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Emblem Of The West (hieroglyph)
The Egyptian hieroglyph Emblem of the West ( Gardiner no. R13 𓊿 or R14 𓋀) represents the goddess Imentet, personification of the afterlife. It is composed of a hawk or ostrich feather. The alternate version of the symbol contains the complete figure of the hawk, for Horus, with the feather extending sideways, making it similar to the iat standard, surmounted by individual gods. The feather is associated with the headdress worn by the Libyans. The lower part of the hieroglyph contains the vertical form of the "folded cloth" (S29 𓋴) . As an ideogram, the hieroglyph represents ''imnt'' "west" or ''wnmy'' "right".''How to Read Egyptian Hieroglyphs'', Collier and Manley, Character "E7", p. 139. ''Hieroglyphics: The Writings of Ancient Egypt'', Betro, p. 212A, ''Emblem of the West''. File:Hieroglyphs.jpg, Hieroglyphs from Ankhnesneferibre's coffin; she was a Divine Adoratrice of Amun File:Stelae front.jpg, A stela.5 registers of hieroglyphs read from upper right-to-lef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Hieroglyph
Egyptian hieroglyphs (, ) were the formal writing system used in Ancient Egypt, used for writing the Egyptian language. Hieroglyphs combined logographic, syllabic and alphabetic elements, with some 1,000 distinct characters.There were about 1,000 graphemes in the Old Kingdom period, reduced to around 750 to 850 in the classical language of the Middle Kingdom, but inflated to the order of some 5,000 signs in the Ptolemaic period. Antonio Loprieno, ''Ancient Egyptian: A Linguistic Introduction'' (Cambridge: Cambridge UP, 1995), p. 12. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Through the Phoenician alphabet's major child systems (the Greek and Aramaic scripts), the Egyptian hieroglyphic script is ancestral to the majority of scripts in modern use, most prominently the Latin an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankhnesneferibre
Ankhnesneferibre was an ancient Egyptian princess and priestess during the 26th Dynasty, daughter of pharaoh Psamtik II and his queen Takhuit. She held the positions of Divine Adoratrice of Amun and later God's Wife of Amun between 595 and 525 BC, during the reigns of Psamtik II, Apries, Amasis II and Psamtik III, until the Achaemenid conquest of Egypt., pp. 245-46 Biography In 595 BC, Ankhnesneferibre was dispatched to Thebes to be adopted by the God's Wife of Amun Nitocris I, as a stela from Karnak records. Ankhnesneferibre held the position of Divine Adoratrice until Nitocris' death in pharaoh Apries' regnal Year 4 (586 BC), after which she became the new God's Wife. She governed at Thebes for several decades until 525 BC, when the Persian emperor Cambyses II defeated Psamtik III and conquered Egypt, putting an end to the 26th Dynasty and the positions of Divine Adoratrice of Amun and God's Wife of Amun. After this date, Ankhnesneferibre disappeared from history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emblem Of The East
The Egyptian hieroglyph Emblem of the East (𓋁 Gardiner no. R15) is a portrayal of a standard, surmounted by the "Symbol of the East". It represents the Goddess Iabet. Her companion goddess Imentet is represented by the "Emblem of the West". As an ideogram, it represents either ''iꜣbt'' "east" or ''iꜣby'' "left". The symbol for the "West"/"right" was considered 'good', and thus the East symbol sometimes symbolized the opposite of good, evil. However, as the sun rises in the East, the solar cult often used the symbol.Betrò, 1995, p. 212. See also *List of hieroglyphs/R *Iabet File:Karnak Khonsou 080522.jpg, Relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ... showing Emblem of the East, and Emblem of the West File:IvoryLabelOfDen-BritishMuseum-August19-08.jpg, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Egyptian Hieroglyphs
The total number of distinct Egyptian hieroglyphs increased over time from several hundred in the Middle Kingdom to several thousand during the Ptolemaic Kingdom. In 1928/1929 Alan Gardiner published an overview of hieroglyphs, Gardiner's sign list, the basic modern standard. It describes 763 signs in 26 categories (A–Z, roughly). Georg Möller compiled more extensive lists, organized by historical epoch (published posthumously in 1927 and 1936). In Unicode, the block ''Egyptian Hieroglyphs'' (2009) includes 1071 signs, organization based on Gardiner's list. As of 2016, there is a proposal by Michael Everson to extend the Unicode standard to comprise Möller's list. Subsets Notable subsets of hieroglyphs: * Determinatives * Uniliteral signs * Biliteral signs * Triliteral signs * Egyptian numerals Letter classification by Gardiner List of hieroglyphs In Unicode Unicode character names follow Gardiner's sign list (padded with zeroes to three digits, i.e. Gardi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardiner's Sign List
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text. In contrast, for example, the Budge Reference has about 1,000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fifth Dynasty Of Egypt
