Echo And Narcissus
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Echo And Narcissus
Echo and Narcissus is a myth from Ovid's ''Metamorphoses'', a Roman mythological epic from the Augustan Age. The introduction of the myth of the mountain nymph Echo into the story of Narcissus, the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention. Ovid's version influenced the presentation of the myth in later Western art and literature. Story The myth of the goddess is told in Book III of the ''Metamorphoses'', and tells the story of a "talkative nymph" whom the goddess Venus admires for her magnificent voice and song. When she tricks Juno into believing that her husband, Jupiter, was in the city, Juno curses Echo by making her able to only finish a sentence not started, and unable to say anything on her own. "Yet a chatterbox, had no other use of speech than she has now, that she could repeat only the last words out of many." This is the explanation of the aural effect which was named after her. Sometim ...
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John William Waterhouse - Echo And Narcissus - Google Art Project
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ...
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Juno (mythology)
Juno ( ; Latin ) was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology. A daughter of Saturn, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. Like Hera, her sacred animal was the peacock.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called ("Queen") and was a member of the Capitoline Triad (''Juno Capitolina''), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom. Juno's own warlike aspect among the Romans is apparent in her attire. She was often shown armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, who bore a goatskin, or a goatsk ...
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Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ...
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Benjamin West
Benjamin West, (October 10, 1738 – March 11, 1820) was a British-American artist who painted famous historical scenes such as '' The Death of Nelson'', ''The Death of General Wolfe'', the '' Treaty of Paris'', and '' Benjamin Franklin Drawing Electricity from the Sky''. Entirely self-taught, West soon gained valuable patronage and toured Europe, eventually settling in London. He impressed King George III and was largely responsible for the launch of the Royal Academy, of which he became the second president (after Sir Joshua Reynolds). He was appointed historical painter to the court and Surveyor of the King's Pictures. West also painted religious subjects, as in his huge work ''The Preservation of St Paul after a Shipwreck at Malta'', at the Chapel of St Peter and St Paul at the Old Royal Naval College in Greenwich, and ''Christ Healing the Sick'', presented to the National Gallery. Early life West was born in Springfield, Pennsylvania, in a house that is now in the bo ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ...
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Francesco Xanto Avelli
Francesco Xanto Avelli (Rovigo, c. 1487? – c. 1542?)These dates are put forth in the biography provided by the J. Paul Getty Museum; they appear, however, to be highly conjectural. was an Italian ceramicist. He is best known for his painted maiolica works. Life Xanto Avelli was born in Rovigo, in the Veneto, sometime in the late 1480s. Nothing at all is known of his origins, his teaching, or his early years; he is first recorded as working in Urbino in 1530, when he is mentioned in a notarial document describing attempts by a group of pottery workers, or ''interlaboratores artis figuli'', to form an early trade union for the purpose of raising wages. 1530 is also the date on his earliest signed piece, a plate commemorating the coming new year. It is signed ''.f.X.A.R.'', and is further marked ''î Urbino''. At around this time Xanto married a woman called Finalissa, also in Urbino. Over the five years following he produced a large body of work; each piece was signe ...
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Nemesis
In ancient Greek religion, Nemesis, also called Rhamnousia or Rhamnusia ( grc, Ῥαμνουσία, Rhamnousía, the goddess of Rhamnous), was the goddess who personifies retribution, a central concept in the Greek world view. Etymology The name ''Nemesis'' is related to the Greek word νέμειν ''némein'', meaning "to give what is due", from Proto-Indo-European ''nem-'' "distribute". Family Nemesis has been described as the daughter of Oceanus, Erebus, or Zeus, but according to Hyginus she was a child of Erebus and Nyx. She has also been described, by Hesiod, as the daughter of Nyx alone. In the Theogony, Nemesis is the sister of the Moirai (the Fates), the Keres (Black Fates), the Oneiroi (Dreams), Eris (Discord) and Apate (Deception). Some made her the daughter of Zeus by an unnamed mother. In several traditions, Nemesis was seen as the mother of Helen of Troy by Zeus, adopted and raised by Leda and Tyndareus. According to the poet Bacchylides, she was the mother ...
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Love At First Sight
Love at first sight is a personal experience as well as a common trope in literature: a person or character feels an instant, extreme, and ultimately long-lasting romantic attraction for a stranger upon first seeing that stranger. Described by poets and critics since the emergence of ancient Greece, falling in love at first sight has become a common theme in Western fiction. Historical conceptions Greek In the classical world, the phenomenon of "love at first sight" was understood within the context of a more general conception of passionate love, a kind of madness or, as the Greeks put it, ''theia mania'' ("madness from the gods"). This love passion was described through an elaborate metaphoric and mythological psychological effect involving "love's arrows" or "love darts," the source of which was often given as the mythological Eros or Cupid, sometimes by other mythological deities (such as Rumor). At times, the source of the arrows was said to be the image of the beautiful lo ...
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Metamorphoses
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ...
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Echo (phenomenon)
In audio signal processing and acoustics, an echo is a reflection of sound that arrives at the listener with a delay after the direct sound. The delay is directly proportional to the distance of the reflecting surface from the source and the listener. Typical examples are the echo produced by the bottom of a well, by a building, or by the walls of an enclosed room and an empty room. A true echo is a single reflection of the sound source. The word ''echo'' derives from the Greek ἠχώ (''ēchō''), itself from ἦχος (''ēchos''), "sound". Echo in the Greek folk story is a mountain nymph whose ability to speak was cursed, leaving her able only to repeat the last words spoken to her. Some animals use echo for location sensing and navigation, such as cetaceans (dolphins and whales) and bats in a process known as echolocation. Echoes are also the basis of Sonar technology. Acoustic phenomenon Acoustic waves are reflected by walls or other hard surfaces, such as mountains and pr ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Affresco Romano - Pompei - Narciso Ed Eco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appare ...
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