|
Equestrian Statue Of Gattamelata
''The Equestrian Statue of Gattamelata'' is an Italian Renaissance sculpture by Donatello, dating from 1453, located on the Piazza del Santo in Padua, Italy. It portrays the ' Erasmo da Narni, known as ''Gattamelata'' ("honey-cat"), who served mostly under the Republic of Venice, which ruled Padua at the time. It is the first full-size equestrian statue of the Italian Renaissance. Description After Erasmo of Narni's death in 1443, according to John Julius Norwich, the Republic of Venice, as a sign of gratitude and respect, paid for a sculpture in his honor. (This payment has been disputed. ''See below''.) Measuring 340 x 390 cm (the base measuring 780 x 410 cm), it is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture. After its conception, the statue served as a precedent for later sculptures honoring military heroes for their continued effort in the wars. The statue, as were all bronze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments), originating in Europe. The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. It is funded by the National Endowment for the Humanities. History Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, videos, photographs, and links to additional resources for all of the art and architecture that make up the AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exarchate Of Ravenna
The Exarchate of Ravenna (; ), also known as the Exarchate of Italy, was an administrative district of the Byzantine Empire comprising, between the 6th and 8th centuries, the territories under the jurisdiction of the exarch of Italy (''exarchus Italiae'') resident in Ravenna. The term is used in historiography in a double sense: "exarchate" in the strict sense denotes the territory under the direct jurisdiction of the exarch, i.e. the area of the capital Ravenna, but the term is mainly used to designate all the Byzantine territories in continental and peninsular Italy. According to the legal sources of the time, these territories constituted the so-called ''Provincia Italiae'', on the basis of the fact that they too, until at least the end of the 7th century, fell under the jurisdiction of the exarch and were governed by ''duces'' or ''magistri militum'' under him. The exarchate was established around 584, the year in which the presence of an exarch in Ravenna is attested for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostrogothic Kingdom
The Ostrogothic Kingdom, officially the Kingdom of Italy (), was a barbarian kingdom established by the Germanic Ostrogoths that controlled Italian peninsula, Italy and neighbouring areas between 493 and 553. Led by Theodoric the Great, the Ostrogoths killed Odoacer, a Germanic soldier and erstwhile leader of the . Odoacer had previously become the ''de facto'' Kingdom of Odoacer, ruler of Italy following his deposition of Romulus Augustulus, the final emperor of the Western Roman Empire, in 476. Under Theodoric, the Ostrogothic kingdom reached its zenith, stretching from Southern France in the west to Geography of Serbia, Western Serbia in the southeast. Most of the Roman society, social institutions of the Fall of the Western Roman Empire, late Western Roman Empire were preserved during his rule. Theodoric called himself "King of the Goths and Succession of the Roman Empire, Romans" (), demonstrating his desire to be a leader for both peoples. Under Justinian I, the Byzantine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Roman Empire
In modern historiography, the Western Roman Empire was the western provinces of the Roman Empire, collectively, during any period in which they were administered separately from the eastern provinces by a separate, independent imperial court. Particularly during the period from AD 395 to 476, there were separate, coequal courts dividing the governance of the empire into the Western provinces and the Eastern provinces with a distinct Line of hereditary succession, imperial succession in the separate courts. The terms Western Roman Empire and Byzantine Empire, Eastern Roman Empire were coined in modern times to describe political entities that were ''de facto'' independent; contemporary Ancient Rome, Romans did not consider the Empire to have been split into two empires but viewed it as a single polity governed by two imperial courts for administrative expediency. The Western Empire collapsed in 476, and the Western imperial court in Ravenna disappeared by AD 554, at the end of Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavia
Pavia ( , ; ; ; ; ) is a town and comune of south-western Lombardy, in Northern Italy, south of Milan on the lower Ticino (river), Ticino near its confluence with the Po (river), Po. It has a population of c. 73,086. The city was a major political centre in the medieval period, being the capital of the Ostrogothic Kingdom from 540 to 553, of the Kingdom of the Lombards from 572 to 774, of the Kingdom of Italy (Holy Roman Empire), Kingdom of Italy from 774 to 1024 and seat of the Visconti of Milan, Visconti court from 1365 to 1413. Pavia is the capital of the fertile province of Pavia, which is known for a variety of agricultural products, including wine, rice, cereals, and dairy products. Although there are a number of industries located in the suburbs, these tend not to disturb the peaceful atmosphere of the town. It is home to the ancient University of Pavia (founded in 1361 and recognized in 2022 by the Times Higher Education World University Rankings, Times Higher Education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regisole
The ''Regisole'' ("Sun King") was a bronze classical or Late Antique equestrian monument, highly influential during the Italian Renaissance. It was originally erected at Ravenna, in what is now Italy, but was moved to Pavia in the Middle Ages, where it stood on a column before the cathedral, as an emblem of communal pride and Pavia's deep connection with imperial Rome. The statue was destroyed in 1796 by the Jacobins, who saw it as a symbol of monarchy. A reproduction was made and erected in 1937. History According to different modern scholars the subject was either Theodoric the Great, King of the Ostrogoths (reigned 471–526),Walter A. Liedtke, ''The Royal Horse and Rider: painting, sculpture, and horsemanship'', 1989:65 "a Roman work of the third century AD", or "possibly Septimius Severus, with several later modifications" (he was emperor 193–211). Ravenna was the capital city of the Western Roman Empire from 402 until 476. It was later the capital of the Kingdom of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamberg Rider
The Bamberg Horseman () is an early 13th-century stone equestrian statue by an anonymous medieval sculptor in the cathedral of Bamberg, Germany. It is the first of this kind since antiquity. Description Dating probably from the time before the consecration of the cathedral's new building in 1237, but after 1225, it is located on a console at the north pillar of the St. George choir. It is not known whether this is the intended position of the statue, although the base appears to be original and the structure of the base would seem to dissuade moving. Interpretation Being located in a church and showing a crowned yet unarmed man, it is believed that it represents a specific king, perhaps one who was a saint. A candidate is Emperor Henry II (973-1024) who is buried in the cathedral along with Pope Clement II, but he would likely have been depicted with Imperial Regalia. Another possibility is his brother-in-law, king Stephen I of Hungary (975-1038) who stops his horse and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
