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Die Auferstehung Und Himmelfahrt Jesu
''Die Auferstehung und Himmelfahrt Jesu'' (The Resurrection and Ascension of Jesus) is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further revised between 1778 and 1780. Along with the other oratorios that CPE Bach composed, ''Die Auferstehung und Himmelfahrt Jesu'' has been described as being "among the most important Protestant vocal works of the second half of the 18th century". Background While known mainly for his keyboard works and performance treatises, Carl Philipp Emanuel Bach also composed several oratorios during his career as a composer. These oratorios fall into the category of the late 18th-century German ''lyric oratorio'', where the story is assumed to be known to the listener and the drama is expressed through unnamed 'idealized' personages. The libretto wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Van Swieten
Gottfried Freiherr van Swieten (29 October 1733 – 29 March 1803) was a Dutch-born Austrian diplomat, librarian, and government official who served the Holy Roman Empire during the 18th century. He was an enthusiastic amateur musician and is best remembered today as the patron of several great composers of the Classical era, including Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. Life and career Van Swieten was born Godefridus Bernardus "Godfried" van Swieten in Leiden and grew up in the Dutch Republic to the age of 11. His father, Gerard van Swieten, was a physician who achieved a high reputation for raising standards of scientific research and instruction in the field of medicine. In 1745, the elder Van Swieten agreed to become personal physician to the Holy Roman Empress Maria Theresa and moved with his family to Vienna, where he also became the director of the court library and served in other government posts. The young Van Swieten was educated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Max
Hermann Max (born 1941 in Goslar) is a German choral conductor. In 1977, he founded the Jugendkantorei Dormagen, which in 1985 became the basis of the Rheinische Kantorei and Das Kleine Konzert. In 1992 he founded the Knechtsteden Early Music Festival. The Rheinische Kantorei and Das Kleine Konzert under Max have a discography of over 100 recordings focussing on the German choral repertory, particularly the Bach family: J. S. Bach, W. F. Bach, W. F. E. Bach, J. C. F. Bach, J. C. Bach, C. P. E. Bach, the distantly related J. L. Bach, and the last of the composing Bachs J. M. Bach the Younger, as well as Telemann, Graupner, Hummel, Naumann, Andreas Romberg, Johann Heinrich Rolle Johann Heinrich Rolle (23 December 1716 – 29 December 1785) was a German baroque composer. Rolle was born in Quedlinburg. His father was a musician in Magdeburg, and in his early years Rolle served there as an organist while studying law. In 1 ... and others. References 1941 births Livi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rheinische Kantorei
The Rheinische Kantorei is a German vocal ensemble of baroque music accompanied by an instrumental ensemble called Das Kleine Konzert. History The Rheinische Kantorei and Das Kleine Konzert were founded in 1977 by the German conductor Hermann Max. This vocal ensemble has between twelve and thirty-two singers. It has worked with soloists such as soprano Barbara Schlick, tenors and Christoph Prégardien and basses Gotthold Schwarz and Stephen Varcoe. Its repertoire is mainly Renaissance and Baroque but also includes classical and romantic works. The ensemble intensively explores the repertoire of representatives of the different generations of the Bach family: * Johannes Bach, Heinrich Bach, Johann Michael Bach * Johann Sebastian Bach, Johann Ernst Bach, Johann Ludwig Bach * Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Johann Christian Bach, Johann Christoph Friedrich Bach * Wilhelm Friedrich Ernst Bach It also focuses on Johann Sebastian Bach's predecessors ( Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigiswald Kuijken
Sigiswald Kuijken (; born 16 February 1944) is a Belgian violinist, violist, and conductor known for playing on period and original instruments. Biography Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972. Since 1971 he has taught Baroque violin at the Royal Conservatory of The Hague and the Royal Conservatory of Brussels. He is noted for using the older technique of resting the violin on the shoulder without a shoulder rest, rather than held under the chin. He is a member of the Kuijken String Quartet, which he formed in 1986. In recent years, he has also performed as conductor of symphonies of the Romantic era. His brothers are also known for historically informed performance: Barthold Kuijken is a flutist and recorder player and Wieland Kuijken, also a member of the Kuijken Quartet, is a cellist and gambist. They all have worked extensively with harpsichordist G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Petite Bande
La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart. History The ensemble was brought together in 1972 by Sigiswald Kuijken, originally for the one-off purpose of recording Lully's comédie-ballet, ''Le Bourgeois gentilhomme'', conducted by Gustav Leonhardt for the Deutsche Harmonia Mundi label. The ensemble was given its name from Lully's '' Petite Bande des Violons du Roi'', an orchestra of 21 string players at the court of Louis XIV. The nucleus of the original group was the Leonhardt Consort along with Sigiswald Kuijken and his brothers Wieland and Barthold. Following the recording, the group continued to give concerts throughout Europe and became a permanent ensemble based in Leuven with Kuijken as director. Their initial repertoire concentrated on French Baroque music, but soon bran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo Aria
The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and oratorio. According to Randel, a number of Baroque composers (he lists Scarlatti, Hasse, Handel, Porpora, Leo, and Vinci) composed more than a thousand da capo arias during their careers.Randel (2003:54) Form A da capo aria is in ternary form, meaning it is composed of three sections. The first section is a complete song with accompaniment, ending in the tonic key, and could in principle be sung by itself. The second section contrasts with the first in its musical key, texture, mood, and sometimes also tempo. The third section was usually not written out by the composer, who would instead simply note the instruction " da capo" (Italian for "from the head") - meaning from the beginning, i.e., the first section is to be repeated. The text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 150
Psalm 150 is the 150th and final psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the . Praise God in his sanctuary". In Latin, it is known as "Laudate Dominum in sanctis eius". In Psalm 150, the psalmist urges the congregation to praise God with music and dancing, naming nine types of musical instruments. In most versions of the Bible, the Book of Psalms has 150 psalms and Psalm 150 is the final one. However, that is not the case in the Eastern Orthodox and Syriac Orthodox canons, which have 151 and 155 psalms respectively. The Jerusalem Bible describes Psalm 150 as a "final chorus of praise". It is a hymn psalm, forming a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. As one of the Laudate psalms, it was part of the Lauds, a Catholic morning service. It has been paraphrased in hymns and has often been set to music. Composers have written settings throughout the centuries, in various langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmaus
Emmaus (; Greek: Ἐμμαούς, ''Emmaous''; la, Emmaus; , ''Emmaom''; ar, عمواس, ''ʻImwas'') is a town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples while they were walking on the road to Emmaus. Although its geographical identification is not certain, several locations have been suggested throughout history, chiefly Emmaus Nicopolis. It is known only that it was connected by a road to Jerusalem; the distance given by Luke varies in different manuscripts and the figure given has been made even more ambiguous by interpretations. Name The place-name Emmaus is relatively common in classical sources about the Levant and is usually derived through Greek and Latin from the Semitic word for "warm spring", the Hebrew form of which is ''hamma'' or ''hammat'' (חמת). In the ancient and present-day Middle East, many sites are named Hama Hamath and variations thereof. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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