Daina (Lithuania)
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Daina (Lithuania)
Lithuanian folk songs (in Lithuanian: "liaudies dainos") are often noted for not only their mythological content but also their relating historical events. Lithuanian folk music includes romantic songs, wedding songs, as well as work songs and archaic war songs. Traditional songs are performed either solo or in groups, in unison or harmonized in primarily in thirds (''tūravoti'' - lith. "to harmonize"). There are three ancient styles of singing in Lithuania that are connected with ethnographical regions: monophony, multi-voiced homophony, heterophony and polyphony. Monophony mostly occurs in southern ( Dzūkija), southwest ( Suvalkija) and eastern (Aukštaitija) parts of Lithuania. Multi-voiced homophony is widespread in the entire Lithuania. It is most archaic in the western part (Samogitia). Polyphonic songs are common in the renowned sutartinės tradition of Aukštaitija and occurs only sporadically in other regions. Many Lithuanian dainos are performed in the minor key. ...
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Lithuanian Folklore Performance
Lithuanian may refer to: * Lithuanians * Lithuanian language * The country of Lithuania * Grand Duchy of Lithuania * Culture of Lithuania * Lithuanian cuisine * Lithuanian Jews as often called "Lithuanians" (''Lita'im'' or ''Litvaks'') by other Jews, sometimes used to mean Mitnagdim See also

* List of Lithuanians {{disambig Language and nationality disambiguation pages ...
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Panpipes
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory. Name The pan flute is named after Pan, the Greek god of nature and shepherds often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next to the other, and bound them together to make ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-piston v ...
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Baltic Psaltery
Baltic psaltery is a family of related plucked box zithers, psalteries, historically found in the southeast vicinity of the Baltic Sea and played by the Baltic people, Baltic Finns, Volga Finns and northwestern Russians. Types Baltic psalteries include: * Kanklės (Lithuania) * Kantele (Finland, Karelia and Northwest Russia) * Kannel (Estonia) * Kāndla (Livonian people of Northwest Latvia) * Kokles (Latvia) * Krez (Udmurt people of Central Russia) * Krylovidnye gusli (Northwest Russia) * Kusle (Mari people of Central Russia) * Harpu (Sápmi) The internationally most known instrument of the family is Finnish kantele, so its name is sometimes used in English to also refer to other Baltic psalteries as well. Many of the Baltic psalteries hold a strong symbolic significance in their respective countries, including Finland, Latvia, Lithuania, Estonia and Russia, where playing instruction and instrument makers are available. Etymology According to Finnish linguist Eino ...
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Kanklės
Kanklės () is a Lithuanian plucked string instrument (chordophone) belonging to the Baltic box zither family known as the Baltic psaltery, along with the Latvian kokles, Estonian kannel, Finnish kantele, and Russian gusli. Etymology According to Finnish linguist Eino Nieminen, the name of the instrument, along with the names of most of its neighbouring counterparts (Latvian ''kokles'', Finnish ''kantele'', Estonian ''kannel'' and Livonian ''kāndla''), possibly comes from the proto-Baltic form ''*kantlīs''/''*kantlēs'', which originally meant 'the singing tree', most likely deriving from the Proto-Indo-European root ''*qan-'' ('to sing, to sound'; cf. Latin "canto, cantus, canticum", Italian "cantare", French "chanter", English "chant, cantor"). A Lithuanian ethnologist Romualdas Apanavičius believes ''Kanklės'' could be derived from the Proto-European root ''*gan(dh)-'', meaning 'a vessel; a haft (of a sword)', suggesting that it may be related to the Russian wor ...
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Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed ...
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Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchan ...
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Imitation
Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. It allows for the transfer of information (behaviours, customs, etc.) between individuals and down generations without the need for genetic inheritance." The word ''imitation'' can be applied in many contexts, ranging from animal training to politics. The term generally refers to conscious behavior; subconscious imitation is termed mirroring. Anthropology and social sciences In anthropology, some theories hold that all cultures imitate ideas from one of a few original cultures or several cultures whose influence overlaps geographically. Evolutionary diffusion theory holds that cultures influence one another, but that similar ideas can be developed in isolation. Scholars as well as popular authors have argued that the role of imitation in ...
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Canon (music)
In music, a canon is a contrapuntal ( counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Middle Ages, Renaissance, and Baroque—that is, through the early 18th century—any kind of imitative musical counterpoints were called fugues, with the strict ...
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Parallel Harmony
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies (see voice leading). Illustrative example Lines with parallel harmony can be viewed as a series of chords with the same intervallic structure. Parallel means that each note within the chord rises or falls by the same interval. Examples from works Prominent examples include: * Claude Debussy's '' Beau soir'' (1880), ''Prélude à l'après-midi d'un faune'' (1894), '' Nocturnes'' (1899), '' La Mer'' (1905), '' La cathédrale engloutie'', " Voiles", " Feuilles mortes" * Maurice Ravel's '' Daphnis and Chloë'' Suite No. 2 (1913), "Menuet" from '' Le Tombeau de Couperin'' * Erik Satie's '' Le Fils des étoiles (1892) * Igor Stravinsky's ''The Rite of Spring'' (1913) * Olivier Messiaen's music features abundant planing * Richard Strauss's '' Elektra'' (1909) * Arnold Schoenberg's ''Pierrot lunaire'', "Columbine" (1914) * Wi ...
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