|
Estrangement Effect
The distancing effect, also translated as alienation effect (german: Verfremdungseffekt or ''V-Effekt''), is a concept in performing arts credited to German playwright Bertolt Brecht. Brecht first used the term in his essay "Alienation Effects in Chinese Acting" published in 1936, in which he described it as performing "in such a way that the audience was hindered from simply identifying itself with the characters in the play. Acceptance or rejection of their actions and utterances was meant to take place on a conscious plane, instead of, as hitherto, in the audience's subconscious". Origin The term ''Verfremdungseffekt'' is rooted in the Russian Formalist notion of the device of ''making strange'' (приём отстранения ''priyom otstraneniya''), which literary critic Viktor Shklovsky claims is the essence of all art. Lemon and Reis's 1965 English translation of Shklovsky's 1917 coinage as "defamiliarization", combined with John Willett's 1964 translation of Brecht' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Model Of Stage Design For Mother Courage - Bert-Brecht-Haus - Augsburg - Germany
A model is an informative representation of an object, person or system. The term originally denoted the plans of a building in late 16th-century English, and derived via French and Italian ultimately from Latin ''modulus'', a measure. Models can be divided into physical models (e.g. a model plane) and abstract models (e.g. mathematical expressions describing behavioural patterns). Abstract or conceptual models are central to philosophy of science, as almost every scientific theory effectively embeds some kind of model of the physical or human sphere. In commerce, "model" can refer to a specific design of a product as displayed in a catalogue or show room (e.g. Ford Model T), and by extension to the sold product itself. Types of models include: Physical model A physical model (most commonly referred to simply as a model but in this context distinguished from a conceptual model) is a smaller or larger physical copy of an object. The object being modelled may be smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ta'zieh
Ta'zieh ( ar, تعزية; fa, تعزیه; ur, ) means comfort, condolence, or expression of grief. It comes from roots ''aza'' (عزو and عزى) which means mourning. Depending on the region, time, occasion, religion, etc. the word can signify different cultural meanings and practices: *In Iranian cultural reference it is categorized as Condolence Theater or Passion Play inspired by a historical and religious event, the tragic death of Hussein, symbolizing epic spirit and resistance. *In South Asia and in the Caribbean it refers specifically to the Miniature Mausoleums (imitations of the mausoleums of Karbala, generally made of colored paper and bamboo) used in ritual processions held in the month of Muharram. Ta'zieh, primarily known from the Iranian tradition, is a Shia Islam ritual that reenacts the death of Hussein (the Islamic prophet Muhammad's grandson) and his male children and companions in a brutal massacre on the plains of Karbala, Iraq in the year 680 AD. His d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Hartley
Hal Hartley (born November 3, 1959) is an American film director, screenwriter, producer and composer who became a key figure in the American independent film movement of the 1980s and '90s. He is best known for his films '' The Unbelievable Truth'', '' Trust'', ''Simple Men'', ''Amateur'' and '' Henry Fool'', which are notable for deadpan humour and offbeat characters quoting philosophical dialogue. His films provided a career launch for a number of actors, including Adrienne Shelly, Edie Falco, James Urbaniak, Martin Donovan, Karen Sillas and Elina Löwensohn. Hartley frequently scores his own films using his pseudonym Ned Rifle, and his soundtracks regularly feature music by indie rock acts Sonic Youth, Yo La Tengo and PJ Harvey. Early life Hartley was born in Lindenhurst on southern Long Island, New York, the son of an ironworker. Hartley had an early interest in painting and attended the Massachusetts College of Art in Boston where he studied art and developed an intere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of The Absurd
The Theatre of the Absurd (french: théâtre de l'absurde ) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence. Etymology Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd", which begins by focusing on the playwrights Samuel Beckett, Arthur Adamov, and Eugène Ionesco. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Theater
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term " epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defamiliarization
