Dr. West's Medicine Show And Junk Band
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Dr. West's Medicine Show And Junk Band
Dr. West's Medicine Show and Junk Band was an American psychedelic rock band. They were known best for including Norman Greenbaum, and their hit "The Eggplant That Ate Chicago", which reached No. 52 on the ''Billboard'' Hot 100 in 1966. The band members were Norman Greenbaum (vocals), Bonnie Zee Wallach (guitar, vocals), Jack Carrington (guitar, vocals, percussion) and Evan Engber (percussion). Discography Albums *''The Eggplant That Ate Chicago'' (1967) *''Norman Greenbaum with Dr. West's Medicine Show and Junk Band'' (1969 compilation) *''Euphoria: The Best of Dr. West's Medicine Show and Junk Band'' (1998 compilation of the album 'The Eggplant That Ate Chicago', all the singles tracks and 8 previously unreleased tracks) Singles * "Gondoliers, Shakespeares, Overseers, Playboys and Bums" / "Daddy I Know" (1967) * "The Eggplant That Ate Chicago "The Eggplant That Ate Chicago" is a song about alien invasion by Dr. West's Medicine Show and Junk Band. Although often listed ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Jug Band
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by taking a ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ...
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Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among ''Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial non- ...
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Norman Greenbaum
Norman Joel Greenbaum (born November 20, 1942) is an American singer-songwriter. He is primarily known for his 1969 song "Spirit in the Sky". Early life Greenbaum was born in Malden, Massachusetts. He was raised in an Orthodox Jewish household and attended Hebrew school at Congregation Beth Israel. His initial interest in music was sparked by Southern blues music and the folk music that was popular in the late 1950s and early 1960s. He performed with various bands in high school and studied music at Boston University for two years. In college he performed at local coffeehouses but eventually dropped out and moved to Los Angeles in 1965. Career In the late 1960s Norman Greenbaum was the leader and composer for Dr. West's Medicine Show and Junk Band, which recorded the novelty hit " The Eggplant That Ate Chicago". The group's psychedelic approach was too eccentric for mainstream show business; the group's name suggested a novelty or comedy act incorporating music. Greenbaum ...
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Hit Record
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ...
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The Eggplant That Ate Chicago
"The Eggplant That Ate Chicago" is a song about alien invasion by Dr. West's Medicine Show and Junk Band. Although often listed as a "one hit wonder", the song did not actually reach the top 40, and its author, Norman Greenbaum, later wrote and performed "Spirit in the Sky" to greater chart success. It was re released on ''Dr. Demento Presents: The Greatest Novelty Records of All Time, Volume III: The 1960s'' in 1985. In Australia, it appeared on the Festival compilation ''Operation Big Time!'' in 1967. Parodies and homages *Tom Paxton's "The Pizza That Ate Chicago" on ''Fun Food Songs'' (Delta, 1999) and ''Your Shoes, My Shoes'' (2002) *"The Aubergine That Ate Rangoon" on Hawkwind's ''Astounding Sounds, Amazing Music'', 1976 *Big Maybelle covered the song on ''America's Queen Mother of Soul'', 2007 Although not strictly following the [foodstuff] that ate [place] formula, there has also been: * "The Cockroach That Ate Cincinnati" by Rose and the Arrangement in 1974 and, arguably i ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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