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Death Of Actaeon
''The Death of Actaeon'' is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish (one of which he calls " Actaeon mauled by hounds") in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the '' Flaying of Marsyas'', which unlike this has a signature, perhaps an indication of completion. It is a sequel of Titian's work ''Diana and Actaeon'' showing the story's tragic conclusion, which approximately ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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Basil Feilding, 2nd Earl Of Denbigh
Basil Feilding, 2nd Earl of Denbigh (c. 160828 November 1675) was a diplomat, politician and parliamentarian army officer during the English Civil War. He was the eldest son of William Feilding, 1st Earl of Denbigh and Susan Feilding, Countess of Denbigh. Biography Like his father, the son was educated at Emmanuel College, Cambridge. He was summoned to the House of Lords as Baron Fielding in March 1629. Around this time, his maternal grandmother, the powerful Countess of Buckingham, gifted or bequeathed Basil substantial lands adjacent to the family estate at Newnham Paddox, Warwickshire. Consisting of most of the village of Monks Kirby and land in neighouring villages, the lands were the ancient estate that had belonged to the Pre-Reformation Monks Kirby Priory. After seeing military service in the Netherlands Basil was sent in 1634 by Charles I as ambassador to Venice, where he remained for five years. When the English Civil War broke out Fielding, unlike the other mem ...
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James Hamilton, 1st Duke Of Hamilton
James Hamilton, 1st Duke of Hamilton, KG, PC (19 June 1606 – 9 March 1649), known as The 3rd Marquess of Hamilton from March 1625 until April 1643, was a Scottish nobleman and influential political and military leader during the Thirty Years' War and the Wars of the Three Kingdoms. Young Arran James was born in 1606 at Hamilton Palace in Lanarkshire, the son of James, 2nd Marquess of Hamilton, and the Lady Ann Cunningham, daughter of James, 7th Earl of Glencairn. Following the death of his insane great-uncle James, Earl of Arran, in 1609, the infant was styled Earl of Arran. Heir to the Throne of Scotland The young Earl of Arran's close ancestor was the Princess Mary, daughter to James II of Scotland and Mary of Gueldres. After the death in 1612 of Henry Frederick, Prince of Wales, James became third in line to the throne of Scotland, after Charles, Duke of Rothesay, and his sister Elizabeth. Education James VI's first visit to Scotland since the Union of the C ...
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Bartolomeo Della Nave
Bartolomeo della Nave (? – 1636) was a Venetian merchant and art collector. Della Nave was born in Venice and acquired a large art collection, that later was spread to prominent collections. Many of the artworks in his collection are known from an inventory dated 1636, which is often also assumed to be his year of death; with others this is uncertain, as they were bought in Venice for Hamilton, but their previous ownership by della Nave is only a strong presumption. Many of the paintings in his collection are still together today and form a part of the collection of the Kunsthistorisches Museum in Vienna. Their provenance records show "1636 Slg. Bartolomeo della Nave, Venedig; 1638-1649 Slg. Hamilton; Slg. Leopold Wilhelm", whereby the intermediary owners are shown to be James Hamilton, 1st Duke of Hamilton (d. 1649) and the Archduke Leopold Wilhelm of Austria (d. 1662). Most of della Nave's collection was bought for Hamilton (then still a Marquess) in 1636–38; he was one of ...
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Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ...
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National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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Diana And Callisto
''Diana and Callisto'' is a painting completed between 1556 and 1559 by the Italian late Renaissance artist Titian. It portrays the moment in which the goddess Diana discovers that her maid Callisto has become pregnant by Jupiter. The painting was jointly purchased by the National Gallery and the Scottish National Gallery for £45 million in March 2012. Along with its companion painting ''Diana and Actaeon'' it is displayed on an alternating basis between London and Edinburgh. There is a later version by Titian and his workshop in the Kunsthistorisches Museum in Vienna. History ''Diana and Callisto'' is part of a series of seven famous canvasses, the "poesies", depicting mythological scenes from Ovid's ''Metamorphoses'' painted for Philip II of Spain after Maximilian II, Holy Roman Emperor had declined Titian's offer to paint them for him. The work remained in the Spanish royal collection until 1704 when King Philip V gave it to the French ambassador. It was soon a ...
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Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ...
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Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace ...
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The Rape Of Europa (Titian)
''The Rape of Europa'' is a painting by the Venetian artist Titian, painted ca. 1560–1562. It is in the permanent collection of the Isabella Stewart Gardner Museum of Boston, Massachusetts. The oil-on-canvas painting measures . Subject The title of the painting refers to the mythological story of the abduction of Europa by Zeus (Jupiter to the Romans). In the myth, the god assumed the form of a bull and enticed Europa to climb onto his back. Once there, the bull rode into the sea and carried her to Crete, where he revealed his real identity. Europa became the first Queen of Crete, and had three children with Zeus. Although the source of Titian's inspiration is thought to have been based on the scene from Book II in Ovid's ''Metamorphoses,'' a more direct influence might be a description of a painting of the rape of Europa found in Achilles Tatius's novel, ''Leucippe and Clitophon''. Achilles Tatius's novel was translated into Italian and printed in 1546 in Venice, only a few y ...
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Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ...
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