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Esmâ Ibret Hanim
Esmâ Ibret Hanim (born 1780) was an Ottoman calligrapher and poet, noted as the most successful female calligrapher of her day. Life and work In the 18th-century Ottoman period, calligraphy was a male-dominated profession. However, a small number of female calligraphers, such as Esmâ Ibret and Şerife Fatma, successfully trained as calligraphers and were able to make valuable contributions in their field. Esmâ Ibret Hanim was born in Istanbul in 1194 (1780). Her father was Serhasekiyan-i hassa Ahmed Ağa, an official in the Royal Palace. She was an only child, and special attention was given to her education. From early childhood she showed an interest in calligraphy, writing in sülüs-nesih and icâzet and copying the work of Mahmud Celâleddin Efendi. Her father liked to trick his friends by showing her work and then watching his friends' amazed responses when they were told that his daughter was the scribe. At the age of 10, her father sent her to Sheikh Murad Derwish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilye In Free Form (18th Century), By Esma Ibret Hanim
The term ''hilya'' (Arabic language, Arabic , plural: ''ḥilan'', ''ḥulan''; tr, hilye, plural: ) denotes both a visual form in Ottoman art and a religious genre of Turkish literature#Ottoman literature, Ottoman Turkish literature, each dealing with the physical description of Muhammad. Hilya literally means "ornament". They originate with the discipline of ''shama'il'', the study of Muhammad's appearance and character, based on hadith accounts, most notably Tirmidhi's ''al-Shama'il al-Muhamadiyyah wa al-Khasa'il al-Mustafawiyyah'' ("The Sublime Characteristics of Muhammad"). In Ottoman-era folk Islam, there was a belief that reading and possessing Muhammad's description protects the person from trouble in this world and the next, it became customary to carry such descriptions, rendered in fine Islamic calligraphy, calligraphy and Ottoman illumination, illuminated, as amulets. In 17th-century Ottoman Empire, Ottoman Turkey, ''hilyes'' developed into an art form with a standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The Ottoman Empire
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Culture
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphers From The Ottoman Empire
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death certifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Artists From The Ottoman Empire
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1780 Births
Year 178 ( CLXXVIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scipio and Rufus (or, less frequently, year 931 ''Ab urbe condita''). The denomination 178 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Bruttia Crispina marries Commodus, and receives the title of '' Augusta''. * Emperor Marcus Aurelius and his son Commodus arrive at Carnuntum in Pannonia, and travel to the Danube to fight against the Marcomanni. Asia * Last (7th) year of ''Xiping'' era and start of ''Guanghe'' era of the Chinese Han Dynasty. * In India, the decline of the Kushan Empire begins. The Sassanides take over Central Asia. Religion * The Montanist heresy is condemned for the first time. Births * Lü Meng, Chinese general (d. 220) * Pen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Art
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts. The ''nakkashane'', as the palace workshops are now generally known, were evidently very important and productive, but though there is a fair amount of surviving documentation, much rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ottoman Calligraphers
The following is an incomplete List of Ottoman Calligraphers: 15th–16th century *Hâfiz Osman *Seyyid Kasim Gubari * Ahmed Karahisari *Sheikh Hamdullah * Kahdi Mahmud Efendi (d. 1575) * Ahmed Pasa (d. 1611) son of Kahdi Mahmud Efendi * Mustafa Ali (d. 1600) * Yûsuf Efendi (d. 1611) * Abdullah Amâsi- 16th-century calligrapher * Ahmed Şemseddin Karahisarî (d. 963/1556) * Gâbârî Adurrahman (d. 974/1566) * Rizâî Mahmud Baba Efendi (d. 987/1579) * Mustafa Dede – son of Sheikh Hamdullah (d. 945/1538) * Tâcîzâde Ca'fer Çelebi (1452–1515) poet, calligrapher and scholar * Ibrahim Vahdi (d. 1714) 17th–18th century *Ibrahim Afif (d. 1767) *Egrikapili Mehmed Rasim Efendi * İsmail Zühdi Efendi * Mehmed Esad Yesari * Mehmed Rasim (1687–1755) * Mustafa Kutahi (d. after 1785) * Musa al-'Abidi *Yesarizade Mustafa Izzet Efendi * Derviş Ali * Veliyyuddin Efendi * Mehmed Refi Efendi (d. 1769) * Abdul Rahman Hilmi (d. 1805) *Yedikuleli Seyyid 'Abdullah Efendi (d. 1731) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tezer Taşkıran
Tezer Taşkıran ( az, Tezer Taşqıran, 1907 – 4 May 1979) was a Turkish–Azerbaijani writer, politician and teacher. Early life She was born in 1907 in Shusha. Her father was Ahmet Ağaoğlu, a prominent Azerbaijani and later Turkish politician of the early 20th century. and his mother was Sitare Hanım. After the fall of the Azerbaijan Democratic Republic in 1920, the Ağaoğlus moved to Turkey where Tezer graduated from Faculty of Literature of Istanbul University in 1925. She married surgeon Nimet Taşkıran in 1931 and went to Vienna; she returned to Turkey in 1933. Family Her father Ahmet Ağaoğlu was a prominent Azerbaijani and naturalized Turkish politician, publicist and journalist. He was one of the founders of Pan-Turkism. Her sister Süreyya Ağaoğlu was a writer, jurist, and the first female lawyer in Turkish history. Her brother Samet Ağaoğlu was a poet and politician. Samet's wife, Neriman Ağaoğlu was also a politician. Career After graduati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahmud Celaleddin Efendi
Mahmud Celaleddin Efendi ( ota, محمود جلال الدين Modern Turkish: ''Mahmud Celaleddin Efendi'') (d. 1829) was an Ottoman calligrapher. Life and work Born in the Dagestan region of Caucasia, his exact date of birth is uncertain. However, scholars have used an analysis of the progression of his skill and level of competence to estimate his date of birth as approximately 1750. As a boy, he moved to Istanbul with his father, Mahmud Jalaleddin, who had migrated together with Mehmed Efendi, one of the Shayshandy sheikhs. When he began practising as a calligrapher, he assumed the name ''Celaleddin Efendi''. He began his formal training with Abdullatif Efendi, who was a student of Ak Molla Omer Efendi and Hoca Râsim Efendi. However, following disagreements about style, he abandoned this tuition and was largely self-taught. He applied himself rigorously to an analysis of the works of the great 17th-century calligrapher, Hâfiz Osman. Like his contemporaries, Mustafa R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topkapı Palace
The Topkapı Palace ( tr, Topkapı Sarayı; ota, طوپقپو سرايى, ṭopḳapu sarāyı, lit=cannon gate palace), or the Seraglio A seraglio, serail, seray or saray (from fa, سرای, sarāy, palace, via Turkish and Italian) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ott ..., is a large museum in the east of the Fatih List of districts of Istanbul, district of Istanbul in Turkey. From the 1460s to the completion of Dolmabahçe Palace in 1856, it served as the administrative center of the Ottoman Empire, and was the main residence of its sultans until the 17th century. Construction, ordered by the Sultan Mehmed the Conqueror, began in 1459, six years after the Fall of Constantinople, conquest of Constantinople. Topkapı was originally called the "New Palace" (''Yeni Saray'' or ''Saray-ı Cedîd-i Âmire'') to distinguish it from the Eski Saray, Old Palace (''Eski Sar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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