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Ethiopian Music
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called '' qenet'', of which there are four main modes: , , , and . Three additional modes are variations on the above: tezeta minor, bati major, and bati minor. Abatte Barihun, liner notes of the album Ras Deshen, 200. Some songs take the name of their qenet, such as tizita, a song of reminiscence. When played on traditional instruments, these modes are generally not tempered (that is, the pitches may deviate slightly from the Western-tempered tuning system), but when played on Western instruments such as pianos and guitars, they are played using the Western-tempered tuning system. Music in the Ethiopian highlands is generally monophonic or heterophonic. In certain southern areas, some music is p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethiopia
Ethiopia, , om, Itiyoophiyaa, so, Itoobiya, ti, ኢትዮጵያ, Ítiyop'iya, aa, Itiyoppiya officially the Federal Democratic Republic of Ethiopia, is a landlocked country in the Horn of Africa. It shares borders with Eritrea to the north, Djibouti to the northeast, Somalia to the east and northeast, Kenya to the south, South Sudan to the west, and Sudan to the northwest. Ethiopia has a total area of . As of 2022, it is home to around 113.5 million inhabitants, making it the 13th-most populous country in the world and the 2nd-most populous in Africa after Nigeria. The national capital and largest city, Addis Ababa, lies several kilometres west of the East African Rift that splits the country into the African and Somali tectonic plates. Anatomically modern humans emerged from modern-day Ethiopia and set out to the Near East and elsewhere in the Middle Paleolithic period. Southwestern Ethiopia has been proposed as a possible homeland of the Afroasiatic la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ras Deshen (album)
Ras Deshen may refer to *The highest mountain of Ethiopia Ethiopia, , om, Itiyoophiyaa, so, Itoobiya, ti, ኢትዮጵያ, Ítiyop'iya, aa, Itiyoppiya officially the Federal Democratic Republic of Ethiopia, is a landlocked country in the Horn of Africa. It shares borders with Eritrea to the ..., most often spelled Ras Dashen *The Ras Deshen Ensemble, an Israeli jazz duo named after the mountain {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:krar
Krar ( Amharic: ክራር) is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern ''Krar'' may be amplified, much in the same way as an electric guitar or violin. The ''Krar'', along with ''Masenqo'' and the ''Washint'', is one of the most widespread musical instruments of the Amhara ethnic group. Role in Amhara society Historical In Amhara society the ''krar'' was viewed as an instrument inspired by the Devil and was therefore inferior, whereas the '' Begena'' was for praising God and seen as sacred. The ''krar'' was used to adulate feminine beauty, to create sexual arousal and to eulogize carnal love. The instrument has been associated with brigands, outlaws and wanderers. Wanderers played the ''krar'' to solicit food, and outlaws played it to sing an Amhara war song called ''Fano''. Contemporary Today, the ''krar'' which used to be the plaything of the Amharas, has become one of the most popular Ethiopian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shorte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:masenqo
The Masenqo ( am, ማሲንቆ; Tigrinya: ጭራ-ዋጣ (ዋጣ) is a single-stringed bowed lute commonly found in the musical traditions of Ethiopia. As with the krar, this instrument is used by Ethiopian minstrels called '' azmaris'' ("singer" in Amharic) . Although it functions in a purely accompaniment capacity in songs, the masenqo requires considerable virtuosity, as azmaris accompany themselves while singing. Construction and design The square or diamond-shaped resonator is made of four small wooden boards glued together, then covered with a stretched parchment or rawhide. The single string is typically made of horse hair, and passes over a bridge. The instrument is tuned by means of a large tuning peg to fit the range of the singer's voice. It may be bowed by either the right or left hand, and the non-bow hand sits lightly on top of the upper part of the string. See also * Music of Ethiopia * Music of Eritrea The music of Eritrea, is a diverse mix of traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majangir
The Majang people, or ''Majangir'', live in southwestern Ethiopia and speak a Nilo-Saharan language of the Surmic cluster. The 1998 census gave the total of the Majangir population as 15,341, but since they live scattered in the hills in dispersed settlements (Stauder 1971), their actual total number is undoubtedly much higher. They live around cities of Tepi, Mett'i, and scattered southwest of Mizan Teferi and towards Gambela. Culture They traditionally lived in small groups, farming for three to five years, then moving on as the fertility of the soil diminished (Stauder 1971). They were active bee keepers, collecting honey from hives consisting of hollowed logs placed in trees. They did some hunting and snaring of game and trapping of fish. They raised the bulk of their own food by farming, animals providing only a small part of their diet. Food production has changed since Stauder's time. The single most obvious change is that people are now living in permanent settleme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorze People
The Dorze are ethnic group and small community inhabited Gamo Highlands in southern Ethiopia. They speak Gamo language, a dialect of Afroasiatic language. Population According to ''Ethnologue'', the Dorze numbered 29,000 individuals (1994 census), of whom 9,910 were monolingual. They primarily live in the southern parts of the country, though some have migrated to Addis Ababa and other regions. Many reside in villages near the cities of Chencha and Arba Minch. Language They speak the Dorze language, an Omotic tongue. Culture Weaving is a primary profession for a number of Dorze. Traditional Dorze textiles are colourful. They are known for their traditional weaving of huts made out of local bamboo. The huts can last up to 80 years. Their polyphonic multi-part vocal music features a sophisticated use of hocket. Religion Dorze people originally adhered to traditional African religions. Most are members to the faith of the Ethiopian Orthodox Tewahedo Church. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is oppose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heterophony
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations. The term was initially introduced into systematic musicology to denote a subcategory of polyphonic music, though is now regarded as a textural category in its own right. Characteristics Heterophony is often a characteristic feature of non- Western traditional musics—for example Ottoman classical music, Arabic classical music, Japanese Gagaku, the gamelan music of Indonesia, kulintang ensembles of the Philippines, and the traditional music of Thailand. In European traditions, there are also some examples of heterophony. One such example is dissonant heterophony of Dinaric Ganga o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
