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Dixieland Revival Ensembles
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and " fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as '' kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Sicily
The Music of Sicily refers to music created by peoples from the isle of Sicily. It was shaped by the island's history, from the island's great presence as part of Magna Grecia 2,500 years ago, through various historical incarnations as a part of the Roman Empire, then as an independent state as the Emirate of Sicily then as an integral part of the Kingdom of Sicily and later the Kingdom of the Two Sicilies, and, finally, as an autonomous region of the modern nation state of Italy. General comments Sicily is home to a great variety of Religious music, including a cappella devotional songs from Montedoro and many brass bands like Banda Ionica, who play songs from a diverse repertoire. Harvest songs and work songs are also indigenous to the agricultural island, known as "Italy's granary". Sicilian flute music, called friscaletto, is also popular among traditionalist Sicilians, as are Messina's male choirs and the island's ''" ciarameddi"'' (bagpipes). Franco Battiato, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordal Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in , solo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Chicago
Chicago, Illinois is a major center for music in the midwestern United States where distinctive forms of blues (greatly responsible for the future creation of rock and roll), and house music, a genre of electronic dance music, were developed. The "Great Migration (African American), Great Migration" of poor black workers from the South into the industrial cities brought traditional jazz and blues music to the city, resulting in Chicago blues and "Chicago-style" Dixieland jazz. Notable blues artists included Muddy Waters, Junior Wells, Howlin' Wolf and both Sonny Boy Williamson II, Sonny Boy Williamsons; jazz greats included Nat King Cole, Gene Ammons, Benny Goodman and Bud Freeman. Chicago is also well known for its soul music. In the early 1930s, Gospel music began to gain popularity in Chicago due to Thomas A. Dorsey's contributions at Pilgrim Baptist Church. In the 1980s and 1990s, Hard rock, heavy rock, punk rock, punk and Hip hop music, hip hop also became popular in Chica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dukes Of Dixieland
The Dukes of Dixieland was an American, New Orleans "Dixieland"-style revival band, originally formed in 1948 by brothers Frank Assunto, trumpet; Fred Assunto, trombone; and their father Papa Jac Assunto, trombone and banjo. Their first records featured Jack Maheu, clarinet; Stanley Mendelsohn, piano; Tommy Rundell, drums; and Barney Mallon, tuba and string bass. The 1958 album “Marching Along with the Dukes of Dixieland, Volume 3,” lists Frank, Fred, and Jac Assunto, along with Harold Cooper (clarinet), Stanley Mendelsohn (piano), Paul Ferrara (drums), and Bill Porter (tuna and string bass). During its run the band also featured musicians such as clarinetists Pete Fountain, Jerry Fuller, Kenny Davern, drummers Barrett Deems, Charlie Lodice, Buzzy Drootin and guitarists Jim Hall, and Herb Ellis. The band also recorded with Louis Armstrong. Fred and Frank Assunto both died young, and the original Dukes of Dixieland disbanded in the early 1970s. In April 1974, producer/manag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Era
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
