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Doha (poetry)
Doha (Urdu: , Hindi: दोहा) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry.{{Cite web, url=http://dsalsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:1:1216.platts, title = Digital South Asia Library Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas, Surdas A doha is a couplet consisting of two lines, each of 24 instants (Matras). The rules for distinguishing light and heavy syllables is slightly different from Sanskrit. Each line has 13 instants in first part and 11 instants in the second. The first and third quarters of doha have 13 instants which must parse as 6-4-3. Many Hindi poets have created several books which explain whole stories and epics in the form of dohas. The most popular is Tulsidas' ''Ramcharitmanas'', a popular rendition of the Sanskrit epic ''Ramayana''. Examples न ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman Chalisa
The ''Hanuman Chalisa'' (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn (''stotra'') in praise of Hanuman.Rambhadradas 1984pp. 1–8./ref> It was authored by Tulsidas in the Awadhi language, and is his best known text apart from the ''Ramcharitmanas''. Apart from Awadhi, the ''Hanuman Chalisa'' is also available in various languages including Sanskrit, Kannada, Marathi, Telugu, Tamil, Gujarati and Bengali. The word "chālīsā" is derived from "chālīs", which means the number forty in Hindi, as the ''Hanuman Chalisa'' has 40 verses (excluding the couplets at the beginning and at the end). Hanuman is a devotee of Rama and one of the central characters of the ''Ramayana''. According to the Shaivite tradition, God Hanuman is also an incarnation of God Shiva. Folk tales acclaim the powers of Hanuman.Peebles 1986, p. 100 The qualities of lord Hanuman – his strength, courage, wisdom, celibacy, devotion to Lord Rama and the many names by which he is known – are detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doha (Indian Literature)
Doha is a lyrical verse-format which was extensively used by Indian poets and bards of North India probably since the beginning of the 6th century AD. Dohas of Kabir, Tulsidas, Raskhan, Rahim and the dohas of Nanak called Sakhis are famous. Satasai of Hindi poet, Bihārī, contains many dohas. Dohas are written even now. Background Doha is a very old "verse-format" of Indian poetry. It is an independent verse, a couplet, the meaning of which is complete in itself. As regards its origin, Hermann Jacobi had suggested that the origin of ''doha'' can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line. This format had found favour with the Abhiras or Ahirs who had greatly encouraged its use, the Abhiras belonged to Gandhara region now in Pakistan. Jacobi's theory rests on the premise that the Indians possessed a translation of Homer's works as asserted by Dio of Alexandria. Therefore, for a very long time the Doha verse-format was popularly used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chhand (poetry)
''Chhand'' ( pa, ਛੰਦ , ur, چھند, hi, छंद) is a quatrain used in the poetic traditions of North India and Pakistan. Chhands in culture In the culture of the northwestern part of the Indian subcontinent, it is customary for ''chhands'' to be recited at ceremonial occasions such as weddings, where they are used by grooms to praise their in-laws. Formerly, the form was extensively employed by court bards to praise royal personages. ''Chhands'' are also used extensively in the '' Nautanki'' dance-drama tradition of the region, especially in the ''alha chhand'' or ''bir chhand'' formats. A typical Punjabi wedding ''chhand'' might extol the mother- and father-in-law, for instance this one, which says the groom holds them in the same esteem as his own parents - A Rajasthani language ''chhand'', from the poem '' Haldighati'' by Kanhaiyalal Sethia, describes Maharana Pratap's determination to fight on against the Mughals at all costs - Chhands in religion Jaap Sah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
