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Fauns In Popular Culture
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faun Merse
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauna (goddess)
Fauna is a Roman rustic goddess said in differing ancient sources to be the wife, sister, or daughter of Faunus (the Roman counterpart of Pan). Varro regarded her as the female counterpart of Faunus, and said that the ''fauni'' all had prophetic powers. She is also called Fatua or Fenta Fauna. Name Etymology The name ''Fauna'' is a feminine form of Latin '' Faunus'', the deity of the countryside. ''Faunus'' itself is generally thought to stem from Proto-Italic ''*fawe'' or ''*fawono'', ultimately from Proto-Indo-European ''*bʰh₂u-n'' ('favourable'). Consequently, Georges Dumézil translated her name as "the Favourable." In his conceptual approach to Roman deity, Michael Lipka sees Faunus and Fauna as an example of a characteristically Roman tendency to form gender-complementary pairs within a sphere of functionality. The male-female figures never have equal prominence, and one partner (not always the female) seems to have been modelled on the other. An Oscan dedication na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stéphane Mallarmé
Stéphane Mallarmé ( , ; 18 March 1842 – 9 September 1898), pen name of Étienne Mallarmé, was a French poet and critic. He was a major French symbolist poet, and his work anticipated and inspired several revolutionary artistic schools of the early 20th century, such as Cubism, Futurism, Dadaism, and Surrealism. Biography Mallarmé was born in Paris. He was a boarder at the ''Pensionnat des Frères des écoles chrétiennes à Passy'' between 6 or 9 October 1852 and March 1855. He worked as an English teacher and spent much of his life in relative poverty but was famed for his '' salons'', occasional gatherings of intellectuals at his house on the rue de Rome for discussions of poetry, art and philosophy. The group became known as ''les Mardistes,'' because they met on Tuesdays (in French, ''mardi''), and through it Mallarmé exerted considerable influence on the work of a generation of writers. For many years, those sessions, where Mallarmé held court as judge, jester, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
