Erasmus Grasser
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Erasmus Grasser
Erasmus Grasser (c. 1450 – c. 1515) was a leading master builder and sculptor in Munich in the early 16th century. Biography He developed in an animated and realistic style, furthering on the works of Nikolaus Gerhaert. Grasser worked mainly in wood, and is best known for the 16 figures of ''Moriskentänzer'' ( Moresca dancers, 1480, 10 remaining, the fate of 6 unknown) lining the walls of the great dance and assembly hall of Old Townhall, the oak choir stalls at the Frauenkirche cathedral (1502) and the madonna of the high altar in St Mary (Ramersdorf), all three located in Munich. He also created the high altar at Reichersdorf (1502–1506). Works Grasser is credited with creating the 'Burial of the Virgin' though it may have been a follower of his. This piece depicts Mary, the Mother of God, in a coffin being carried to her final resting place. This story is not mentioned in the Bible. In an apocryphal collection of stories called ''Transitus Mariae'' attributed to Bish ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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