Defamiliarization or ''ostranenie'' ( rus, остранение, p=ɐstrɐˈnʲenʲɪjə) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way so they could gain new perspectives and see the world differently. According to the Russian formalists who coined the term, it is the central concept of art and poetry. The concept has influenced 20th-century art and theory, ranging over movements including Dada, postmodernism, epic theatre, science fiction, and philosophy; additionally, it is used as a tactic by recent movements such as culture jamming. Coinage The term "defamiliarization" was first coined in 1917 by Russian formalist Viktor Shklovsky in his essay "Art as Device" (alternate translation: "Art as Technique"). Shklovsky invented the term as a means to "distinguish poetic from practical language on the basis of the former's perceptibility." Essentially, he is stating that poetic language is fundamentally different than the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamasha
Tamasha ( mr, तमाशा) is a traditional form of Marathi theatre, often with singing and dancing, widely performed by local or travelling theatre groups within the state of Maharashtra, India."Tamasha", in James R. Brandon and Martin Banham (eds), ''The Cambridge Guide to Asian Theatre'', pp. 108-9. It has also been the subject of several Marathi films. Some Hindi movies have also included Tamasha-themed songs, known as Lavanis, in the past. Traditional Tamasha is influenced by many Indian art forms and draws from such diverse traditions as kaveli, ghazals, Kathak dance, dashavatara, lalit and kirtan. There are two types of Tamasha: ''dholki bhaari'' and the older form, ''sangeet baari'' which contains more dance and music than drama. In Maharashtra, the Kolhati groups are traditionally associated with the performance of Tamasha. Etymology The word "Tamasha" is a loanword from Persian, which in turn loaned it from Arabicbr>meaning a show or theatrical entertainment of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Theatre
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term " epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The American Dream (play)
''The American Dream'' is an early, one-act play by American playwright Edward Albee. It premiered in 1961. Productions The play premiered Off-Broadway on January 24, 1961 at the York Playhouse. The play was produced by Theatre 1961, which was formed by Richard Barr and Clinton Wilder. Directed by Alan Schneider, the cast featured John C. Becher (Daddy), Jane Hoffman (Mommy), Sudie Bond (Grandma), Nancy Cushman (Mrs. Barker), and Ben Piazza (the Young Man). The play was presented Off-Broadway at the Cherry Lane Theatre in September 1962 in a double bill with ''The Zoo Story'', directed by Schneider. The play was produced Off-Broadway at the Cherry Lane Theatre from March 23, 1964 to November 8, 1964, in a double bill with ''Dutchman'' by LeRoi Jones. Schneider directed, with the same cast as in 1961. The play was presented Off-Broadway at the Cherry Lane Theatre from April 1, 2008 to May 3, 2008 in a double bill with ''The Sandbox.'' Directed by Albee, the cast featured Judith I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Albee
Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as '' The Zoo Story'' (1958), '' The Sandbox'' (1959), '' Who's Afraid of Virginia Woolf?'' (1962), '' A Delicate Balance'' (1966), and ''Three Tall Women'' (1994). Some critics have argued that some of his work constitutes an American variant of what Martin Esslin identified and named the Theater of the Absurd. Three of his plays won the Pulitzer Prize for Drama, and two of his other works won the Tony Award for Best Play. His works are often considered frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage, and sexual relationships. Younger American playwrights, such as Paula Vogel, credit Albe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quran
The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sing.: ), which consist of verses (pl.: , sing.: , cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the final prophet, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine messages starting with those revealed to Adam, including the Torah, the Psalms and the Gospel. The word ''Quran'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Likay
Likay ( th, ลิเก, , ) is a form of popular folk theatre from Central Thailand (not in Bangkok, where Teochew opera are folk theatre.). Its uniqueness is found in the combination of extravagant costumes with barely equipped stages and vaguely determined storylines, so that the performances depend mainly on the actors' skills of improvisation and the audiences' imagination.http://www.siamese-heritage.org/jsspdf/1951/JSS_039_1d_Smithies_LikayOriginFormAndFutureOfSiameseFolkOpera.pdf Origin There are several competing ideas about the origins and development of likay. However, the most likely is that likay has roots in the Malay jikey, an Islamic chant. Since there is a wide gap between this religious performance and folk entertainment, it is also possible that Likay derives from India instead, especially as there are many Indian dance gestures found in the actors' performances. The lack of historic references also creates controversy about the first emergence of likay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Ta'zieh")
