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Feel The Night
''Feel the Night'' is an album by American guitarist Lee Ritenour released in 1979. Track listing All songs composed by Lee Ritenour, except where noted. #"Feel the Night" - 5:32 #"Market Place" - 5:22 #"Wicked Wine" - 7:03 #"French Roast" - 5:06 #"You Make Me Feel Like Dancing" (Leo Sayer, Vini Poncia) - 4:16 #"Midnight Lady" - 5:57 #"Uh Oh!" - 4:03 Personnel * Lee Ritenour – electric guitars, 360 Systems guitar synthesizer (1, 4), arrangements (1-4, 6), acoustic guitar (3), classical guitar (6) * Michael Boddicker – synthesizers (1, 3, 4), synthesizer programming (2) * David Foster – Fender Rhodes (1), clavinet (1), acoustic piano (2, 5), Yamaha grand piano (3), additional arrangements * Don Grusin – Fender Rhodes (2-7), clavinet (2), synthesizer intro (2), arrangements (2, 7), synthesizers (4), Mexican whistle (7) * Joe Sample – acoustic piano (4, 7) * Dave Grusin – acoustic piano (6), Yamaha grand piano (6) * Ian Underwood – synthesizers (4) * Steve Luka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Ritenour
Lee Mack Ritenour ( ; born January 11, 1952) is an American jazz guitarist who has been active since the late 1960s. Biography Ritenour was born on January 11, 1952, in Los Angeles, California, United States. At the age of eight he started playing guitar and four years later decided on a career in music. When he was 16 he played on his first recording session with the Mamas & the Papas. He developed a love for jazz and was influenced by guitarist Wes Montgomery. At the age of 17 he worked with Lena Horne and Tony Bennett. He studied classical guitar at the University of Southern California. 1976–1988 Ritenour's solo career began with the album ''First Course'' (1976), a good example of the jazz-funk sound of the 1970s, followed by ''Captain Fingers'', ''The Captain's Journey'' (1978), and ''Feel the Night'' (1979). In 1979, he "was brought in to beef up" one of Pink Floyd's '' The Wall''s heaviest rock numbers, " Run Like Hell". He played "uncredited rhythm guitar" on "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Underwood
Ian Robertson Underwood (born May 22, 1939) is a woodwind and keyboards player, known for his work with Frank Zappa and the Mothers of Invention. Biography Underwood graduated from The Choate School in 1957 and Yale University with a bachelor's degree in composition in 1961 and a master's degree in composition at UC Berkeley in 1966. He began his career by playing San Francisco Bay Area coffeehouses and bars with his improvisational group, the Jazz Mice, in the mid-1960s before he became a member of Frank Zappa and the Mothers of Invention in 1967 for their third studio album, '' We're Only in It for the Money''. He speaks on '' Uncle Meat''; on the track "Ian Underwood Whips It Out" he relates how he first met Zappa and demonstrated his capabilities on the saxophone at Zappa's invitation. Underwood later worked with Frank Zappa on his solo recordings, including 1969's '' Hot Rats''. He married Ruth Komanoff (Underwood), marimbist/percussionist from the Mothers of Invention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 '' Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Flute
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Williams (jazz Musician)
Lawrence Lowell Williams is an American record producer, composer, arranger, and multi-instrumentalist. He is proficient on the keyboards, saxophone, flute, and clarinet. Williams began his musical career in the 1970s, and has since established himself as a prominent figure in the music industry. He regularly toured and recorded with Al Jarreau for over 3 decades and also was a musician on Michael Jackson's albums ''Off The Wall'', ''Thriller'', and ''Bad''. Early life Williams was born in Kansas City, Kansas and grew up in Overland Park. He began learning the clarinet at age 8, under the influence of his father who played the saxophone. Williams went on to study music at New Mexico State University and later transferred to Indiana University School of Music in 1969. While at university, Williams began playing with visiting orchestras, including those of Glen Campbell, Henry Mancini, and Johnny Mathis. While studying at Indiana University, he met Jerry Hey and Kim Hutchc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Watts
Ernest James Watts (born October 23, 1945) is an American jazz and rhythm and blues saxophonist who plays soprano, alto, and tenor saxophone. He has worked with Charlie Haden's Quartet West and toured with the Rolling Stones. On Frank Zappa's album '' The Grand Wazoo'' he played the "Mystery Horn", a straight-necked C melody saxophone. He played the notable saxophone riff on " The One You Love" by Glenn Frey. Biography Watts was born in Norfolk, Virginia, and began playing saxophone at thirteen. After a brief period at West Chester University, he attended the Berklee College of Music on a '' Down Beat'' magazine scholarship. He toured with Buddy Rich in the late-1960s, occupying one of the alto saxophone chairs. He visited Africa on a U.S. State Department tour with Oliver Nelson's group. For twenty years he played alto saxophone with The Tonight Show Band under Doc Severinsen. He was a featured soloist on many of Marvin Gaye's albums on Motown during the 1970s, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: castaño), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The origins of the instrument are not known. The practice of clicking hand-hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Acuña
Alejandro Neciosup Acuña (born December 12, 1944), known professionally as Alex Acuña, is a Peruvian-American drummer and percussionist. Background Born in Pativilca, Peru, Acuña played in local bands such as La Orquesta de los Hermanos Neciosup from the age of ten. Acuña then followed his brothers and moved to Lima as a teenager. At the age of eighteen he joined the band of Perez Prado, and in 1965 he moved to San Juan, Puerto Rico. In 1974 Acuña moved to Las Vegas, working with artists such as Elvis Presley, The Temptations, and Diana Ross, and the following year he joined the jazz-fusion group Weather Report, appearing on the albums ''Black Market'' and '' Heavy Weather''. While in New York City, Acuña recorded several songs under RCA records. Acuña decided to leave because of the genre limitations placed on him, in which RCA records only had him play Latin music. Acuña left Weather Report in 1978, and became a session musician in California, recording and playing l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
