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Feelin' The Spirit
''Feelin' the Spirit'' is an album by jazz guitarist Grant Green originally issued on Blue Note Records as BLP 4132 and BST 84132. Consisting of jazz arrangements of traditional African American spirituals, it is one of a series of themed records recorded by the guitarist in 1962. Green is supported by pianist Herbie Hancock, bassist Butch Warren and drummer Billy Higgins. From the original liner notes: "Green has made no attempt here to recreate the five spirituals he plays in anything resembling their original context, nor has he tried to duplicate their often pallid manifestation on the concert stage. He has approached them with affection, but as music to be played in his style. The result is a fascinating combination: the techniques of modern jazz, blues, and gospel, all applied to the spiritual." - Joe Goldberg This album was remastered and reissued in Blue Note's Rudy Van Gelder Edition series on March 1, 2005. Track listing # "Just a Closer Walk with Thee" - 7:25 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Butch Warren
Edward Rudolph "Butch" Warren Jr. (August 9, 1939 – October 5, 2013) was an American jazz bassist who was active during the 1950s and 1960s. Biography Warren's mother was a typist at the CIA. His father, Edward Sr., was an electronics technician who played piano and organ part-time in clubs in Washington, D.C; his uncle, Quentin — actually the same age as Butch — played guitar. The Warren home was often visited by jazz musicians Billy Hart, Jimmy Smith, and Stuff Smith. The first time Butch Warren played bass was at home on an instrument left by Billy Taylor, who had played bass for Duke Ellington. Warren has cited Jimmy Blanton, the innovative and virtuoso bassist with Ellington from 1939 to 1941, as his biggest inspiration. Warren began playing professionally at age 14 in a Washington, D.C. band led by his father. He later worked with other local groups, including that of Stuff Smith, as well as with altoist and bandleader Rick Henderson at the Howard Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson ES-330
The Gibson ES-330 (1959-1972) is a thinline hollow-body electric guitar model produced by the Gibson Guitar Corporation. It was first introduced in 1959 and the guitar had the same dimensions as the ES-335. History Sales of Gibson’s Electric Spanish guitars (ES-100 through ES-350) in the 1930s and 1940s encouraged the company to continue to produce more electric guitars. In 1955 Gibson released the ES-225T and the Gibson ES-350T ("T" is for thinline). In 1957 Gibson designed a new design which was the ES-335 double-cutaway and released it in 1958. The ES-330 was released by the Gibson Guitar Company in 1959. In 1959 when the 330 was released the retail price was $275. The 330s came in two different designs, a one P-90 guitar pickup model called the ES-330T and a two pickup model called the ES-330TD. Specifications The ES-335 was released in 1958 and it had the same dimensions as the ES-330. The 330s had a maple top, back and sides with two F Holes in the top. The body was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Burleigh
Henry Thacker ("Harry") Burleigh (December 2, 1866 – September 12, 1949) was an American classical composer, arranger, and professional singer known for his baritone voice. The first black composer who was instrumental in developing characteristically American music, Burleigh made black music available to classically trained artists both by introducing them to spirituals and by arranging spirituals in a more classical form. Burleigh also introduced Antonín Dvořák to Black American music, which influenced some of Dvořák's most famous compositions and led him to say that Black music would be the basis of an American classical music. Early and family life Henry Thacker Burleigh was born in Erie, Pennsylvania, in 1866 to Elizabeth Burleigh and Henry Thacker. His grandfather, Hamilton Waters, was granted manumission from slavery in Somerset County, Maryland, after paying $55 ($50 for him and $5 for his mother) in 1832 and receiving a certificate of freedom in 1835. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep River (song)
"Deep River" is an anonymous African-American spiritual, popularized by Henry Burleigh in his 1916 collection ''Jubilee Songs of the USA''. Overview The song was first mentioned in print in 1867, when it was published in the first edition of ''The Story of the Jubilee Singers: With Their Songs'', by J. B. T. Marsh (page 230). By 1917, when Harry Burleigh completed the last of his several influential arrangements, the song had become very popular in recitals. It has been called "perhaps the best known and best-loved spiritual". Lyrics Deep river, my home is over Jordan. Deep river, Lord, I want to cross over into campground. Oh, don't you want to go to that Gospel-feast? That Promised Land, where all is peace? Adaptations The melody was adopted in 1921 for the song ''Dear Old Southland'' by Henry Creamer and Turner Layton, which enjoyed popular success the next year in versions by Paul Whiteman and by Vernon Dalhart. "Deep River" has been sung in several films. The 1929 film ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional Spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''Allmusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from their parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals"< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Down Moses
"Go Down Moses" is a spiritual phrase that describes events in the Old Testament of the Bible, specifically Exodus 5:1: "And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", in which God commands Moses to demand the release of the Israelites from bondage in Egypt. This phrase is the title of one of the most well known African American spirituals of all time. The song discusses themes of freedom, a very common occurrence in spirituals. In fact, the song actually had multiple messages, discussing not only the freedom of the Israelites, but also the freedom of runaway enslaved people, and many enslavers outlawed this song because of those very messages. The opening verse as published by the Jubilee Singers in 1872: The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament. For enslaved African Americans, the story was very powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobody Knows The Trouble I've Seen
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play ''Negro Spirituals Vol. 1'' ( HMV 7EGN 27). The song was arranged by Harry Douglas. Traditional lyrics :Nobody knows the trouble I've been through :Nobody knows my sorrow :Nobody knows the trouble I've seen :Glory hallelujah! :Sometimes I'm up, sometimes I'm down :Oh, yes, Lord :Sometimes I'm almost to the ground :Oh, yes, Lord :Although you see me going 'long so :Oh, yes, Lord :I have my t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Fit The Battle Of Jericho
"Joshua Fit the Battle of Jericho" (or alternatively "Joshua Fought de Battle of Jericho", "Joshua Fit the Battle" or just Joshua and various other titles) is a well-known African-American spiritual. The lyrics allude to the biblical story of the Battle of Jericho, in which Joshua led the Israelites against Canaan (Joshua 6:15-21). The song is believed to have been composed by slaves in the first half of the 19th century. Some references suggest that it was copyrighted by Jay Roberts in 1865. In 1882, the song was published in ''Jubilee Songs'' by and in ''A Collection of Revival Hymns and Plantation Melodies'' by . The first recorded version was by Harrod's Jubilee Singers, on Paramount Records No. 12116 in 1922 (though some sources suggest 1924). The Online 78 Discography entry for this record credits Jay Roberts as the author. Later recordings include those by Paul Robeson (1925), Mahalia Jackson (1958), Clara Ward, Laurie London, Hugh Laurie (2011) and Elvis Presley (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
