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Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters â called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or ( Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalismâaesthetic and styleâno longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetition (music), repetitive patterns or pulse (music), pulses, steady drone (music), drones, consonance and dissonance, consonant harmony, and reiteration of musical phrase (music), phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleology, tele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didgeridoo
The didgeridoo (; also spelt didjeridu, among other variants) is a wind instrument, played with vibrating lips to produce a continuous Drone (music), drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal Australians, Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the YolĆu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the ''yiážaki'', or more recently by some, ''mandapul''. In the Bininj Gun-Wok, Bininj Kunwok language of West Arnhem Land it is known as ''mako''. A didgeridoo is usually cylindrical or Cone (geometry), conical, and can measure anywhere from long. Most are around long. Generally, the longer the instrument, the lower its pitch or key. Flared instruments play a higher pitch than unflared instruments of the same length. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Nyman
Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer, pianist, librettist, musicologist, and filmmaker. He is known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's '' The Piano''. He has written a number of operas, including '' The Man Who Mistook His Wife for a Hat''; '' Letters, Riddles and Writs''; '' Noises, Sounds & Sweet Airs''; ''Facing Goya''; '' Man and Boy: Dada''; '' Love Counts''; and ''Sparkie: Cage and Beyond''. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music. Early life and education Nyman was born in Stratford, London to a family of secular Jewish furriers who immigrated from Poland. Nyman was educated at the Sir George Monoux Grammar School, Walthamstow. He st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 â 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957â1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Grove
Sir George Grove (13 August 182028 May 1900) was an English engineer and writer on music, known as the founding editor of ''Grove's Dictionary of Music and Musicians''. Grove was trained as a civil engineer, and successful in that profession, but his love of music drew him into musical administration. When responsible for the regular orchestral concerts at the Crystal Palace, he wrote a series of programme notes from which eventually grew his musical dictionary. His interest in the music of Franz Schubert, which was neglected in England at that point in the nineteenth century, led him and his friend Arthur Sullivan to go to Vienna in search of undiscovered Schubert manuscripts. Their researches led to their discovery of the lost score of Schubert's ''Rosamunde'' music, several of his symphonies and other music in 1867, leading to a revival of interest in Schubert's work. Grove was the first director of the Royal College of Music, from its foundation in 1883 until his retirement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ison (music)
Ison is a drone note, or a slow-moving lower vocal part, used in Byzantine chant and some related musical traditions to accompany the melody, thus enriching the singing. It was not considered to transform it into a harmonized or polyphonic piece. History It is widely believed that ison was first introduced in Byzantine practice in the 16th century.Kyiv's Znamenny chant). The drone practice may have been borrowed from the West, namely from Italy">Znamenny_chant.html" ;"title="Kyiv's Znamenny chant">Kyiv's Znamenny chant). The drone practice may have been borrowed from the West, namely from Italy. Traditionally the ison was not notated (see below). The first example of notated ison was not documented until 1847, and the practice of notating the ison did not become widespread for 100 years, or only in the second half of the 20th century. There is some evidence for a use of a 2nd "auxiliary" ison in Patriarchate of Constantinople">Patriarchal chanting practice, that would be pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Chant
Byzantine music (Greek: ÎÏ Î¶Î±ÎœÏÎčÎœÎź ÎŒÎżÏ ÏÎčÎșÎź) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephaly f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel PĂ©rĂšs
Marcel PĂ©rĂšs (born 15 July 1956, Oran, Algeria) is a French musicologist, composer, choral director and singer, and the founder of the early music group Ensemble Organum. He is an authority on Gregorian and pre-Gregorian chant. PĂ©rĂšs was born into an Algerian family of Spanish origin which was repatriated to France. He grew up in Nice, where he sang at the cathedral and was organist at the Anglican church. He trained in organ and composition at the Nice conservatoire, before continuing his studies in church music at the Royal School of Church Music and at English cathedrals. He worked at the Studio de musique ancienne de MontrĂ©al (Montreal early music studio) and for the National Film Board of Canada. In 1979 he returned to France where he studied medieval music under Michel Huglo at the Ăcole pratique des hautes Ă©tudes. In 1984 Peres became director of ARIMM, the ''Atelier pour la Recherche sur lâInterprĂ©tation des Musiques MĂ©diĂ©vales'' (or "Workshop for R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organum
''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed. As no real independent second voice exists, this is a form of heterophony. In its earliest stages, organum involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. In these cases the composition often began and ended on a unison, the added voice keeping to the initial tone until the first part has reached a fifth or fourth, from where both voices proceeded in parallel harmony, with the reverse process at the end. Organum was originally improvised; while one singer performed a notated melody (the ''vox principalis''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the Board of Ceremonies in the Tokyo Imperial Palace. Gagaku consists of three primary repertoires: #Native Shinto relig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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