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Et In Arcadia Ego (Guercino)
''Et in Arcadia ego'' (also known as ''The Arcadian Shepherds'') is an oil-on-canvas painting created c. 1618–1622 by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino). It is now on display in the Galleria Nazionale d'Arte Antica of Rome. Description The painting shows two young shepherds staring at a skull, with a mouse and a blowfly, placed onto a cippus with the words "Et in Arcadia ego" (Also in Paradise I am). This phrase is meant as a warning, that even in Arcadia/Paradise, death is always present. The phrase appears for the first time in art and architecture in this work. The iconography of the ''memento mori'' theme symbolised in art by the skull was rather popular in Rome and Venice since Renaissance times. Elias L. Rivers suggested the phrase "Et in Arcadia ego" is derived from a line from Daphnis' funeral in Virgil's Fifth Eclogue ''Daphnis ego in silvis'' ("Daphnis was I amid the woods"), and that it referred to the dead shepherd within the tomb, ...
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Giovanni Francesco Barbieri
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as (il) Guercino (), was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun , meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescoes (1615–1616) of Casa Pannini in Cento, where the naturalism ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his ea ...
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Skulls In Art
The skull, or cranium, is typically a bony enclosure around the brain of a vertebrate. In some fish, and amphibians, the skull is of cartilage. The skull is at the head end of the vertebrate. In the human, the skull comprises two prominent parts: the neurocranium and the facial skeleton, which evolved from the first pharyngeal arch. The skull forms the frontmost portion of the axial skeleton and is a product of cephalization and vesicular enlargement of the brain, with several special senses structures such as the eyes, ears, nose, tongue and, in fish, specialized tactile organs such as barbels near the mouth. The skull is composed of three types of bone: cranial bones, facial bones and ossicles, which is made up of a number of fused flat and irregular bones. The cranial bones are joined at firm fibrous junctions called sutures and contains many foramina, fossae, processes, and sinuses. In zoology, the openings in the skull are called fenestrae, the most prominent of ...
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Paintings About Death
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Collection Of The Galleria Nazionale D'Arte Antica
Collection or Collections may refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science * Collection (linking), the act of linkage editing in computing * Garbage collection (computing), automatic memory management method Mathematics * Set (mathematics) * Class (set theory) * Family of sets * Indexed family * Multiset * Parametric family Albums Collection * ''Collection'' (Soccer Mommy album), 2017 * ''Collection'' (2NE1 album), 2012 * ''Collection'' (Agnes album), 2013 * ''Collection'' (Arvingarna album), 2002 * ''Collection'' (Jason Becker album), 2008 * ''Collection'' (Tracy Chapman album), 2001 * ''Collection'' (The Charlatans album) * ''Collection'' (Dave Grusin album), 1989 * ''Collection'' (The Jam album) * ''Collection'' (Wynonna Judd album) * ''Collection'' (Magnus Uggla album), 1985 * ''Collection'' (Men Without Hats album), 1996 * ''Collection'' (MFÖ album), 2003 * ''Collection'' (Mike Oldfield alb ...
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Paintings By Guercino
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1622 Paintings
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MCID'' ...
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Allegory
As a List of narrative techniques, literary device or artistic form, an allegory is a wikt:narrative, narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through symbolism (arts), symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation (literature), latinisation of the Greek language, Greek ἀλληγορία (''allegoría''), "veiled ...
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Hans Christian Andersen
Hans Christian Andersen ( , ; 2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogue (literature), travelogues, novels, and poems, he is best remembered for his literary fairy tales. Andersen's fairy tales, consisting of 156 stories across nine volumes, have been translated into more than 125 languages. They have become embedded in Western culture, Western collective consciousness, accessible to children as well as presenting lessons of virtue and resilience in the face of adversity for mature readers., p. 388 His most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale (fairy tale), The Nightingale", "The Steadfast Tin Soldier", "The Red Shoes (fairy tale), The Red Shoes", "The Princess and the Pea", "The Snow Queen", "The Ugly Duckling", "The Little Match Girl", and "Thumbelina." Andersen's stories have inspired ballets, plays, and animated and live-action films. Early life Andersen was ...
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Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling family of the Grand Duchy of Tuscany. It grew as a great treasure house, for generations amassing paintings, plates, jewelry and luxurious possessions. The Medici also added the extensive Boboli Gardens to the palace estate. In the late 18th century, the palazzo was used as a power base by Napoleon during his conquests of Europe. For a brief period, it later served as the principal royal palace of the newly united Italy under the House of Savoy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III ...
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Marsyas
In Greek mythology, the satyr Marsyas (; ) is a central figure in two stories involving music: in one, he picked up the double oboe (''aulos'') that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. Literary sources from Classical antiquity, antiquity often emphasize the ''hubris'' of Marsyas and the justice of his punishment. One strand of modern comparative mythography regards the domination of Marsyas by Apollo as an example of myth that recapitulates a supposed supplanting by the Twelve Olympians, Olympian pantheon of an earlier Pelasgians, "Pelasgian" religion of chthonic Greek hero cult, heroic ancestors and Animism, nature spirits. Marsyas was a devoté of the ancient Mother Goddess Rhea (mythology), Rhea/Cybele, and the mythographers situate his episodes in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Büyük Menderes River, Menderes in Turkey). Family Wh ...
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Et In Arcadia Ego (Poussin)
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Classical painter Nicolas Poussin. It depicts a pastoral scene with idealized Shepherd, shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia (utopia), Arcadia, there am I"; "Also in Arcadia am I"; or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title. The 1630s version is held in the Musée du Louvre, Paris, while the 1627 version is held at Chatsworth House, England. An earlier treatment of the theme was painted by Guercino –1622, also titled ''Et in Arcadia ego (Guercino), Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia (region), Arcadia is first described in Virgil's ''Eclogues'' Eclog ...
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