The Fifth Dynasty of ancient Egypt (notated Dynasty V) is often combined with Dynasties III, IV and VI under the group title the Old Kingdom. The Fifth Dynasty pharaohs reigned for approximately 150 years, from the early 25th century BC until the mid 24th century BC. Chronology The Fifth Dynasty of Egypt is a group of nine kings ruling Egypt for approximately 150 years in the 25th and 24th centuries BC. The relative succession of kings is not entirely secured as there are contradictions between historical sources and archaeological evidence regarding the reign of the shadowy Shepseskare. Rulers Known rulers in the Fifth Dynasty are listed below. Manetho assigns 248 years of rule to the Fifth Dynasty; however, the pharaohs of this dynasty more probably ruled for approximately 150 years. This estimate varies by both scholar and source. The Horus names and most names of the queens are taken from Dodson and Hilton. Manetho writes that the Dynasty V kings ruled from Eleph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (sculpture)
In art and archaeology, in sculpture as well as in painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically. Among many other cultures, the use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Adoratrice Of Amun
The Divine Adoratrice of Amun ( Egyptian: '' dwꜣt nṯr n jmn'') was a second title – after God's Wife of Amun – created for the chief priestess of the ancient Egyptian deity Amun. During the first millennium BCE, when the holder of this office exercised her largest measure of influence, her position was an important appointment facilitating the transfer of power from one pharaoh to the next, when his daughter was adopted to fill it by the incumbent office holder. The Divine Adoratrice ruled over the extensive temple duties and domains, controlling a significant part of the ancient Egyptian economy. History God's Wife of Amun, a title for a similar office of the high priestess, originated as a title held by a daughter of the High Priest of Amun during the reign of Hatshepsut and continued as an important office while the capital of Egypt remained in Thebes. Later, the added title Divine Adoratrice of Amun can be seen to accompany a resurgence of the title God's Wife of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How To Read Egyptian Hieroglyphs
''How to Read Egyptian Hieroglyphs'' is a primer on understanding Egyptian hieroglyphs. The text was written by Mark Collier (Egyptologist), and Bill Manley, c. 1998. The standard version of analytic Egyptian hieroglyphs is based upon the 26 categories of the Gardiner's Sign List (about 700 signs), still the basic standard. According to WorldCat, the book is widely known and is held in 1062 libraries.http://www.worldcat.org/title/how-to-read-egyptian-hieroglyphs-a-step-by-step-guide-to-teach-yourself/oclc/39188707&referer=brief_results ''How to Read Egyptian Hieroglyphs'' uses a simple approach with just six categories: * Signs depicting people or parts of the human body * Signs depicting creatures or parts of their bodies * Signs depicting sky, earth, water or plants * Other small signs * Other tall signs * Other broad signs With the older styles and outlines of hieroglyphs being redone and rethought by modern Egyptologists, new approaches to books on the Egyptian language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardiner's List
Gardiner's Sign List is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs. He includes size-variation forms to aid with the reading of hieroglyphs in running blocks of text. In contrast, for example, the Budge Reference has about 1,000 hieroglyphs listed in 50 pages, but with no size variations. Gardiner does not cross-index signs; once put on the list, other significant uses may be overlooked. One example of this is G16, nbtỉ, the ideogram for the Two Ladies, goddesses Wadjet as the cobra and Nekhbet as the white vulture. These are the protective and patron goddesses of the separate Egyptian kingdoms that joined into ancient Egypt, who were both then displayed on the uraeus of Wadjet when the unification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ideogram
An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as ''pictograms''. The numerals and mathematical symbols are ideograms – 1 'one', 2 'two', + 'plus', = 'equals', and so on (compare the section "Mathematics" below). In English, the ampersand & is used for 'and' and (as in many languages) for Latin ' (as in &c for '), % for ' percent' ('per cent'), # for 'number' (or 'pound', among other meanings), § for 'section', $ for 'dollar', € for 'euro', £ for 'pound', ° for 'degree', @ for 'at', and so on. The reason they are ideograms rather than logograms is that they do not denote fixed morphemes: they can be read in many different languages, n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libu
The Libu ( egy, rbw; also transcribed Rebu, Lebu, Lbou, Libou) were an Ancient Libyan tribe of Berber origin, from which the name ''Libya'' derives. Early history Their occupation of Ancient Libya is first attested in Egyptian language texts from the New Kingdom, especially from the Ramesside Period. The earliest occurrence is in a Ramesses II inscription. There were no vowels in the Egyptian script. The name Libu is written as '' rbw'' in Egyptian hieroglyphs. In the Great Karnak Inscription Merneptah describes how hostilities between Egypt and Libya broke out in his regnal year 5 (1208 BCE) and how a coalition of Libu and Sea Peoples led by the chief of the Libu Meryey was defeated. ''Libu'' appears as an ethnic name on ''the Merneptah Stele'', also known as the ''Israel Stele''. Ramesses III defeated the Libyans in the 5th year of his reign, but six years later the Libyans joined the Meshwesh and invaded the western Delta and were defeated again. This name ''Libu'' was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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