Fanfare For A New Theatre
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Fanfare For A New Theatre
''Fanfare for a New Theatre'' is a 1964 composition for two trumpets by Russian composer Igor Stravinsky. It was premiered on April 19, 1964, and published by Boosey & Hawkes. Composition and premiere This composition was written for the opening ceremony of the New York State Theater, as a part of the Lincoln Center for the Performing Arts. The two trumpets were meant to be placed at either side of the balcony, right at the entrance of the hall. Stravinsky dedicated it "To Lincoln and George", "Lincoln" being the company's administrator, Lincoln Kirstein, and "George" fellow entrepreneur and choreographer George Balanchine. Analysis The fanfare takes approximately 40 seconds to perform and is one of Stravinsky's major miniatures. The textures are canonic and recall Stravinsky's late twelve-tone technique. It is widely based on rhythmic patterns and the intervals between the two trumpets are brisk, atonal and uneven. The work consists of only one measure bar after the ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century classical music, composers of the 20th century and a pivotal figure in modernism (music), modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka (ballet), Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as ''Renard (Stravinsky), Renar ...
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Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in Lo ...
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New York State Theater
The David H. Koch Theater is a theater for ballet, modern and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011. The theater occupies the south side of the main plaza of Lincoln Center, opposite David Geffen Hall. History The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York. The City leases the theater to Lincoln Cente ...
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Lincoln Center For The Performing Arts
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center"
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Lincoln Kirstein
Lincoln Edward Kirstein (May 4, 1907 – January 5, 1996) was an American writer, impresario, art connoisseur, philanthropist, and cultural figure in New York City, noted especially as co-founder of the New York City Ballet. He developed and sustained the company with his organizing ability and fundraising for more than four decades, serving as the company's general director from 1946 to 1989. According to the ''New York Times,'' he was "an expert in many fields", organizing art exhibits and lecture tours in the same years. Early life Kirstein was born in Rochester, New York, to Jewish parents, the son of Rose Stein and Louis E. Kirstein (1867–1942). His brother was George Kirstein, his sister was Mina Kirstein and his paternal grandparents were Jeanette (née Leiter) and Edward Kirstein, a successful Rochester clothing manufacturer who ran E. Kirstein and Sons, Company. He grew up in a wealthy, Jewish, Bostonian family and attended the private Berkshire School, along with ...
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and ...
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Fanfare
A fanfare (or fanfarade or flourish) is a short musical flourish which is typically played by trumpets, French horns or other brass instruments, often accompanied by percussion. It is a "brief improvised introduction to an instrumental performance". A fanfare has also been defined in ''The Golden Encyclopedia of Music'' as "a musical announcement played on brass instruments before the arrival of an important person", such as heralding the entrance of a monarch; (The term honors music for such announcements does not have the specific connotations of instrument or style that ''fanfare'' does.) Historically, fanfares were usually played by trumpet players, as the trumpet was associated with royalty. Bugles are also mentioned. The melody notes of a fanfare are often based around the major triad, often using " roic dotted rhythms". By extension, the term may also designate a short, prominent passage for brass instruments in an orchestral composition. Fanfares are widely used i ...
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Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ...
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Tone Row
In music, a tone row or note row (german: Reihe or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometimes found. History and usage Tone rows are the basis of Arnold Schoenberg's twelve-tone technique and most types of serial music. Tone rows were widely used in 20th-century contemporary music, like Dmitri Shostakovich's use of twelve-tone rows, "without dodecaphonic transformations." A tone row has been identified in the A minor prelude, BWV 889, from book II of J.S. Bach's '' The Well-Tempered Clavier'' (1742) and by the late eighteenth century it is found in works such as Mozart's C major String Quartet, K. 157 (1772), String Quartet in E-flat major, K. 428, String Quintet in G minor, K. 516 (1790), and the Symphony in G minor, K. 550 (1788). Beethoven also used the technique but, on the whole, "Mozart seems to hav ...
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International Trumpet Guild Journal
The International Trumpet Guild (ITG) is an international organization of trumpet players. Members include professional and amateur performers, teachers, students, manufacturers, publishers, and others interested in the trumpet. ITG is a nonprofit, tax-exempt organization supported by the dues of individual members. Formation ITG was established in 1975. In 1975, the first ITG Conference was held in Bloomington, Indiana; the following year the Guild met as part of the First International Brass Congress in Montreux, Switzerland. ITG Conferences have been held every year since then, with the Second International Brass Congress being held in 1984 at Indiana University.D.K. Dunnick: “Twenty Years of the International Trumpet Guild” ITG Journal xx/3 (1996), 42–47 In 1982, the ITG Archive was established at Western Michigan University to chronicle the Guild's activities and to preserve historical trumpet-related research. The ITG Research Library serves as a lending library for ...
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The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ...
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