes) and million person records. Additionally, the site had 83 million registered users. The site's message boards were disabled in February 2017. Features The title and talent ''pages'' of IMDb are accessible to all users, but only registered and logged-in users can submit new material and suggest edits to existing entries. Most of the site's data has been provided by these volunteers. Registered users with a prov ...
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Yojimbo
is a 1961 Japanese Samurai cinema, samurai film co-written, produced, edited, and directed by Akira Kurosawa. The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe (actor, born 1898), Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords vie for supremacy. The two bosses each try to hire the newcomer as a bodyguard. Based on the success of ''Yojimbo'', Kurosawa's next film, ''Sanjuro'' (1962), was altered to incorporate the lead character of this film. In both films, the character wears a rather dilapidated dark kimono bearing the same family Mon (emblem), ''mon''. The film was released and produced by Toho on April 25, 1961. ''Yojimbo'' received highly positive reviews, and, over the years, became widely regarded as one of the best films by Kurosawa and one of the greatest films ever made. The film grossed an estimated $2.5 million worldwide with ...
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Toho
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many ''kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involve ...
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