Ellington '55
''Ellington '55'' is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999. Reception The AllMusic review by Bruce Eder awarded the album 3 stars and stated: "The tunes represented on this album were precisely what the band was playing at its dance dates... and it was material like this that was keeping the band going, filling those dates. So it is hard to argue with the album's programming, which reflected the taste of the most visible part of Ellington's audience. Additionally, what's here is quite fine in the playing". Track listing ''All compositions by Duke Ellington except as indicated'' # "Rockin' in Rhythm" (Ellington, Harry Carney, Irving Mills) – 4:30 # "Black and Tan Fantasy" (Ellington, James "Bubber" Miley) – 5:10 # " Stompin' at t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was the American lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". He was also a composer, poet and vocalist. Biography Razaf was born in 1895 in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left Henri dead, and forced pregnant 15-year-old Jennie to escape to the U.S.. Razaf was raised in Harlem, Manhattan. At age 16, Razaf quit school and took a job as an elevator operator in a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he spent many nights in the Greyhound Lin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul", " When I Fall in Love", and " For Sentimental Reasons". He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan, where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City, where he started working with a number of experienced musicians including Victor Young (" When I Fall in Love"), Dana Suesse (" You Oughta Be in Pictures") and Johnny Green (" Body and Soul", " Out of Nowhere", " I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', '' That Girl from Paris'', '' Curly Top'', '' The Kissing Bandit'', '' Delightfully Dangerous'' and '' Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Body And Soul (1930 Song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue '' Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, percussionist, and bandleader. He worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Hampton was a member of the executive committee of the Writers and Artists for Peace in the Middle East, a pro-Israel group. In 1984, he signed a letter protesting German arms sales to Saudi Arabia. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of Ameri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flying Home
"Flying Home" is a jazz and jump blues composition written by Benny Goodman and Lionel Hampton with lyrics by Sid Robin. Background Hampton conceived the melody while playing in the Benny Goodman band. While waiting for a plane to travel from Los Angeles to Atlantic City, on what would be Hampton's first flight, he began whistling a tune to relieve his nerves. Goodman asked for the tune's name and Hampton replied; "I don't know. We can call it 'Flying Home,' I guess." The Goodman Quartet played it for the first time that evening, and later recorded the first version of the full song, with a guitar solo by Charlie Christian. Hampton subsequently adopted the song as his musical signature. Other musicians on the original recording were Fletcher Henderson on piano, Artie Bernstein on bass and Nick Fatool on drums. Recordings It was first recorded by the Benny Goodman Sextet on November 6, 1939, featuring solos by Hampton and Charlie Christian. Several other groups recorded the tun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, and singer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. A widely popular star in the jazz and swing eras, he toured internationally, achieving critical and commercial success in the United States and Europe. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999, respectively. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with. When in financial difficulties, he had a habit of selling songs to other writers and performers who clai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Honeysuckle Rose (song)
"Honeysuckle Rose" is a 1929 song composed by Thomas "Fats" Waller with lyrics by Andy Razaf. It was introduced in the 1929 Off-Broadway revue "Load of Coal" at Connie's Inn as a soft-shoe dance number. Waller's 1934 recording was inducted into the Grammy Hall of Fame in 1999. During a visit to the West Side of Asbury Park, New Jersey in 1928, Waller wrote the song with Razaf at 119 Atkins Avenue in a home that still stands today. Renditions *Fletcher Henderson (1932) *Fats Waller (1934), (1937) and (1941)"Honeysuckle Rose" sung by Fats Waller in a 1941 Minoco Production soundie (video) * (1935, originally issued on COL 3059-D) * [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eddie Durham
Edward Durham (August 19, 1906 – March 6, 1987) was an American jazz guitarist, trombonist, composer, and arranger. He was one of the pioneers of the electric guitar in jazz. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller took great benefit from his composing and arranging skill. With Edgar Battle he composed " Topsy", which was recorded by Count Basie and became a hit for Benny Goodman. In 1938, Durham wrote " I Don't Want to Set the World on Fire" with Bennie Benjamin, Sol Marcus, and Eddie Seiler. During the 1940s, Durham created Eddie Durham's All-Star Girl Orchestra, an African-American all female swing band that toured the United States and Canada. Early life Durham was born in San Marcos, Texas, on August 19, 1906, to Joseph Durham Sr. and Luella Rabb (née Mohawk) Durham. From an early age, Durham performed with his family in the Durham Brothers Band. At the age of eighteen, he began traveling and playing in regional bands. Pi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams (jazz singer), Joe Williams. As a composer, Basie is known for writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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One O'Clock Jump
"One O'Clock Jump" is a jazz standard; a 12-bar blues instrumental, written by Count Basie in 1937. Background The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's early riff style. The song was called One O'Clock Jump because the band practiced usually late at 1 AM. The instrumentation is based on " head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in June 1937. Notable live radio transcriptions of the song also exist, such as Basie's N ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joe Garland
Joseph Copeland Garland (August 15, 1903, Norfolk, Virginia – April 21, 1977, Teaneck, New Jersey) was an American jazz saxophonist, composer, and arranger, best known for writing "In the Mood". Garland studied music at Shaw University and the Aeolian Conservatory. He started by playing classical music but joined a jazz band, Graham Jackson's Seminole Syncopators, in 1924, where he first recorded. He had a long run of associations as a sideman on saxophone and clarinet, with Elmer Snowden (1925), Joe Steele, Henri Saparo, Leon Abbey (including a tour of South America), Charlie Skeete and Jelly Roll Morton in the 1920s. The 1930s saw him playing with Bobby Neal (1931) and the Mills Blue Rhythm Band; he was both a performer and an arranger for the Blue Rhythm Band from 1932 to 1936, when Lucky Millinder replaced him. Following this he played with Edgar Hayes (1937), Don Redman (1938), and Louis Armstrong (1939–42). In the 1940s, he played with Claude Hopkins and others, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |